"Bootstrapping" analyzes the genesis of personal computing from both technological and social perspectives, through a close study of the pathbreaking work of one researcher, Douglas Engelbart. In his lab at the Stanford Research Institute in the 1960s, Engelbart, along with a small team of researchers, developed some of the cornerstones of personal computing as we know it, including the mouse, the windowed user interface, and hypertext. Today, all these technologies are well known, even taken for granted, but the assumptions and motivations behind their invention are not. "Bootstrapping" establishes Douglas Engelbart's contribution through a detailed history of both the material and the symbolic constitution of his system's human-computer interface in the context of the computer research community in the United States in the 1960s and 1970s.
Engelbart felt that the complexity of many of the world's problems was becoming overwhelming, and the time for solving these problems was becoming shorter and shorter. What was needed, he determined, was a system that would augment human intelligence, co-transforming or co-evolving both humans and the machines they use. He sought a systematic way to think and organize this coevolution in an effort to discover a path on which a radical technological improvement could lead to a radical improvement in how to make people work effectively. What was involved in Engelbart's project was not just the invention of a computerized system that would enable humans, acting together, to manage complexity, but the invention of a new kind of human, "the user." What he ultimately envisioned was a "bootstrapping" process by which those who actually invented the hardware and software of this new system would simultaneously reinvent the human in a new form.
The book also offers a careful narrative of the collapse of Engelbart's laboratory at Stanford Research Institute, and the further translation of Engelbart's vision. It shows that Engelbart's ultimate goal of coevolution came to be translated in terms of technological progress and human adaptation to supposedly user-friendly technologies. At a time of the massive diffusion of the World Wide Web, "Bootstrapping" recalls the early experiments and original ideals that led to today's "information revolution."

"Bootstrapping" analyzes the genesis of personal computing from both technological and social perspectives, through a close study of the pathbreaking work of one researcher, Douglas Engelbart. In his lab at the Stanford Research Institute in the 1960s, Engelbart, along with a small team of researchers, developed some of the cornerstones of personal computing as we know it, including the mouse, the windowed user interface, and hypertext. Today, all these technologies are well known, even taken for granted, but the assumptions and motivations behind their invention are not. "Bootstrapping" establishes Douglas Engelbart's contribution through a detailed history of both the material and the symbolic constitution of his system's human-computer interface in the context of the computer research community in the United States in the 1960s and 1970s.
Engelbart felt that the complexity of many of the world's problems was becoming overwhelming, and the time for solving these problems was becoming shorter and shorter. What was needed, he determined, was a system that would augment human intelligence, co-transforming or co-evolving both humans and the machines they use. He sought a systematic way to think and organize this coevolution in an effort to discover a path on which a radical technological improvement could lead to a radical improvement in how to make people work effectively. What was involved in Engelbart's project was not just the invention of a computerized system that would enable humans, acting together, to manage complexity, but the invention of a new kind of human, "the user." What he ultimately envisioned was a "bootstrapping" process by which those who actually invented the hardware and software of this new system would simultaneously reinvent the human in a new form.
The book also offers a careful narrative of the collapse of Engelbart's laboratory at Stanford Research Institute, and the further translation of Engelbart's vision. It shows that Engelbart's ultimate goal of coevolution came to be translated in terms of technological progress and human adaptation to supposedly user-friendly technologies. At a time of the massive diffusion of the World Wide Web, "Bootstrapping" recalls the early experiments and original ideals that led to today's "information revolution."

Part philosophical anthology and part science fiction, this illustrated volume tackles the mind-boggling phenomenon of post-humanism. "Journey to the End of the Species" offers various proposals to actually create successors to the human race, establishing a set of resources--literary, artistic and political--to initiate thinking about a previously inconceivable future beyond humanity as we know it.

Are we made of junk? Thierry Bardini believes we are. Examining an array of cybernetic structures from genetic codes to communication networks, he explores the idea that most of culture and nature, including humans, is composed primarily of useless, but always potentially recyclable, material otherwise known as "junk."
Bardini unravels the presence of junk at the interface between science fictions and fictions of science, showing that molecular biology and popular culture since the early 1960s belong to the same culture-cyberculture-which is essentially a culture of junk. He draws on a wide variety of sources, including the writings of Philip K. Dick and William S. Burroughs, interviews with scientists as well as "crackpots," and work in genetics, cybernetics, and physics to support his contention that junk DNA represents a blind spot in our understanding of life.
At the same time, "Junkware" examines the cultural history that led to the encoding and decoding of life itself and the contemporary turning of these codes into a commodity. But he also contends that, beyond good and evil, the essential "junkiness" of this new subject is both the symptom and the potential cure.

Are we made of junk? Thierry Bardini believes we are. Examining an array of cybernetic structures from genetic codes to communication networks, he explores the idea that most of culture and nature, including humans, is composed primarily of useless, but always potentially recyclable, material otherwise known as "junk." Bardini unravels the presence of junk at the interface between science fictions and fictions of science, showing that molecular biology and popular culture since the early 1960s belong to the same culture-cyberculture-which is essentially a culture of junk. He draws on a wide variety of sources, including the writings of Philip K. Dick and William S. Burroughs, interviews with scientists as well as "crackpots," and work in genetics, cybernetics, and physics to support his contention that junk DNA represents a blind spot in our understanding of life. At the same time, Junkware examines the cultural history that led to the encoding and decoding of life itself and the contemporary turning of these codes into a commodity. But he also contends that, beyond good and evil, the essential "junkiness" of this new subject is both the symptom and the potential cure.