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First published in 1981, T. J. Jackson Lears's No Place of Grace is a landmark book in American studies and American history, acclaimed for both its rigorous research and the deft fluidity of its prose. A study of responses to the emergent culture of corporate capitalism at the turn of the twentieth century, No Place of Grace charts the development of contemporary consumer society through the embrace of antimodernism-the effort among middle- and upper-class Americans to recapture feelings of authentic experience. Rather than offer true resistance to the increasingly corporatized bureaucracy of the time, however, antimodernism helped accommodate Americans to the new order-it was therapeutic rather than oppositional, a striking forerunner to today's self-help culture. And yet antimodernism contributed a new dynamic as well, "an eloquent edge of protest," as Lears puts it, which is evident even today in anticonsumerism, sustainable living, and other practices. This new edition, with a lively and discerning foreword by Jennifer Ratner-Rosenhagen, celebrates the fortieth anniversary of this singular work of history.
Writing in Life magazine in February 1941, Henry Luce memorably announced the arrival of "The American Century." The phrase caught on, as did the belief that America's moment was at hand. Yet as Andrew J. Bacevich makes clear, that century has now ended, the victim of strategic miscalculation, military misadventures, and economic decline. To take stock of the short American Century and place it in historical perspective, Bacevich has assembled a richly provocative range of perspectives. What did this age of reputed American preeminence signify? What caused its premature demise? What legacy remains in its wake? Distinguished historians Jeffry Frieden, Akira Iriye, David Kennedy, Walter LaFeber, Jackson Lears, Eugene McCarraher, Emily Rosenberg, and Nikhil Pal Singh offer illuminating answers to these questions. Achievement and failure, wisdom and folly, calculation and confusion all make their appearance in essays that touch on topics as varied as internationalism and empire, race and religion, consumerism and globalization. As the United States grapples with protracted wars, daunting economic uncertainty, and pressing questions about exactly what role it should play in a rapidly changing world, understanding where the nation has been and how it got where it is today is critical. What did the forging of the American Century-with its considerable achievements but also its ample disappointments and missed opportunities-ultimately yield? That is the question this important volume answers.
T. J. Jackson Lears draws on a wealth of primary sources --
sermons, diaries, letters -- as well as novels, poems, and essays
to explore the origins of turn-of-the-century American
antimodernism. He examines the retreat to the exotic, the pursuit
of intense physical or spiritual experiences, and the search for
cultural self-sufficiency through the Arts and Crafts movement.
Lears argues that their antimodern impulse, more pervasive than
historians have supposed, was not "simple escapism," but reveals
some enduring and recurring tensions in American culture.
"We are in the midst of a dramatic shift in sensibility, and
'cultural' history is the rubric under which a massive doubting and
refiguring of our most cherished historical assumptions is being
conducted. Many historians are coming to suspect that the idea of
culture has the power to restore order to the study of the past.
Whatever its potency as an organizing theme, there is no doubt
about the power of the term 'culture' to evoke and stand for the
depth of the re-examination not taking place. At a time of deep
intellectual disarray, 'culture' offers a provisional, nominalist
version of coherence: whatever the fragmentation of knowledge,
however centrifugal the spinning of the scholarly wheel,
'culture'--which (even etymologically) conveys a sense of safe
nurture, warm growth, budding or ever-present wholeness--will
shelter us. The PC buttons on historians' chests today stand not
for 'politically correct' but 'positively cultural.'--from the
Introduction
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