Parallax, or the change in the position of an object viewed along two different lines of sight and more precisely, the assumption that this adjustment is not only due to a change of focus, but a change in that object's ontological status has been a key philosophical concept throughout history. Building upon Slavoj Zizek's The Parallax View, this volume shows how parallax is used as a figure of thought that proves how the incompatibility between the physical and the theoretical touches not only upon the ontological, but also politics and aesthetics. With articles written by internationally renowned philosophers such as Frank Ruda, Graham Harman, Paul Livingston and Zizek himself, this book shows how modes of parallax remain in numerous modern theoretical disciplines, such as the Marxian parallax in the critique of political economy and politics; and the Hegelian parallax in the concept of the work of art, while also being important to debates surrounding speculative realism and dialectical materialism. Spanning philosophy, parallax is then a rich and fruitful concept that can illuminate the studies of those working in epistemology, ontology, German Idealism, political philosophy and critical theory.

Film theory is in crisis. The dominant psychoanalytical paradigm is contested by cognitive models and post-theory. In the background is a wider crisis in cultural studies, particularly as regards the public role of the politically engaged intellectual.
In this major new study Slavoj Zizek challenges both cognitivist-historicist accounts of cinema and conventional film theory. Arguing that the reading of Lacan operative in the '70s and '80s was particularly reductive, Zizek asserts that there is "another Lacan," in reference to whom film theory, cultural studies, and critical thought as such can be transformed and revitalized. He supports and expands this argument with an extensive reading of the work of Kieslowski and, in a substantial appendix, with a discussion of the relationship between Christianity, Gothicism and the "progressive digitalisation of our life-world."

Contents:
Volume I: Psychoanalytic Theory and Practice
1. Jacques-Alain Miller Paradigms of Jouissance, lacanian Ink 17 pp. 10-47 [2000]
2. Jacqueline Rose The Imaginary, in Colin McCabe, ed., The Talking Cure pp. 132-161 [St. Martin's Press, 1981]
3. Martin Thom The Unconscious Structured as a Language, in Colin McCabe, ed., The Talking Cure pp. 1-44 [St. Martin's Press, 1981]
4. Moustapha Safouan In Praise of Hysteria, in Stuart Schneiderman, ed., Returning to Freud pp. 55-60 [Yale UP, 1980]
5. Gerard Wajeman The Hysteric's Discourse Hystoria (Lacan Study Notes: Special Issue) pp. 1-22 [1988]
6. Michel Silvestre Conducting the Hysteric's Cure Hystoria (Lacan Study Notes: Special Issue) pp. 23-33 [1988]
7. Darian Leader, Why Do Women Write More Letters Than They Post pp. 123-159 [Faber and Faber, 1996]
8. Charles Mehlman On Obsessional Neurosis, in Stuart Schneiderman, ed., Returning to Freud pp. 130-138 [Yale UP, 1980]
9. Jacques-Alain Miller H20: Suture in Obsessionality Hystoria (Lacan Study Notes: Special Issue) pp. 34-44 [1988]
10. Octave Mannoni Je sais bien, mais quand meme Clefs pour l'imaginaire pp. 9-33 [Editions du Seuil, 1968]
11. Jean Clavreuil The Perverse Couple, in Stuart Schneiderman, ed., Returning to Freud pp. 215-233 [Yale UP, 1980]
12. Jacques-Alain Miller On Perversion, in Richard Feldstein, Bruce Fink, Maire Jaanus, eds., Reading Seminars I and II pp. 306-320 [SUNY Press, 1996]
13. Serge Leclaire, Psychoanalyzing: On the Order of the Unconscious and the Practice of the Letter, Chapters 5 and 7 [Stanford UP, 1998]
14. Jean Laplanche Interpretation between Determinism and Hermeneutics: a Restatement of the Problem Essays on Otherness pp. 138-165 [Routledge, 1999]
15. Anne Dunand The End of Analysis, in Richard Feldstein, Bruce Fink, Maire Jaanus, eds., Reading Seminar XI pp. 243-256 [SUNY Press, 1995]
16. Kirsten Hyldgaard The Cause of the Subject as an Ill-timed Accident: Lacan, Sartre and Aristotle Umbr(a): A Journal of the Unconscious pp. 67-80 [2000]
17. Bruce Fink The Subject and the Other's Desire, in Richard Feldstein, Bruce Fink, Maire Jaanus, eds., Reading Seminars I and II pp. 76-97 [SUNY Press, 1996]
18. Jean-Claude Milner The Doctrine of Science Umbr(a): A Journal of the Unconscious 2000: Science and Truth pp. 33-63
Volume II: Philosophy
19. Mladen Dolar Cogito as the Subject of the Unconscious, in Slavoj Zizek, ed., Cogito and the Unconscious pp. 11-40 [Duke UP, 1998]
20. Alain Badiou Descartes/Lacan Umbr(a): A Journal of the Unconscious: On Badiou, pp. 13-16, 1996
21. Bernard Baas Le desir pur Ornicar?, No 43, pp. 56-91 [1987]
22. Alenka Zupancic The Subject of the Law, in Slavoj Zizek, ed., Cogito and the Unconscious pp. 41-73 [Duke UP, 1998]
23. Joan Copjec Euthanasia of Reason Read My Desire: Lacan against the Historicists pp. 201-236 [The MIT Press, 199X]
24. Slavoj Zizek Cogito and the Sexual Difference Tarrying With the Negative pp. 45-80 [Duke UP, 1993]
25. Richard Boothby Figurations of the Objet a, Freud as Philosopher pp. 241-280 [Routledge, 2001]
26. Edward S. Casey and J. Melvin Woody Hegel, Heidegger, Lacan: The Dialectic of Desire, in Joseph H. Smith and William Kerrigan, eds., Interpreting Lacan pp. 75-112 [Yale UP, 1973]
27. Hermann Lang Language and Finitude Language and the Unconscious. Lacan's Hermeneutics of Psychoanalysis pp. 135-177 [Humanities Press, 1999]
28. Gilles Deleuze The Logic of Sense pp. 27-48 [Columbia UP, 1990]
29. Barbara Johnson The Frame of Reference: Poe, Lacan, Derrida, in John P. Muller and William J. Richardson, eds., The Purloined Poe pp. 457-505 [Johns Hopkins UP, 1988]
30. Jean-Claude Milner, For the Love of Language, Chapters 5, 6 and 7 [MacMillan, 19XX]
Volume III: Society, Politics, Ideology
31. Fredric Jameson Imaginary and Symbolic in Lacan The Ideologies of Theory. Essays 1971-1986, Vol. 1 pp. 75-115 [Minnesota UP, 1988]
32. Louis Althusser Freud and Lacan Writings on Psychoanalysis pp. 13-32 [Columbia UP, 1996]
33. Mladen Dolar Lacan and the Uncanny October 58 pp. 5-23 [1991]
34. Mikkel Borch-Jacobsen The Freudian Subject: From Politics to Ethics The Emotional Tie pp. 15-35 [Stanford UP, 1992]
35. Gilbert D. Chaitin The Subject and the Symbolic Order: Historicity, Mathematics, Poetry Rhetoric and Culture in Lacan pp. 195-242 [Cambridge UP, 1996]
36. Henry Krips, Fetish: An Erotics of Culture pp. 73-117 [Cornell UP, 1999]
37. Eric Santner Freud's Moses and the Ethics of Nomothropic Desire, in Renata Salecl, ed., Sexuation pp. 57-105 [Duke UP, 2000]
38. Alain Grosrichard The Case of Polyphemus, in Slavoj Zizek, ed., Cogito and the Unconscious pp. 117-148 [Duke UP, 1998]
39. Miran Bozovic An Utterly Dark Spot An Utterly Dark Spot pp. 95-120 [The University of Michigan Press, 2000]
40. Yannis Stavrakakis Encircling the Political Lacan And the Political pp. 71-98 [Routledge, 2000]
41. Ernesto Laclau Why do Empty Signifiers Matter to Politics? Emancipation(s), pp. 36-46 [Verso Books, 1995]
42. Yannis Stavrakakis Laclau With Lacan Umbr(a): A Journal of the Unconscious pp. 134-153 [2000]
43. Slavoj Zizek Che vuoi? The Sublime Object of Ideology pp. 87-129 [Verso Books, 1989]
44. Robert Pfaller Negation and Its Reliabilities: An Empty Subject for Ideology?, in Slavoj Zizek, ed., Cogito and the Unconscious pp. 225-246 [Duke UP, 1998]
45. Jerry Aline Flieger Is Oedipus On-line?, in Pretexts: studies in writing and culture, Vol. 6 No 1, pp. 81-94 [1997]
Volume IV: Culture
46. Jacques-Alain Miller Suture Screen Vol. 18, No. 4, pp. 24-34 [1977/78]
47. Alain Badiou Complementary Note On a Contemporary Usage Of Frege Umbr(a): A Journal of the Unconscious 2000: Science and Truth pp. 107-113 [Buffalo]
48. Jean-Pierre Oudart Cinema and Suture Screen Vol. 18, No. 4, pp. 35-47 [1977/78]
49. Stephen Heath Notes on Suture Screen Vol. 18, No. 4, pp. 48-76 [1977/78]
50. Alain Badiou What Is Love?, in Renata Salecl, ed., Sexuation pp. 263-281 [Duke UP, 2000]
51. Alenka Zupancic The Case of the Perforated Sheet, in Renata Salecl, ed., Sexuation pp. 282-296 [Duke UP, 2000]
52. Mladen Dolar The Object Voice, in Renata Salecl and Slavoj Zizek, eds., Gaze and Voice as Love Objects pp. 7-31 [Duke UP, 1996]
53. Michel Chion, The Voice in Cinema pp. 17-57 [Columbia UP, 1999]
54. Mary Ann Doane Sublimation and the Psychoanalysis of the Aesthetic Femmes Fatales pp. 249-267 [Routledge, 1991]
55. Pascal Bonitzer Hitchcockian Suspense, in Slavoj Zizek, ed., Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock) pp. 13-30 [Verso Books, 1992]
56. Richard Maltby A Brief Romantic Interlude, in David Bordwell and Noel Carroll, eds., Post-Theory pp. 13-30 [The University of Wisconsin Press, 1996]
57. Gerard Wajcman The Absence of the 20th Century Lacanian Ink 18 pp. 60-79 [2001]
58. Michel Poizat, The Angel's Cry: Beyond the Pleasure Principle in Opera, Part II, chapter 2 ("Entre parole, cri et silence") [Cornell UP, 1992]
59. Jacqueline Rose Daddy The Haunting of Sylvia Plath pp. 205-238 [Virago, 1991]
60. Alenka Zupancic Lacan's Heroines: Antigone and Sygne de Coufontaine New Formations, No. 35, pp. 108-121

Contents:
Introduction 1.Why Does a Letter Always Arrive at Its Destination 1.1 Death and Sublimation: The Final Scene of City Lights 1.2 Imaginary, Symbolic, Real 2.Why is Woman a Symptom of a Man? 2.1 Why is Suicide the Only Successful Act? 2.2 The Night of the World 3.Why is Every Act a Repetition? 3.1 Beyond Distributive Justice 3.2.Identity and Authority 4.Why Does the Phallus Appear? 4.1 Grimaces of the Real 4.2 Phallophany of the Anal Father 5.Why are there Always Two Fathers? 5.1 At the Origins of Noir: The Humiliated Father 5.2 Die Versagung Index

'The only thing of which one can be guilty is of having given ground relative to one's desire' Jacques Lacan. Is psychoanalysis dead or are we to read frequent attacks on its theoretical 'mistakes' and clinical 'frauds' as a proof of its vitality? Slavoj Zizek's passionate defence of Lacan reasserts the ethical urgency of psychoanalysis. Traditionally, psychoanalysis was expected to allow the patient to overcome the obstacles which prevented access to 'normal' sexual enjoyment. Today, however, we are bombarded from all sides by different versions of the injunction 'Enjoy!' Lacan reminds us that psychoanalysis is the only discourse in which you are allowed not to enjoy. Since for Lacan psychoanalysis itself is a procedure of reading, each chapter uses a passage from Lacan as a tool to interpret another text from philosophy, art or popular ideology, applying his ideas to Hegel and Hitchcock, Shakespeare and Dostoevsky.

Zizek argues that the physical violence we see is often generated by the systemic violence that sustains our political and economic systems. With the help of eminent philosophers like Marx, Engel and Lacan, as well as frequent references to popular culture, he examines the real causes of violent outbreaks like those seen in Israel and Palestine and in terrorist acts around the world. Ultimately, he warns, doing nothing is often the most violent course of action we can take.

Contemporary life is defined by excess. There must always be more, there is never enough. We need a surplus to what we need to be able to truly enjoy what we have. Slavoj Zizek's guide to surplus (and why it's enjoyable) begins by arguing that what is surplus to our needs is by its very nature unsubstantial and unnecessary. But, perversely, without this surplus, we wouldn't be able to enjoy, what is substantial and necessary. Indeed, without the surplus we wouldn't be able to identify what was the perfect amount. Is there any escape from the vicious cycle of surplus enjoyment or are we forever doomed to simply want more? Engaging with everything from The Joker film to pop songs and Thomas Aquinas to the history of pandemics, Zizek argues that recognising the society of enjoyment we live in for what it is can provide an explanation for the political impasses in which we find ourselves today. And if we begin, even a little bit, to recognise that the nuggets of 'enjoyment' we find in excess are as flimsy and futile, might we find a way out?

Slavoj Zizek's critical engagement with Christian theology goes much further than his seminal The Fragile Absolute (2000), or his The Puppet and the Dwarf (2003), or even his discussion with noted theologian John Milbank in The Monstrosity of Christ (2009). His reading of Christianity, utilising his signature elements of Lacanian psychoanalysis and Hegelian philosophy with modern philosophical currents, can be seen as a genuinely original contribution to the philosophy of religion. This book focuses on these aspects of Zizek's thought with either philosophy and cultural theory, or Christian theology, serving as starting points of enquiry. Written by a panel of international contributors, each chapter teases out various strands of Zizek's thought concerning Christianity and religion and brings them into a wider conversation about the nature of faith. These essays show that far from being an outright rejection of Christian thought and intellectual heritage, Zizek's work could be seen as a perverse affirmation thereof. Thus, what he has to say should be of direct interest to Christian theology itself. Touching on thinkers such as Badiou, Lacan, Chesterton and Schelling, this collection is a dynamic reading and re-reading of Zizek's relationship to Christianity. As such, scholars of theology, the philosophy of religion and Zizek more generally will all find this book to be of great interest.

As we emerge (though perhaps only temporarily) from the pandemic, other crises move center stage: outrageous inequality, climate disaster, desperate refugees, mounting tensions of a new cold war. The abiding motif of our time is relentless chaos. Acknowledging the possibilities for new beginnings at such moments, Mao Zedong famously proclaimed "There is great disorder under heaven; the situation is excellent." The contemporary relevance of Mao's observation depends on whether today's catastrophes can be a catalyst for progress or have passed over into something terrible and irretrievable. Perhaps the disorder is no longer under, but in heaven itself. Characteristically rich in paradoxes and reversals that entertain as well as illuminate, Slavoj Zizek's new book treats with equal analytical depth the lessons of Rammstein and Corbyn, Morales and Orwell, Lenin and Christ. It excavates universal truths from local political sites across Palestine and Chile, France and Kurdistan, and beyond. Heaven In Disorder looks with fervid dispassion at the fracturing of the Left, the empty promises of liberal democracy, and the tepid compromises offered by the powerful. From the ashes of these failures, Zizek asserts the need for international solidarity, economic transformation, and-above all-an urgent, "wartime" communism.

With a new introduction by the author In this deliciously polemical work, a giant of cultural theory immerses himself in the ideas of a giant of French thought. In his inimical style, Zizek links Deleuze's work with both Oedipus and Hegel, figures from whom the French philosopher distanced himself. Zizek turns some Deleuzian concepts around in order to explore the 'organs without bodies' in such films as Fight Club and the works of Hitchcock. Finally, he attacks what he sees as the 'radical chic' Deleuzians, arguing that such projects turn Deleuze into an ideologist of today's 'digital capitalism'. With his brilliant energy and fearless argumentation, Zizek sets out to restore a truer, more radical Deleuze than the one we thought we knew.

In the most rigorous articulation of his philosophical system to date, Slavoj Zizek provides nothing short of a new definition of dialectical materialism. In forging this new materialism, Zizek critiques and challenges not only the work of Alain Badiou, Robert Brandom, Joan Copjec, Quentin Meillassoux, and Julia Kristeva (to name but a few), but everything from popular science and quantum mechanics to sexual difference and analytic philosophy. Alongside striking images of the Moebius strip, the cross-cap, and the Klein bottle, Zizek brings alive the Hegelian triad of being-essence-notion. Radical new readings of Hegel, and Kant, sit side by side with characteristically lively commentaries on film, politics, and culture. Here is Zizek at his interrogative best.

The latest book by the Slovenian critic Slavoj Zizek takes the work of French philosopher Gilles Deleuze as the beginning of a dazzling inquiry into the realms of radical politics, philosophy, film (Hitchcock, Fight Club), and psychoanalysis. Of Organs Without Bodies Joan Copjec (Imagine There's No Woman) has written: 'With all his usual humor and invention, Zizek -- the acknowledged master of the 180 degree turn -- here takes a trip into "enemy" territory to deliver Deleuze of a marvelously rebellious child, one that seriously challenges Deleuze's other progeny with a surprising but convincing bid for succession. Those who thought Deleuze's forward march into the future would follow a straight path are forced to rethink their stance. From now on all readings of Deleuze will have to take a detour through this important -- even necessary -- book.' Eric Santner (On the Psychopathology of Everyday Life) describes Organs Without Bodies as offering 'an entirely new degree of conceptual clarity and political urgency. Through his deep engagement with the logic of Deleuze's project, Zizek opens up new possibilities of thought beyond the terms of the current political debates on globalization, democratization, war on terror. Once again, Zizek has produced an utterly timely and radically untimely meditation.' Recently profiled in the New Yorker, and hailed by the Village Voice as 'the giant of Ljubljana,' Zizek is one of the most provocative and entertaining thinkers at work today.

Contents:
Introduction: An encounter, not a Dialogue; Deleuze; The Reality of the Virtual; Becoming versus History; "Becoming-Machine"; Un jour, peut-être, le siècle sera empiriomoniste?; Quasi-Cause; Spinoza; Kant, Hegel: Hegel 1: Taking Deleuze from Behind; Hegel 2: From Epistemology to Ontology... and back; Hegel 3: The Minimal Distance; The Torsion of Meaning; A Comic Hegelian Interlude: Dumb and Dumber; The Becoming-Oedipal of Deleuze; Phallus; Fantasy; RIS; On the Permanent Actuality for Revolutionary Cultural Politics of President Mao Ze Dong's Slogan "Long Live the Great Proletarian Cultural Revolution"; Consequences; Science: Cognitivism with Freud; "Autopoiesis"; Memes, Memes Everywhere; Against Hyphen-Ethics; Cognitive Closure?; "Little jolts of enjoyment"; Art: The Talking Heads; Kino-Eye; Hitchcock as Anti-Plato; The Cut of the Gaze; When the Fantasy Falls Apart; "I, the truth, am speaking"; Beyond Morality; Politics: the Ongoing "Soft Revolution"; A Yuppie Reads Deleuze; Micro-Fascisms; Netocracy; Blow against the Empire; The Liberal Fake; How to Live with Catastrophes?; A Modest Proposal for an Act in the Middle East

Operas are about the meaning of love and life, and also very much about the meaning of death. Opera as a form, however, might even be dead itself. The last great operas are said to be those written around 1900.
But, the psychoanalytic critic and philosopher Slavoj Zizek is quick to point out, 1900 is also the year in which Freud 'invents' psychoanalysis. Can this be a coincidence? Opera's Second Death is a passionate exploration of opera---the genre, its masterpieces, and the nature of death. Using a dazzling array of tools, Slavoj Zizek and coauthor Mladen Dolar explore the strange compulsions that overpower characters in Mozart and Wagner, as well as our own desires to die and to go to the opera.
Mozart's understanding of psychoanalysis and Wagner's sense of humor are but two of the many surprises in Zizek and Dolar's operatic tour de force. Opera's Second Death is an extended aria on a subject that is far from dead.

Operas are about the meaning of love and life, and also very much about the meaning of death. Opera as a form, however, might even be dead itself. The last great operas are said to be those written around 1900.
But, the psychoanalytic critic and philosopher Slavoj Zizek is quick to point out, 1900 is also the year in which Freud 'invents' psychoanalysis. Can this be a coincidence? Opera's Second Death is a passionate exploration of opera---the genre, its masterpieces, and the nature of death. Using a dazzling array of tools, Slavoj Zizek and coauthor Mladen Dolar explore the strange compulsions that overpower characters in Mozart and Wagner, as well as our own desires to die and to go to the opera.
Mozart's understanding of psychoanalysis and Wagner's sense of humor are but two of the many surprises in Zizek and Dolar's operatic tour de force. Opera's Second Death is an extended aria on a subject that is far from dead.

What is the basis of belief in an era when globalization, multiculturalism and big business are the new religion? Slavoj Zizek, renowned philosopher and irrepressible cultural critic takes on all comers in this compelling and breathless new book.
From 'cyberspace reason' to the paradox that is 'Western Buddhism', On Belief gets behind the contours of the way we normally think about belief, in particular Judaism and Christianity. Holding up the so-called authenticity of religious belief to critical light, Zizek draws on psychoanalysis, film and philosophy to reveal in startling fashion that nothing could be worse for believers than their beliefs turning out to be true.
On Belief is essential reading for anyone interested in how we continue to hold beliefs in this postmodern age.

What is the basis of belief in an era when globalization, multiculturalism and big business are the new religion? Slavoj Zizek, renowned philosopher and irrepressible cultural critic takes on all comers in this compelling and breathless new book.
From 'cyberspace reason' to the paradox that is 'Western Buddhism', On Belief gets behind the contours of the way we normally think about belief, in particular Judaism and Christianity. Holding up the so-called authenticity of religious belief to critical light, Zizek draws on psychoanalysis, film and philosophy to reveal in startling fashion that nothing could be worse for believers than their beliefs turning out to be true.
On Belief is essential reading for anyone interested in how we continue to hold beliefs in this postmodern age.

Slavoj Zizek gives us a reading of a philosophical giant that changes our way of thinking about the new posthuman era. No ordinary study of Hegel, this work investigates what he might have had to say about the idea of the 'wired brain' - what happens when a direct link between our mental processes and a digital machine emerges. Zizek explores the phenomenon of a wired brain effect, and what might happen when we can share our thoughts directly with others. He hones in on the key question of how it shapes our experience and status as 'free' individuals and asks what it means to be human when a machine can read our minds. With characteristic verve and enjoyment of the unexpected, Zizek connects Hegel to the world we live in now, shows why he is much more fun than anyone gives him credit for, and why the 21st century might just be Hegelian.

Hoe kunnen we nog geloven en regels hebben in dit postmoderne tijdperk waarin naar verluidt niets is om in te geloven en geen regels zijn. De beroemde filosoof en onstuitbaar cultuurcriticus Slavoj Zizek daagt iedereen uit in dit overtuigende en adembenemende nieuwe boek.In Geloof, dat van 'cyberspace-denken' tot de paradox van het 'westerse boeddhisme' gaat, legt Zizek de vooronderstellingen bloot achter de manier waarop we gewoonlijk over geloof denken, met name in juda e en christendom. Door de zogenaamde authenticiteit van het religieuze geloof tegen een kritisch licht te houden en te putten uit psychoanalyse, film en filosofie, laat hij op schokkende wijze zien dat de basis van onze fundamenteelste overtuigingen minder rotsvast is dan wij denken.

Slavoj Zizek, dubbed by the Village Voice "the giant of Ljubljana," is back with a new edition of his seriously entertaining book on film, psychoanalysis (and life). His inimitable blend of philosophical and social theory, Lacanian analysis, and outrageous humor are made to show how Hollywood movies can explain psychoanalysis-and vice versa using films such as Marnie and The Man Who Knew TooMuch.

The title is just the first of many startling asides, observations and insights that fill this guide to Hollywood on the Lacanian psychoanalyst's couch. Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie Chaplin to The Matrix and referencing along the way such figures as Lenin and Hegel, Michel Foucault and Jesus Christ. Enjoy Your Symptom! is a thrilling guide to cinema and psychoanalysis from a thinker who is perhaps the last standing giant of cultural theory in the twenty-first century.

Slavoj Žižek, the maverick philosopher, author of over 30 books, acclaimed as the "Elvis of cultural theory," and today's most controversial public intellectual. His work traverses the fields of philosophy, psychoanalysis, theology, history and political theory, taking in film, popular culture, literature and jokes--all to provide acute analyses of the complexities of contemporary ideology as well as a serious and sophisticated philosophy. His recent films "The Pervert's Guide to the Cinema" and "Žižek " reveal a theorist at the peak of his powers and a skilled communicator. Now Verso is making his classic titles, each of which stand as a core of his ever-expanding life's work, available as new editions. Each is beautifully re-packaged, including new introductions from Žižek himself. Simply put, they are the essential texts for understanding Žižek's thought and thus cornerstones of contemporary philosophy.
"The Sublime Object of Ideology" Slavoj Žižek's first book is a provocative and original work looking at the question of human agency in a postmodern world. In a thrilling tour de force that made his name, he explores the ideological fantasies of wholeness and exclusion which make up human society.

Slavoj Zizek's prolific comments on anti-Semitism, Islamophobia, scapegoating, popular nationalism, the refugee crisis, Eurocentrism, the War on Terror, neocolonialism, global justice, and rioting comprise a dizzying array of thinking. But what can we pull out of his various writings and commentaries on race in the contemporary world? Is there anything approaching a Zizekian philosophy of race? Zahi Zalloua argues here that there is and that the often polemical style of Zizek's pronouncements shouldn't undermine the importance and urgency of his work in this area. Zalloua not only examines Zizek's philosophy of race but addresses the misconceptions that have arisen and some of the perceived shortcomings in his work to date. Zizek on Race also puts Zizek in dialogue with critical race and anti-colonial studies, dwelling on the sparks struck up by this dialogue and the differences, gaps, and absences it points up. Engaging Zizek's singular contribution to the analysis of race and racism, Zizek on Race both patiently interrogates and critically extends his direct comments on the topic, developing more fully the potential of his thought. In a response to the book, Zizek boldly reaffirms his theoretical stance, clarifying further his often difficult-to-work-out positions on some of his more controversial pronouncements.

Hoe kunnen we nog geloven en regels hebben in dit postmoderne tijdperk waarin naar verluidt niets is om in te geloven en geen regels zijn. De beroemde filosoof en onstuitbaar cultuurcriticus Slavoj Zizek daagt iedereen uit in dit overtuigende en adembenemende nieuwe boek. In Geloof, dat van 'cyberspace-denken' tot de paradox van het 'westerse boeddhisme' gaat, legt Zizek de vooronderstellingen bloot achter de manier waarop we gewoonlijk over geloof denken, met name in judaisme en christendom. Door de zogenaamde authenticiteit van het religieuze geloof tegen een kritisch licht te houden en te putten uit psychoanalyse, film en filosofie, laat hij op schokkende wijze zien dat de basis van onze fundamenteelste overtuigingen minder rotsvast is dan wij denken.