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his is Salman Rushdie at his best. A magical realist feminist tale in an historical setting that will stay with you long after you turn the final page. The epic tale of a woman who breathes a fantastical empire into existence, only to be consumed by it over the centuries - from the transcendent imagination of Booker Prize-winning, internationally bestselling author Salman Rushdie. In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl's mouth. Granting her powers beyond Pampa Kampana's comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga - literally 'victory city' - the wonder of the world. Over the next two hundred and fifty years, Pampa Kampana's life becomes deeply interwoven with Bisnaga's, from its literal sowing out of a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power. Whispering Bisnaga and its citizens into existence, Pampa Kampana attempts to make good on the task that Parvati set for her: to give women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception. As years pass, rulers come and go, battles are won and lost, and allegiances shift, the very fabric of Bisnaga becomes an ever more complex tapestry - with Pampa Kampana at its center. Brilliantly styled as a translation of an ancient epic, this is a saga of love, adventure, and myth that is in itself a testament to the power of storytelling.
From internationally renowned writer and Booker Prize winner Salman Rushdie, a searing, deeply personal account of enduring—and surviving—an attempt on his life thirty years after the fatwa that was ordered against him. On the morning of August 12, 2022, Salman Rushdie was standing onstage at the Chautauqua Institution, preparing to give a lecture on the importance of keeping writers safe from harm, when a man in black—black clothes, black mask—rushed down the aisle toward him, wielding a knife. His first thought: So it’s you. Here you are. What followed was a horrific act of violence that shook the literary world and beyond. Now, for the first time, and in unforgettable detail, Rushdie relives the traumatic events of that day and its aftermath, as well as his journey toward physical recovery and the healing that was made possible by the love and support of his wife, Eliza, his family, his army of doctors and physical therapists, and his community of readers worldwide. Knife is Rushdie at the peak of his powers, writing with urgency, with gravity, with unflinching honesty. It is also a deeply moving reminder of literature’s capacity to make sense of the unthinkable, an intimate and life-affirming meditation on life, loss, love, art—and finding the strength to stand up again.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
A beautiful hardback edition of a modern classic and winner of 'The Best of the Booker' - the best novel from Booker Prize history. Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most impossible and glorious. 'A wonderful, rich and humane novel that is safe to call a classic' Guardian VINTAGE QUARTERBOUND CLASSICS: Beautiful editions of great books to last a lifetime
'A masterpiece' Sunday Times Just before dawn one winter's morning, a aeroplane blows apart high above the English Channel and two figures tumble, clutched in an embrace, towards the sea: Gibreel Farishta, India's legendary movie star, and Saladin Chamcha, the man of a thousand voices. Washed up, alive, on an English beach, their survival is a miracle. But there is a price to pay. Gibreel and Saladin have been chosen as opponents in the eternal wrestling match between Good and Evil. But chosen by whom? And which is which? And what will be the outcome of their final confrontation? 'A great novelist, a master of perpetual storytelling' V.S. Pritchett
From internationally renowned writer and Booker Prize winner Salman Rushdie, a searing, deeply personal account of enduring—and surviving—an attempt on his life thirty years after the fatwa that was ordered against him. On the morning of August 12, 2022, Salman Rushdie was standing onstage at the Chautauqua Institution, preparing to give a lecture on the importance of keeping writers safe from harm, when a man in black—black clothes, black mask—rushed down the aisle toward him, wielding a knife. His first thought: So it’s you. Here you are. What followed was a horrific act of violence that shook the literary world and beyond. Now, for the first time, and in unforgettable detail, Rushdie relives the traumatic events of that day and its aftermath, as well as his journey toward physical recovery and the healing that was made possible by the love and support of his wife, Eliza, his family, his army of doctors and physical therapists, and his community of readers worldwide. Knife is Rushdie at the peak of his powers, writing with urgency, with gravity, with unflinching honesty. It is also a deeply moving reminder of literature’s capacity to make sense of the unthinkable, an intimate and life-affirming meditation on life, loss, love, art—and finding the strength to stand up again.
Saleem Sinai was born at midnight, the midnight of India's independence, and finds himself mysteriously 'handcuffed to history' by the coincidence. He is one of 1,001 children born at the midnight hour, each of them endowed with an extraordinary talent - and whose privilege and curse it is to be both master and victims of their times. Through Saleem's gifts - inner voices and a wildly sensitive sense of smell - we are drawn into a fascinating family saga set against the vast, colourful background of the India of this century.
From the Booker Prize-winning author of The Satanic Verses comes nine stories that reveal the oceanic distances and the unexpected intimacies between East and West. Daring, extravagant, comical and humane, this book renews Rushdie's stature as a storyteller who can enthrall and instruct us with the same sentence.
Edited by Paul Auster, this four-volume set of Beckett's canon has
been designed by award-winner Laura Lindgren. Available
individually, as well as in a boxed set, the four hardcover volumes
have been specially bound with covers featuring images central to
Beckett's works. Typographical errors that remained uncorrected in
the various prior editions have now been corrected in consultation
with Beckett scholars C. J. Ackerley and S. E. Gontarski.
One of the most controversial and acclaimed novels ever written, "The Satanic Verses" is Salman Rushdie's best-known and most galvanizing book. Set in a modern world filled with both mayhem and miracles, the story begins with a bang: the terrorist bombing of a London-bound jet in midflight. Two Indian actors of opposing sensibilities fall to earth, transformed into living symbols of what is angelic and evil. This is just the initial act in a magnificent odyssey that seamlessly merges the actual with the imagined. A book whose importance is eclipsed only by its quality, "The Satanic Verses "is a key work of our times.
*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE* **A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK** 'A wonderful, rich and humane novel... a classic' Guardian Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most impossible and glorious. WITH A NEW 40TH ANNIVERSARY INTRODUCTION BY THE AUTHOR
Winner of the Booker of Bookers
From 'Best of the Booker' winner Salman Rushdie, an incisive and inspiring collection of non-fiction essays, criticism and speeches that takes readers on a thrilling journey through the evolution of language and culture. 'One of the greatest writers of our age' Neil Gaiman Across a wide variety of subjects, Rushdie delves into the nature of storytelling as a deeply human need and what emerges is a love letter to literature itself. Throughout, he shares his personal encounters, on the page and in person, with storytellers from Shakespeare to Toni Morrison and revels in the creative lines that can join art and life. Rushdie considers, too, the nature of truth and looks afresh at migration, multiculturalism and censorship. 'Essential reading... Powerful' Financial Times 'Rushdie is vital, expansive, the critic as storyteller, championing his subjects with gusto' TLS
Time Magazine's Best Book of the Year
Haroun's father is the greatest of all storytellers. His magical stories bring laughter to the sad city of Alifbay. But, one terrible day, everything goes wrong and his father runs out of stories to tell. Haroun, determined to return the storyteller's gift to his father, flies off on the back of the Hoopoe bird to the Sea of Stories - and so begins a fabulous, exciting and dazzling adventure.
The Wizard of Oz 'was my very first literary influence,' writes Salman Rushdie in his account of the great MGM children's classic. At the age of ten he had written a story, 'Over the Rainbow', about a colourful fantasy world. But for Rushdie The Wizard of Oz is more than a children's film, and more than a fantasy. It's a story whose driving force is the inadequacy of adults, in which 'the weakness of grown-ups forces children to take control of their own destinies'. And Rushdie rejects the conventional view that its fantasy of escape from reality ends with a comforting return to home, sweet home. On the contrary, it is a film that speaks to the exile. The Wizard of Oz shows that imagination can become reality, that there is no such place like home, or rather that the only home is the one we make for ourselves. Rushdie's brilliant insights into a film more often seen than written about are rounded off with his typically scintillating short story, 'At the Auction of the Ruby Slippers,' about the day when Dorothy's red shoes are knocked down to $15,000 at a sale of MGM props. In his foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Rushdie looks back to the circumstances in which he wrote the book, when, in the wake of the controversy surrounding The Satanic Verses and the issue of a fatwa against him, the idea of home and exile held a particular resonance.
A history of India since independence seen through the eyes of characters born on that independence was granted. Often hailed as a classic of magic realism, this is a many-layered and entralling narrative in which the complexities of the sub-continent are projected through the minds of its many characters, comic, tragic and fantastic by turns, this is the novel which revolutionized English literature in one fell swoop. MIDNIGHT'S CHILDREN was voted in the Booker of Bookers in 1993.
'Rushdie's most engaging book since Midnight's Children' Observer Shalimar the Clown was once a figure full of love and laughter. His skill as a tightrope walker was legendary in his native home of Kashmir. But fate has played him cruelly, torn him away from his beloved home and brought him to Los Angeles, where he works as a chauffeur. One morning he gets up, goes to work, and kills his employer, America's former counter-terrorist chief Maximilian Ophuls, in view of the victim's illegitimate daughter, India. The killing has its roots halfway across the globe, back in Kashmir, a ruined paradise not so much lost as shattered. And gradually it emerges that beyond this unholy trinity of Max, India and Shalimar, lurks a fourth, shadowy figure, one who binds them all together. 'This is Rushdie at his most flamboyant best' Financial Times
Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age. Here is the fourth collection of brilliant interviews to be gathered together, 'a bible both for readers and writers, the insider gossip for those who are truly passionate about their prose.' (Observer) This new edition is introduced by Salman Rushdie and includes interviews with: William Styron Marianne Moore Ezra Pound E.B. White P.G. Wodehouse John Ashbery Philip Roth Maya Angelou Orhan Pamuk V.S. Naipaul Stephen Sondheim Haruki Murakami David Grossman Marilynne Robinson |
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