This volume uniquely draws together seven contemporary plays by a selection of the finest African women writers and practitioners from across the continent, offering a rich and diverse portrait of identity, politics, culture, gender issues and society in contemporary Africa.

Niqabi Ninja by Sara Shaarawi (Egypt) is set in Cairo during the chaotic time of the Egyptian uprising.

Not That Woman by Tosin Jobi-Tume (Nigeria) addresses issues of violence against women in Nigeria and its attendant conspiracy of silence. The play advocates zero-tolerance for violence against women and urges women to bury shame and speak out rather than suffer in silence.

I Want To Fly by Thembelihle Moyo (Zimbabwe) tells the story of an African girl who wants to be a pilot. It looks at how patriarchal society shapes the thinking of men regarding lobola (bride price), how women endure abusive men and the role society at large plays in these issues.

Silent Voices by Adong Judith (Uganda) is a one-act play based on interviews with people involved in the LRA and the effects of the civil war in Uganda. It critiques this, and by implication, other truth commissions.

Unsettled by JC Niala (Kenya) deals with gender violence, land issues and relations of both black and white Kenyans living in, and returning to, the country.

Mbuzeni by Koleka Putuma (South Africa) is a story of four female orphans, aged eight to twelve, their sisterhood and their fixation with death and burials. It explores the unseen force that governs and dictates the laws that the villagers live by.

Bonganyi by Sophia Kwachuh Mempuh (Cameroon) depicts the effects of colonialism as told through the story of a slave girl: a singer and dancer, who wants to win a competition to free her family.

Each play also includes a biography of the playwright, the writer's own artistic statement, a production history of the play and a critical contextualisation of the theatrical landscape from which each woman is writing.

Glossy is a story of more than a magazine. It is a story of passion and power, dizzying fortune and out-of-this-world fashion, of ingenuity and opportunism, frivolity and malice. This is the definitive story of Vogue.

Vogue magazine started, like so many great things do, in the spare room of someone's house. But unlike other such makeshift projects that flare up then fizzle away, Vogue burnt itself onto our cultural consciousness.

Today, 128 years later, Vogue spans 22 countries, has an international print readership upwards of 12 million and nets over 67 million monthly online users. Uncontested market leader for a century, it is one of the most recognisable brands in the world and a multi-million dollar money-making machine. It is not just a fashion magazine, it is the establishment. But what - and more importantly who - made Vogue such an enduring success?

Glossy will answer this question and more by tracing the previously untold history of the magazine, from its inception as a New York gossip rag, to the sleek, corporate behemoth we know now. This will be a biography of Vogue in every sense of the word, taking the reader through three centuries, two world wars, plunging failures and blinding successes, as it charts the story of the magazine and those who ran it.

Dit is Simone se annus horribilis. Op vier en veertig stap sy vir die tweede keer uit n huwelik, bankrot, werkloos, moedeloos, verbrysel. Al wat sy het om van vier en veertig jaar te wys, is n bedenklike verlede, n tienerseun wat skaars met haar praat, en die besef van mislukking en ontoereikendheid wat soos n meulsteen om haar nek hang. Al waarheen sy het om te gaan, is die kleinburgerlike dorp op die Oos-Vrystaatse platteland waar sy grootgeword het, waar haar konserwatiewe ma en konvensionele suster haar gedurig aan haar tekortkominge kan herinner. Rock bottom, dis waar sy is. Maar omdat dit al is wat daar is om te doen, begin sy herbou; aan n loopbaan, n vriendekring, haar verhouding met haar kind, haar verhouding met haar ma. Aan haar vertroue in haarself. Stelselmatig kom daar lig, en sin, en rigting, selfs vir haar. Al waarvoor sy glad nie reg is nie, is Barnard Richter, wat van haar verwag om ten spyte van alles wat sy nie kon vermag nie en alles wat sy nooit sal kan wees nie, weer in die liefde te glo.

Heimwee is die storie van Mart-Mari wat moet terugkeer na die familieplaas sodat sy haar ma kan begrawe en finaal kan afskeid neem van die familie by wie sy nooit tuis gevoel het nie. Maar in ʼn ondeurdagte oomblik betaal sy die knutselaar-nutsman-van-langsaan, Anton Nieuwoudt, om saam te gaan omdat sy vir haar susters gelieg het oor ʼn man in haar lewe.

Gou besef sy dat hy hom nie laat gebruik nie. Hy is die alles-of-niks-tipe, wat haar dwing tot emosionele eerlikheid en die spieël voor haar ophou sodat sy bewus kan word van haar aandeel in haar gekompliseerde familieverhoudinge.

Dit is ook die storie van Liesbet Vermaak wat in die nadraai van die allergrootste vernedering alleen moet omsien na haar broers: Andries, die dromer, en Benna, die kind wat alles verstaan, maar nie met die wêreld kan kontak maak nie. Wat die foto van die soldaat steel sodat sy kan voorgee sy is getroud, maar dan op ʼn dag in Humansburg se hoofstraat opkyk in die helder heuning van Gert Niemand se oë en besef haar leuen het haar ingehaal.

Dis ʼn storie wat strek oor geslagte, van mense wat so seer gekry het dat hulle swerf, maar dis ook ʼn storie van heling. Boweal is dit die storie van moederskap, van die verskriklike prys wat dit soms vra, en van ma's wat bo-oor die ewigheid sal reik om seker te maak hulle kinders is geborge.

For anyone who loved Susan Cain’s Quiet, comes this practical manifesto sharing the joys of introversion…

This clever and pithy book challenges introverts to take ownership of their personalities…with quiet strength. Sophia Dembling asserts that the introvert’s lifestyle is not “wrong” or lacking, as society or extroverts would have us believe. Through a combination of personal insights and psychology, The Introvert’s Way helps and encourages introverts to embrace their nature, to respect traits they may have been ashamed of and reframe them as assets.

You’re not shy; rather, you appreciate the joys of quiet. You’re not antisocial; instead, you enjoy recharging through time alone. You’re not unfriendly, but you do find more meaning in one-on-one connections than large gatherings.

By honoring what makes them unique, this astute and inspiring book challenges introverts to “own” their introversion, igniting a quiet revolution that will change how they see themselves and how they engage with the world.

After giving birth, Anna is utterly lost. She and her family move to the unfamiliar, snowy city of Stockholm. Anxiety threatens to completely engulf the new mother, who obsessively devours online news and compulsively buys clothes she can’t afford. To avoid sinking deeper into her depression, Anna forces herself to read and write. My Work is a novel about the unique and fundamental experience of giving birth, mixing different literary forms – fiction, essay, poetry, memoir, and letters – to explore the relationship between motherhood, work, individuality, and literature.

Written by prominent thought leaders in the global fintech and legal space, The LegalTech Book aggregates diverse expertise into a single, informative volume. Key industry developments are explained in detail, and critical insights from cutting-edge practitioners offer first-hand information and lessons learned. Coverage includes: - The current status of LegalTech, why now is the time for it to boom, the drivers behind it, and how it relates to FinTech, RegTech, InsurTech, WealthTech and PayTech - Applications of AI, machine learning and deep learning in the practice of law; e-discovery and due diligence; AI as a legal predictor - LegalTech making the law accessible to all; online courts, online dispute resolution - The Uberization of the law; hiring and firing through apps - Lawbots; social media meets legal advice - To what extent does LegalTech make lawyers redundant or more efficient? - Cryptocurrencies, distributed ledger technology and the law - The Internet of Things, data privacy, automated contracts - Cybersecurity and data - Technology vs. the law; driverless cars and liability, legal rights of robots, ownership rights over works created by technology - Legislators as innovators - Practical LegalTech solutions helping Legal departments in corporations and legal firms alike to get better legal work done at lower cost

The highly anticipated second volume to the widely acclaimed and celebrated self-portrait series, Somnyama Ngonyama, Hail the Dark Lioness

In Somnyama Ngonyama, Hail the Dark Lioness, Volume II, Zanele Muholi explores and expands upon new personas and poetic interpretations of personhood, queerness, Blackness, and the possibilities of self. Since the publication of the first volume in 2018, Muholi has continued to photograph themself in a range of new international locations. Drawing on material props found in each environment, Muholi boldly explores their own image and innate possibilities as a Black individual in today’s global society, and—most important—speaks emphatically in response to contemporary and historical racisms. Renée Mussai, curator and historian, brings together written contributions from more than ten curators, poets, and authors, building a poetic and experimental framework that extends the idea of speculative futures and the potentiality of multivalent selves. Powerfully arresting, this collection further amplifies Muholi’s expressive and radical manifesto. As they state in the first volume, “My practice as a visual activist looks at Black resistance—existence as well as insistence.”