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A Dream Collection - Surrealism in Museum Boijmans Van Beuningen (Hardcover): Saskia Van-Kampen-Prein, Sandra Kisters, Marijke... A Dream Collection - Surrealism in Museum Boijmans Van Beuningen (Hardcover)
Saskia Van-Kampen-Prein, Sandra Kisters, Marijke Peyser, Laurens Vancrevel, Bert Janssen, …
R1,119 R856 Discovery Miles 8 560 Save R263 (24%) Ships in 10 - 15 working days

Museum Boijmans Van Beuningen has been collecting Surrealist art since 1965. In something over half a century, what began with a single purchase has now grown into a world-class core collection with works by Dali, Magritte, Man Ray, De Chirico, Ernst and many others. Surrealism, which started as a literary movement, is not a school, but rather a collective attitude or lifestyle in which automatism, chance and the subconscious are key. The museum's collection includes paintings, sculptures, objects, drawings, prints and photographs - as well as a large number of Surrealist publications, magazines, manifestos and pamphlets. This dream collection has now been brought together in a catalogue raisonne for the first time. The catalogue raisonne contains three introductory essays. Sandra Kisters, the current Head of the Collection and Research Department, provides an outline of the Surrealist movement. Curator of Modern and Contemporary Art, Saskia van Kampen-Prein, explains the acquisition history and establishment of the museum's Surrealist art collection. Surrealism expert Laurens Vancrevel examines the museum's unique, often neglected collection of Surrealist publications. The essays are followed by the catalogue, consisting of 108 short texts about the artworks. Most of the texts were written by Marijke Peyser, who was awarded her doctorate in 2008 with her dissertation on the Zodiaque, a circle of patrons around Salvador Dali. The Duchamp texts are by Bert Jansen, who obtained his doctorate with his thesis on Marcel Duchamp in 2015.

The Mediatization of the Artist (Hardcover, 1st ed. 2018): Rachel Esner, Sandra Kisters The Mediatization of the Artist (Hardcover, 1st ed. 2018)
Rachel Esner, Sandra Kisters
R2,665 Discovery Miles 26 650 Ships in 7 - 11 working days

This book offers trans-historical and trans-national perspectives on the image of "the artist" as a public figure in the popular discourse and imagination. Since the rise of notions of artistic autonomy and the simultaneous demise of old systems of patronage from the late eighteenth century onwards, artists have increasingly found themselves confronted with the necessity of developing a public persona. In the same period, new audiences for art discovered their fascination for the life and work of the artist. The rise of new media such as the illustrated press, photography and film meant that the needs of both parties could easily be satisfied in both words and images. Thanks to these "new" media, the artist was transformed from a simple producer of works of art into a public figure. The aim of this volume is to reflect on this transformative process, and to study the specific role of the media themselves. Which visual media were deployed, to what effect, and with what kind of audiences in mind? How did the artist, critic, photographer and filmmaker interact in the creation of these representations of the artist's image?

The Mediatization of the Artist (Paperback, Softcover reprint of the original 1st ed. 2018): Rachel Esner, Sandra Kisters The Mediatization of the Artist (Paperback, Softcover reprint of the original 1st ed. 2018)
Rachel Esner, Sandra Kisters
R2,046 Discovery Miles 20 460 Out of stock

This book offers trans-historical and trans-national perspectives on the image of "the artist" as a public figure in the popular discourse and imagination. Since the rise of notions of artistic autonomy and the simultaneous demise of old systems of patronage from the late eighteenth century onwards, artists have increasingly found themselves confronted with the necessity of developing a public persona. In the same period, new audiences for art discovered their fascination for the life and work of the artist. The rise of new media such as the illustrated press, photography and film meant that the needs of both parties could easily be satisfied in both words and images. Thanks to these "new" media, the artist was transformed from a simple producer of works of art into a public figure. The aim of this volume is to reflect on this transformative process, and to study the specific role of the media themselves. Which visual media were deployed, to what effect, and with what kind of audiences in mind? How did the artist, critic, photographer and filmmaker interact in the creation of these representations of the artist's image?

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