Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

As a diplomat in Renaissance Europe, and a luminary at the court of Henry VII, Sir Thomas Wyatt wrote in an incestuous world where everyone was uneasily subject to the royal whims and rages. Wyatt had himself survived two imprisonments in the Tower as well as a love affair with Anne Boleyn, and his poetry - that of an extraordinarily sophisticated, passionate and vulnerable man - reflects these experiences, making disguised reference to current political events. Above all, though, Wyatt is known for his love poetry, which often dramatizes incidents and remembered conversations with his beloved, with an ear acutely sensitive to patterns of rhythm and colloquial speech. Conveying the actuality of betrayal or absence, and the intense pressure of his longing for a love that could be trusted, these are some of the most haunting poems in the English language.

The complete poems of Sir Thomas Wyatt, as well as biographical material.

First published in 2003. Routledge is an imprint of Taylor and Francis, an informa company.

Sir Thomas Wyatt, "the first great English lyric poet", remains one of the most popular writer's of Henry VIII's court, and the most romantic, given his entanglement with Anne Boleyn, which resulted - legend has it - in some of his most passionate and vulnerable poems. This book contains a representative selection of his work: all the best-loved poems and many lesser-known pieces which illuminate a complex and sophisticated sensibility. Hardiman Scott sees Wyatt as a modern poet before his time and demonstrates the impact he and his younger contemporary the Earl of Surrey had on the development of English poetry. Wyatt introduced the sonnet, terza rima and other Italian verse forms into English and invented forms and processes of his own. Hardiman Scott's introduction and notes illuminate Wyatt's importance as "a modern poet before his time", "at a crossroads in English poetry", and provides a detailed outline of the social and literary context in which Wyatt worked and the impact he had on the development of English poetry.

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature. Sir Thomas Wyatt was born in Kent in 1503 and educated at St John's College, Cambridge. He served Henry VIII as a diplomat in Europe but was imprisoned and almost executed for his close relationship with Anne Boleyn. On his release, Wyatt became Sheriff of Kent and later Ambassador to Spain, and died 1542 from a fever caught on a diplomatic mission.