These rhymes are original and fun, as well as being educational. This is a book for children to enable them to learn the gender names of animals. So few children learn these now, even though it is general knowledge and part of the vocabulary of the English language. Sally King began writing using the simple names of farmyard animals; she thought this would appeal to five to seven year olds as well as their parents and teachers. Then, after some research, her results found that eight to nine year olds were not familiar with some basic names such as "sow" for a female pig or "stag" for a male deer. The rhymes have been developed to include more unfamiliar names such as those for a crab, a falcon or a seahorse, in the hope of perhaps making the book appeal to older children too. The repetition at the end of each rhyme engages the child. In her experience teaching children of all ages for over thirty years, Sally knows how much children love repetition and rhyme. She sees the book, perhaps, as one that might be read aloud by a parent, with the child joining in with the repeated lines or perhaps a rhyme being read by a teacher to an infant class and the class learning the names as they join in with the familiar lines. The author has not come across any book similar to this one, that addresses the subject of learning animal names, so she feels this will meet a demand in the marketplace.

The 607 paintings and one sculpture documented in Volume 4 of The Andy Warhol Catalogue Raisonne were produced during a period of less than three years, from late 1974 through early 1977. In September 1974, Warhol changed studios, moving across Union Square from the sixth floor of 33 Union Square West to the third floor of 860 West Broadway. Like Volumes 2 and 3, Volume 4 is identified with a new studio, where Warhol continued to work for a decade, until he moved into his last studio at 22 East 33rd Street on December 3, 1984. Volume 4 may be seen as the first in a series of books associated with one studio that will document an enormously productive ten-year period in Warhol's oeuvre from the mid seventies to the mid eighties.

In January 1964 Warhol moved his studio to East Forty-seventh Street and began to produce works in series, allowing him to create open-ended aggregations of boxes or canvases that could be combined, recombined, or left as single units. This volume of the catalogue raisonne reproduces the series Thirteen Most Wanted Men; seven distinct series of box sculptures, including Brillo, Heinz Ketchup, and Del Monte Peach Halves, among others; the Jackie Paintings, based on press coverage of the assassination of John F. Kennedy in 1963; a series of portraits, including 11 self-portraits; Marilyn and Jackie paintings of mid-1964, with which Warhol introduced a new procedure in the studio - painting in areas of local colour by hand; and the 1964 Flowers series, probably Warhol's earliest allusion to abstract painting. Linich's rare photographs of works and people inside The Factory, as well as archival photos of gallery and museum installations showing original combinations of these serial works, and original newspaper clippings and silkscreen mechanicals. Whenever possible, catalogue entries attempt to record how and when a multi-canvas work came to be assembled in its present format. for readers to find their way through the catalogue entries. These list for each work the standard data (dimensions, date, present owner, inscriptions and special notes), provenance, exhibitions and literature. Volumes are organized according to catalogue number, with works reproduced in numerical order, followed by the corresponding texts. this volume includes appendices documenting each of Warhol's solo museum exhibitions of the period, with a list of every work included in each exhibition. Additional reference material includes notes to the catalogue texts; a title index; and a comprehensive general index. Indexes cross-reference works with their catalogue numbers and page numbers as they appear in the book. editors Georg Frei and Neil Printz began primary research in 1993, advised by the distinguished curators and art historians Kynaston McShine and Robert Rosenblum. Experts from the Andy Warhol Foundation reviewed archival materials, personally examined nearly each work of art, analyzed works in museums in their conservation facilities and discussed them with conservators, submitted works for review by the Andy Warhol Art Authentication Board, and interviewed Warhol's assistants and colleagues to assemble a customized database of works unparalleled in Warhol scholarship. Warhol's method of working in serial compositions, silkscreen, and repeating units challenges traditional art connoisseurship and begs the question not only of what is and what is not Warhol, but which Warhol is it? For each work, the catalogue answers, among other things, two central questions: When was it made? and How was it executed?

This is a fun and educational book that is part of a series of three that have been written in rhythm and rhyme to enable children to become familiar with vocabulary relating to animals: vocabulary that is fast disappearing from our English language because it is not generally being taught or learned or used. "Animal Homes" uses rhyme with bright, colourful illustrations to introduce words such as sett, drey, holt and vespiary relating to homes of badgers, squirrels, otters and wasps. It encourages children to develop their vocabulary through literacy and learning. The two other books in the series do the same with gender of animals, (Animal Families) and collective nouns for birds, (A Flamboyance of Flamingos). All three books were written to encourage words that are part of our heritage to remain within our children's reach.