"Poetry and War" is an anthology of poetry and prose collected from both the First and Second World War. Simon Featherstone examines the poetry in its intellectual and historical contexts, stressing the continuities and revisions of pre- and inter-war writing and work. The anthology focusses on the importance of war poetry for an understanding of British culture rather than just the British experience of war. The selection of poets and writers--Bertrand Russell, Herbert Read, Robert Graves, Israel Zangwill, David Jones, Virginia Woolf, Edgell Rickword, Arthus Koestler, Stephen Spender, Ivor Gurney, Wilfred Owen, H.D., Alun Lewis--emphasize other issues than front-line experience of battle. The collection also includes hitherto previously excluded and canonically marginalized writers such as the Highland Scot Hamish Henderson and Gaelic poet Sorley Maclean, both who serve up distinctly Scottish versions of the Second World War. A substantial selection of Iovr Guryney's work that revises conventional thinking about war poetry is also included.

"Poetry and War" is an anthology of poetry and prose collected from both the First and Second World War. Simon Featherstone examines the poetry in its intellectual and historical contexts, stressing the continuities and revisions of pre- and inter-war writing and work. The anthology focusses on the importance of war poetry for an understanding of British culture rather than just the British experience of war. The selection of poets and writers--Bertrand Russell, Herbert Read, Robert Graves, Israel Zangwill, David Jones, Virginia Woolf, Edgell Rickword, Arthus Koestler, Stephen Spender, Ivor Gurney, Wilfred Owen, H.D., Alun Lewis--emphasize other issues than front-line experience of battle. The collection also includes hitherto previously excluded and canonically marginalized writers such as the Highland Scot Hamish Henderson and Gaelic poet Sorley Maclean, both who serve up distinctly Scottish versions of the Second World War. A substantial selection of Iovr Guryney's work that revises conventional thinking about war poetry is also included.

Simon Featherstone's "Postcolonial Cultures" is a clearly written introduction to the study of postcolonial cultures, and it broadens the reach of postcolonial theory and criticism.

The book covers current topics in the field, such as nationhood, hybridity and identity, globalism and regionalism, diasporas, the politics of gender, and cultural diversity and difference. These subjects are discussed as theories developed in a variety of disciplines and through case studies that emphasize a range of cultural practices, including popular music, literature, tourism, and oral performances.

The case studies focus upon postcolonial Britain, India, the English-speaking Caribbean, Ireland, South Africa, Australia, and New Zealand. Three chapters discuss particular modes of cultural production and performance: music, film, dance, and sports. The remaining three chapters deal with wider issues of memory, land, and alternative world-views.

Featherstone is equally at home and authoritative discussing the dynamics of tourism or museum curatorship as well as novels, films, and music. Balancing a broad survey of the field with expert, brief analyses of representative studies, this overview allows readers to grasp the complexities of postcolonial cultures.

Simon Featherstone, Cambridge, United Kingdom, is senior lecturer in English at Anglia Polytechnic University.

A clearly-written introduction to the study of postcolonial cultures which broadens the reach of postcolonial theory and criticism. The book covers current topics in the field, such as nationhood, hybridity and identity, globalism and the local, diasporas, the politics of gender, and cultural diversity and difference. These are discussed as theories developed in a variety of disciplines, and through case studies that emphasise a range of cultural practices, including popular music, literature, tourism, and oral performances. The case studies focus upon postcolonial Britain, India, the English-speaking Caribbean, Ireland, South Africa and Australasia. Three chapters discuss particular modes of cultural production and performance: music, film, and the body cultures of dance and sport. The remaining three chapters deal with wider issues of memory, land, and alternative world-views. Features * Extends existing literature based studies to focus on post-colonial culture with examples from film, music, literature and body cultures such as dance and sport.* Addresses key topics of nationhood, hybridity and identity, globalism and the local, diasporas, the politics of gender, cultural diversity and difference, land and memory. * A detailed introduction assesses the current state of Postcolonial Studies and introduces the main terms and debates around postcolonial culture * Well-chosen case studies relate theoretical discussion to cultural practice