1960s' sci-fi drama following American tourist Simon Wells (Macdonald Carey) and 20-year-old Joan (Shirley Anne Field) as they escape a motorcycle gang. Joan is the sister of gang leader King (Oliver Reed) and she falls for Simon when King and his cronies mug him. The two become an item and set sail in Simon's boat in an attempt to evade King's wrath. Their journey leads them to a military base where scientist Bernard (Alexander Knox) is performing experiments on children in the hope that he can create a generation that will survive a nuclear bomb. When King catches up with the couple, they persuade him to help the children escape but the task is seemingly impossible. While on the base Simon, Joan and King are all exposed to radioactivity. Will they be able to avoid capture and survive its effects?

BBC adaptation of DH Lawrence's infamous novel, which was banned for thirty years. Lady Chatterley (Joely Richardson), frustrated when her husband returns paralysed from the First World War, embarks on a tentative and scandalous affair with her moody gamekeeper, Mellors (Sean Bean).

Liverpool nightclub owner Mickey O'Neill (Adrian Dunbar) arouses the wrath of his community when he books a mystery singer and implies he's the legendary Irish tenor Josef Locke. Caught out by his girlfriend's mother (Shirley Ann Field), who had an affair with the real Locke years before, Mickey tries to gain face by travelling to Ireland, contacting the tax-exiled tenor (Ned Beatty), and persuading him to come out of hiding.

British drama adapted by writer John Mortimer from his own stage play. Shirley Anne Field stars as a young artist who gets a job designing wallpaper in a factory. There she meets a married executive (Robert Stephens) and the two start spending their lunch hours together, talking and flirting. But as the pair find themselves on the brink of a full-blown affair, various obstacles and misunderstandings arise to stand in their way.

British drama adapted by writer John Mortimer from his own stage play. Shirley Anne Field stars as a young artist who gets a job designing wallpaper in a factory. There she meets a married executive (Robert Stephens) and the two start spending their lunch hours together, talking and flirting. But as the pair find themselves on the brink of a full-blown affair, various obstacles and misunderstandings arise to stand in their way.

A crime writer uses a hypnotised assistant to carry out a series of intricately plotted and gruesome killings. He then writes stories which benefit from the field-tested plots. Michael Gough stars.

Michael Powell's controversial serial killer classic. A clean-cut focus puller (Carl Boehm) at the local film studio supplements his wages by taking girly photographs in a seedy studio above a newsagent. By night he is a sadistic killer, stalking his victims with his camera forever in his hand trying to capture the look of genuine, unadulterated fear. On its initial release the film, now regarded as a masterpiece of the British horror movement, was savaged by critics and public alike. The fearsome reaction went a long way to ruining director Powell's career and the movie was unavailable for many years.

Director Karel Reisz's adaptation of Alan Sillitoe's novel about a hard-living factory worker and the married woman he seduces. Arthur Seaton (Albert Finney) is a young man filled with a rage perhaps even he doesn't fully understand. Working in the tough environment of a Nottingham factory, he compensates for the drudgery and discipline of his weekday life with weekends spent drinking and womanising. His affair with a fellow factory worker's wife, Brenda (Rachel Roberts), seems especially ill-advised - particularly when Brenda informs him that she is pregnant with his child. With abortion illegal at the time, Arthur and Brenda face a difficult dilemma. Will Arthur face up to the kind of domestic responsibilities he openly scorns in his own parents, or run harder than ever?

Michael Powell's controversial serial killer classic. A clean-cut focus puller (Carl Boehm) at the local film studio supplements his wages by taking girly photographs in a seedy studio above a newsagent. By night he is a sadistic killer, stalking his victims with his camera forever in his hand trying to capture the look of genuine, unadulterated fear. On its initial release the film, now regarded as a masterpiece of the British horror movement, was savaged by critics and public alike. The fearsome reaction went a long way to ruining director Powell's career and the movie was unavailable for many years.