Exhibitions have become "the" medium through which most art becomes known and assessed. But the art exhibition is an increasingly critical and unstable category. Constantly reshaped by artists and curators, the exhibition has become both a prominent and diverse part of contemporary culture. "Thinking About Exhibitions" presents a multi-disciplinary anthology of writings on exhibition practice by curators, critics, artists, sociologists and historians from North America, Europe and Australia. Texts in the collection are grouped in sections which focus on the history of the exhibition, forms of staging and spectacle, and questions of curatorship, spectatorship and narrative. As well as critical essays, the anthology includes exhibition proposals, dialogues, position papers, case studies, polemic articles and interviews.

An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.

Why has the month of November had a special significance - a month in which I seem to have often experienced some particular, even notable, event, change, or development? Chalk it up to chance? Difficult to be sure about that. Sir Patrick Nairne led a remarkable life with a ringside view of history in the making. He fought with the Seaforth Highlanders in North Africa; worked in the post-war Admiralty and Ministry of Defence; organised the first EU Referendum in 1975; led the Department for Health and Social Security; contributed to the Falkland Islands Review Committee; monitored the consultation process in Hong Kong before the territory was handed back to China; and served as the first Chair of the Nuffield Council on bioethics. Patrick was one of the most notable British civil servants of the twentieth century, and in his later years, after being master of St Catherine's College, Oxford, began to write about his fascinating life and career. In The Coincidence of Novembers, Patrick's son - curator and writer Sandy Nairne - assembles his father's writings, including autobiographical pieces from his papers, into a volume which offers a snapshot of the range of his thinking and creativity: his first-hand experience of significant events in public affairs, his watercolours, and his meditations on a life spent working for the public good.