When Hera, immortal goddess and daughter of the ancient Titan Cronus, helps her brother Zeus to overthrow their tyrannical father, she dreams of ruling at his side.

As they establish their reign on Mount Olympus, Hera suspects that Zeus might be just as ruthless and cruel as the father they betrayed.

She was always born to rule, but must she lose herself in perpetuating this cycle of violence and cruelty? Or can she find a way to forge a better world?

Often portrayed as the jealous wife or the wicked stepmother, this retelling captures the many sides of Hera, vengeful when she needs to be but also compassionate and most importantly, an all-powerful queen to the gods.

The Little Prince is a modern fable, and for readers far and wide both the title and the work have exerted a pull far in excess of the book's brevity. Written and published first by Antoine de St-Exupery in 1943, only a year before his plane disappeared on a reconnaissance flight, it is one of the world's most widely translated books, enjoyed by adults and children alike. In the meeting of the narrator who has ditched his plane in the Sahara desert, and the little prince, who has dropped there through time and space from his tiny asteroid, comes an intersection of two worlds, the one governed by the laws of nature, and the other determined only by the limits of imagination. The world of the imagination wins hands down, with the concerns of the adult world often shown to be lamentably silly as seen through the eyes of the little prince. While adult readers can find deep meanings in his various encounters, they can also be charmed back to childhood by this wise but innocent infant. This popular translation contains the author's own delightful illustrations, bringing to visual life the small being at the tale's heart, and a world of fantasy far removed from any quotidian reality. It is also a sort of love story, in which two frail beings, the downed pilot and the wandering infant-prince who has left behind all he knows, share their short time together isolated from humanity and finding sustenance in each other. This is a book which creates a unique relationship with each reader, whether child or adult.

Few books have been as universally cherished by children and adults alike as The Little Prince. A beautiful gift edition of this touching and wise classic children's book, with the original translation by Katherine Woods and full-colour illustrations. A pilot stranded in the desert awakes one morning to see the most extraordinary little fellow standing before him. "Please,... asks the stranger, "draw me a sheep.... And the pilot realises that when life's events are too difficult to understand, there is no choice but to succumb to their mysteries. He pulls out a pencil and paper ... and thus begins this wise and enchanting fable that, in teaching the secret of what is really important in life, has changed the world forever for its readers. This stunning new edition of the classic children's book The Little Prince, includes the classic English translation by Katherine Woods and original colour illustrations which will capture the hearts of readers of all ages. Antoine de Saint-Exupery (1900-1944) was born in Lyons, France. He wrote The Little Prince in the United States during a two-year self-imposed exile from occupied France. A year after the book's publication in 1943, Saint-Exupery disappeared over the Mediterranean while flying a reconnaissance mission for his French air squadron. Best known throughout the world as the author and illustrator of The Little Prince, Saint-Exupery wrote several other books that have also become classics of world literature. Katherine Woods (1886-1968) produced the original English translation of The Little Prince in 1943. It was later followed by several other English translations, but her classic translation is treasured by fans and is often considered to be the definitive English translation. Her poetic translation perfectly captures the enchantment and charm of Saint-Exupery's storytelling.

Tense Future falls into two parts. The first develops a critical account of total war discourse and addresses the resistant potential of acts, including acts of writing, before a future that looks barred or predetermined by war. Part two shifts the focus to long interwar narratives that pit both their scale and their formal turbulence against total war's portrait of the social totality, producing both ripostes and alternatives to that portrait in the practice of literary encyclopedism. The book's introduction grounds both parts in the claim that industrialized warfare, particularly the aerial bombing of cities, intensifies an under-examined form of collective traumatization: a pretraumatic syndrome in which the anticipation of future-conditional violence induces psychic wounds. Situating this claim in relation to other scholarship on "critical futurities," Saint-Amour discusses its ramifications for trauma studies, historical narratives generally, and the historiography of the interwar period in particular. The introduction ends with an account of the weak theory of modernism now structuring the field of modernist studies, and of weak theory's special suitability for opposing total war, that strongest of strong theories.

Foams are ubiquitous in our daily lives. Their presence is highly desirable in certain foods, drinks and cosmetics, and they are essential in oil recovery and mineral extraction. In some industrial processes (such as the manufacture of glass, paper and wine) foams are an unwelcome by-product. Why do they appear? What controls the rate at which they disappear? Do they flow in the same way as ordinary liquids? All of these questions and more are addressed here, incorporating significant recent contributions to the field of foams. This book is the first to provide a thorough description of all aspects of the physico-chemical properties of foams. It sets out what is known about their structure, their stability, and their rheology. Engineers, researchers and students will find descriptions of all the key concepts, illustrated by numerous applications, as well as experiments and exercises for the reader. A solutions manual for lecturers is available via the publisher's web site.

Antoine de Saint-Exupéry's tender and magical classic fable, adapted for picture book readers for the very first time! A beautiful gift edition of this touching and wise classic children's book. The characters of Antoine de Saint-Exupéry's classic tale have captured the hearts of generations of readers. Meet the pilot stranded in the desert. Meet the Little Prince who tends his beautiful rose on a planet of his own. Follow him as he embarks on a strange and wonderful journey to puzzling new planets and finally to Earth, where he discovers the nature of love. ‘Will enchant little ones’ – The Times ‘Brilliant and beautiful’ – The Scotsman Adapted by award-winning poet Louise Greig, author of the Greenaway-medal-nominated Sweep and The Night Box, with enchanting new artwork from the critically acclaimed illustrator of The Velveteen Rabbit and Star in the Jar.

Copyright looms large in the digital world. As users and creators of expressive works, we all know more about copyright than we did a decade ago. But scholars of modernism have felt a special urgency in grappling with this branch of law, whose rapid expansion in recent years has prolonged or revived the rights in many modernist works. Indeed, thanks to public clashes between estates and users, 'modernism' has lately begun to seem like a byword for contested intellectual property. At the same time, today's volatile legal climate has prompted us to ask how modernism was, from its beginning, shaped by intellectual property law-and how modernists sought variously to exploit, reform, anoint, and evade copyright. We are beginning to discover, too, how copyright's transatlantic and imperial asymmetries during the modernist decades helped set the stage for its geopolitical role in the new millennium. Modernism and Copyright is the first book to take up these questions and discoveries in all their urgency. A truly multi-disciplinary study, it brings together essays by well-known scholars of literature, theater, cinema, music, and law as well as by practicing lawyers and caretakers of modernist literary estates. Its contributors' methods are as diverse as the works they discuss: Ezra Pound's copyright statute and Charlie Parker's bebop compositions feature here, as do early Chaplin, EverQuest, and the Madison Avenue memo. As our portrait of modernism expands and fragments, Modernism and Copyright locates works like these on one of the few landscapes they all clearly share: the uneven terrain of intellectual property law.

Antoine de Saint-Exupéry's tender and magical classic fable, adapted as a brand-new pop-up book!

Please – draw me a sheep.

I blinked.

The voice belonged to a charming little prince.

The characters of Antoine de Saint-Exupéry's classic tale have captured the hearts of generations of readers. Meet the pilot stranded in the desert. Meet the Little Prince who tends his beautiful rose on a planet of his own. Follow him as he embarks on a strange and wonderful journey to puzzling new planets and finally to Earth, where he discovers the nature of love. Now with enchanting pop-ups that bring iconic scenes to life!

Antoine de Saint-Exupery's tender and magical classic fable, adapted for picture book readers for the very first time! Please - draw me a sheep. I blinked. The voice belonged to a charming little prince. The characters of Antoine de Saint-Exupery's classic tale have captured the hearts of generations of readers. Meet the pilot stranded in the desert. Meet the Little Prince who tends his beautiful rose on a planet of his own. Follow him as he embarks on a strange and wonderful journey to puzzling new planets and finally to Earth, where he discovers the nature of love. 'Will enchant little ones' - The Times 'Brilliant and beautiful' - The Scotsman Adapted by award-winning poet Louise Greig, author of the Greenaway-medal-nominated Sweep and The Night Box, with enchanting new artwork from the critically acclaimed illustrator of The Velveteen Rabbit and Star in the Jar.

A stunning new 80th anniversary hardback edition of this classic fable. A wise and enchanting fable that, in teaching the secret of what is really important in life, has changed the world forever for its readers. Often seen as a symbol of childhood innocence, Antoine de Saint-Exupery’s best-selling book The Little Prince is cherished by children and adults alike across the globe. Ideal for children aged 7 and up. This beautiful new anniversary edition contains the definitive translation by Katherine Woods and all the original illustrations. The Little Prince joins the ranks of A Little Princess, The Secret Garden & Peter Pan as a genuine children's classic of the twentieth century. Antoine De Saint-Exupéry was born in 1900 in Lyon. In 1921, he began his training as a pilot By 1926, he had became one of the pioneers of international postal flight. In 1935 he embarked on a record-breaking attempt to fly from Paris to Saigon. Nineteen hours into the flight, his plane crashed in the Sahara desert. He survived the crash but spent three days battling dehydration, limited food and hallucinations. On the fourth day, the was rescued. In part, this experience was the inspiration for The Little Prince. He continued to fly until World War II, during which he took self-imposed exile. On 31 July 1944, he disappeared over the Mediterranean while flying a reconnaissance mission.

The Little Prince is a modern fable, and for readers far and wide both the title and the work have exerted a pull far in excess of the book’s brevity. Written and published first by Antoine de St-Exupéry in 1943, only a year before his plane disappeared on a reconnaissance flight, it is one of the world’s most widely translated books, enjoyed by adults and children alike.

In the meeting of the narrator who has ditched his plane in the Sahara desert, and the little prince, who has dropped there through time and space from his tiny asteroid, comes an intersection of two worlds, the one governed by the laws of nature, and the other determined only by the limits of imagination. The world of the imagination wins hands down, with the concerns of the adult world often shown to be lamentably silly as seen through the eyes of the little prince. While adult readers can find deep meanings in his various encounters, they can also be charmed back to childhood by this wise but innocent infant. This popular translation contains the author’s own delightful illustrations, bringing to visual life the small being at the tale’s heart, and a world of fantasy far removed from any quotidian reality. It is also a sort of love story, in which two frail beings, the downed pilot and the wandering infant-prince who has left behind all he knows, share their short time together isolated from humanity and finding sustenance in each other.

This is a book which creates a unique relationship with each reader, whether child or adult.

The Little Prince describes his journey from planet to planet, each tiny world populated by a single adult. It's a wonderfully inventive sequence, which evokes not only the great fairy tales but also such monuments of postmodern whimsy.

The author pokes similar fun at a businessman, a geographer, and a lamplighter, all of whom signify some futile aspect of adult existence.

"The Confessions" is an all time number one Christian classic -- an extended poetic, passionate, intimate prayer written by St. Augustine because he felt called by God to make this confession. Rowan Williams, former Archbishop of Canterbury, calls Boulding's translation "a different level of excellence from practically anything else on the market. She has perfected an elegant and flowing style." This 2nd edition includes a long-awaited annotated bibliography.

Teaching Christianity is the most original book Augustine ever wrote. It is not so much a treatise or scholarly work but an instruction manual on how to teach Christianity. He wrote this how to book for those who would be preaching and explaining Christianity. It is entirely based on the bible and helps the reader express its truths of faith with soundproof methodology. It is a book that will help readers to communicate their message in a clear and effective way. Edmund Hills new translation of Augustines treatise On Christian Doctrine is superb. His early and mature thought on how to understand scripture and how to communicate that understanding to others is set forth clearly and attractively. The translator has shown great discernment in his choice of words and in their placement. This makes for a smooth reading. Extremely valuable are the scholarly endnotes provided after each of the four books. The new title chosen by Edmund Hill, namely, Teaching Christianity indicates that Augustine is here instructing the African clergy, probably the bishops, how to preach effectively to their congregations. The treatise is not focused on doctrine. Sr. Mary T. Clark, RSCJ Manhattanville College President, Society for Medieval and Renaissance Philosophy

'The Little Prince' is the most translated book in the French language. Both moral fable and spiritual autobiography, it is the story of a little boy who lives alone on a planet not much bigger than himself, who leaves it to travel round the universe.

Few books have been as universally cherished by children and adults alike as The Little Prince. A beautiful slip-cased gift edition of this touching and wise classic children's book, with the original translation by Katherine Woods and full-colour illustrations. A pilot stranded in the desert awakes one morning to see the most extraordinary little fellow standing before him. “Please…’ asks the stranger, “draw me a sheep…’ And the pilot realises that when life’s events are too difficult to understand, there is no choice but to succumb to their mysteries. He pulls out a pencil and paper … and thus begins this wise and enchanting fable that, in teaching the secret of what is really important in life, has changed the world forever for its readers. This stunning new edition of the classic children's book The Little Prince, includes the classic English translation by Katherine Woods and original colour illustrations which will capture the hearts of readers of all ages. Featuring bonus non-fiction content, exploring the history of The Little Prince, the real-life plane crash that inspired the story, the life of the author and more! Antoine de Saint-Exupéry (1900-1944) was born in Lyons, France. He wrote The Little Prince in the United States during a two-year self-imposed exile from occupied France. A year after the book’s publication in 1943, Saint-Exupéry disappeared over the Mediterranean while flying a reconnaissance mission for his French air squadron. Best known throughout the world as the author and illustrator of The Little Prince, Saint-Exupéry wrote several other books that have also become classics of world literature. Katherine Woods (1886-1968) produced the original English translation of The Little Prince in 1943. It was later followed by several other English translations, but her classic translation is treasured by fans and is often considered to be the definitive English translation. Her poetic translation perfectly captures the enchantment and charm of Saint-Exupéry’s storytelling.