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Showing 1 - 9 of 9 matches in All Departments
Moving away from orthodox narratives of the Raj and British presence in India, this book examines the significance of the networks and connections that South Asians established on British soil. Looking at the period 1858-1950, it presents readings of cultural history and points to the urgent need to open up the parameters of this field of study. SUSHEILA NASTA is Professor of Modern Literature at the Open University, UK and a renowned critic, broadcaster and literary activist.
The figure of the diasporic or migrant writer has recently come to be seen in the West as the 'Everyman' of the late modern period, a cultural traveler who can traverse national, political and ethnic boundaries. Home Truths: Fictions of the South Asian Diaspora in Britain seeks to place individual works of now world famous writers such as V.S. Naipaul, Salman Rushdie, Sam Selvon or Hanif Kureishi within a diverse tradition of immigrant writing that has evolved in Britain since the Second World War. It also locates their work within an historical, cultural and aesthetic framework which has its roots prior to postwar migrations and derives from long-established indigenous traditions at 'home' and 'abroad'.
Essays on the contribution of African, Caribbean, Asian and diaspora writers to 'English' literature. The 'new' literatures have most commonly been seen as a staging post en route to the current 'post-colonial' era. Yet these literatures and the diverse cultural histories they represent are older than such recent interpretations of them. This collection of essays investigates ways in which we can return to 'reading' these 'new' literatures without falling back on current critical assumptions.
Writing is a form of cultural travelling: with words a means of
making crossings and forging connections between apparently
conflicting worlds. However, some writers have found it hard to
reach an international audience: for decades the western literary
establishment all too readily neglected work it variously labelled
'migrant', 'multicultural' or simply 'other'. In 1984 the literary
magazine "Wasafiri" was founded to promote the work of such
writers. Ever since, it has provided a significant platform for
those once dismissed as marginal, those who use words to cross
borders of real and imagined worlds.
Each of the fifteen essays explores the crucial place of the writer, past and present. Their work articulates 'brave new words' at the heart of battles against limitations on fundamental rights of citizenship, the closure of national borders, fake news, and an increasing reluctance to engage with critical democratic debate. Contributors include: Jay Bernard; Bernardine Evaristo; Kevin Eze; Romesh Gunesekera; Eva Hoffman; James Kelman; Tabish Khair; Kei Miller; Blake Morrison; Shivanee Ramlochan; Bina Shah; Raja Shehadeh; Marina Warner
Moving away from orthodox narratives of the Raj and British presence in India, this book examines the significance of the networks and connections that South Asians established on British soil. Looking at the period 1858-1950, it presents readings of cultural history and points to the urgent need to open up the parameters of this field of study.
South Asians have lived in Britain for centuries. From the first trade conducted between the two nations along the Silk Route to the adoption of Chicken Tikka Masala as a national dish, the ongoing mutual exchange of cultures continues to flourish today. Asian Britain vividly charts Britain's process of coming to terms with the historic realities of its culturally diverse past and present. This extraordinary photographic history draws upon culture, film, music, the military, business, the suffragist movement and the different phases of historic settlement of Asian migrants from the subcontinent, the Caribbean and East Africa. Personalities from the arts, business, politics and sport appear alongside the pioneers - the first female law student at Oxford, the first Indian RAF pilots, the first Asian MP - and of equal significance are the experiences and history of the ordinary immigrants.
The Cambridge History of Black and Asian British Writing provides a comprehensive historical overview of the diverse literary traditions impacting on this field's evolution, from the eighteenth century to the present. Drawing on the expertise of over forty international experts, this book gathers innovative scholarship to look forward to new readings and perspectives, while also focusing on undervalued writers, texts, and research areas. Creating new pathways to engage with the naming of a field that has often been contested, readings of literary texts are interwoven throughout with key political, social, and material contexts. In making visible the diverse influences constituting past and contemporary British literary culture, this Cambridge History makes a unique contribution to British, Commonwealth, postcolonial, transnational, diasporic, and global literary studies, serving both as one of the first major reference works to cover four centuries of black and Asian British literary history and as a compass for future scholarship.
Writing is a form of cultural travelling: with words a means of
making crossings and forging connections between apparently
conflicting worlds. However, some writers have found it hard to
reach an international audience: for decades the western literary
establishment all too readily neglected work it variously labelled
'migrant', 'multicultural' or simply 'other'. In 1984 the literary
magazine "Wasafiri" was founded to promote the work of such
writers. Ever since, it has provided a significant platform for
those once dismissed as marginal, those who use words to cross
borders of real and imagined worlds.
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