"All that I do is go out and look at films and choose the ones I want to play-films that stimulate, and give some insight into our lives. I hope that people will come, but if they don't, that's okay too." Daniel Talbot changed the way the Upper West Side-and art-house audiences around the world-went to the movies. In Love with Movies is his memoir of a rich life as the impresario of the legendary Manhattan theaters he owned and operated and as a highly influential film distributor. Talbot and his wife, Toby, opened the New Yorker Theater in 1960, cultivating a loyal audience of film buffs and cinephiles. He went on to run several theaters including Lincoln Plaza Cinemas as well as the distribution company New Yorker Films, shaping the sensibilities of generations of moviegoers. The Talbots introduced American audiences to cutting-edge foreign and independent filmmaking, including the French New Wave and New German Cinema. In this lively, personal history of a bygone age of film exhibition, Talbot relates how he discovered and selected films including future classics such as Before the Revolution, Shoah, My Dinner with Andre, and The Marriage of Maria Braun. He reminisces about leading world directors such as Sembene, Godard, Fassbinder, Wenders, Varda, and Kiarostami as well as industry colleagues with whom he made deals on a slip of paper or a handshake. In Love with Movies is an intimate portrait of a tastemaker who was willing to take risks. It not only lays out the nuts and bolts of running a theater but also tells the story of a young cinephile who turned his passion into a vibrant cultural community.

The nation didn't know it, but 1960 would change American film forever, and the revolution would occur nowhere near a Hollywood set. With the opening of the New Yorker Theater, a cinema located at the heart of Manhattan's Upper West Side, cutting-edge films from around the world were screened for an eager audience, including the city's most influential producers, directors, critics, and writers. Woody Allen, Martin Scorsese, Susan Sontag, Andrew Sarris, and Pauline Kael, among many others, would make the New Yorker their home, trusting in the owners' impeccable taste and incorporating much of what they viewed into their work.

In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's "Before the Revolution," and documentaries, such as "Shoah" and "Point of Order."

Talbot enhances her stories with selections from the New Yorker's essential archives, including program notes by Jack Kerouac, Jules Feiffer, Peter Bogdanovich, Jonas Mekas, Jack Gelber, and Harold Humes. These artifacts testify to the deeply engaged and collaborative spirit behind each showing, and they illuminate the myriad--and often entertaining--aspects of theater operation. All in all, Talbot's tales capture the highs and lows of a thrilling era in filmmaking.

"All that I do is go out and look at films and choose the ones I want to play-films that stimulate, and give some insight into our lives. I hope that people will come, but if they don't, that's okay too." Daniel Talbot changed the way the Upper West Side-and art-house audiences around the world-went to the movies. In Love with Movies is his memoir of a rich life as the impresario of the legendary Manhattan theaters he owned and operated and as a highly influential film distributor. Talbot and his wife, Toby, opened the New Yorker Theater in 1960, cultivating a loyal audience of film buffs and cinephiles. He went on to run several theaters including Lincoln Plaza Cinemas as well as the distribution company New Yorker Films, shaping the sensibilities of generations of moviegoers. The Talbots introduced American audiences to cutting-edge foreign and independent filmmaking, including the French New Wave and New German Cinema. In this lively, personal history of a bygone age of film exhibition, Talbot relates how he discovered and selected films including future classics such as Before the Revolution, Shoah, My Dinner with Andre, and The Marriage of Maria Braun. He reminisces about leading world directors such as Sembene, Godard, Fassbinder, Wenders, Varda, and Kiarostami as well as industry colleagues with whom he made deals on a slip of paper or a handshake. In Love with Movies is an intimate portrait of a tastemaker who was willing to take risks. It not only lays out the nuts and bolts of running a theater but also tells the story of a young cinephile who turned his passion into a vibrant cultural community.

Ortega deals here with the roots and historical justification of philosophy, and the question of philosophy's essential unity.

"At two in the morning of April 15, 1977, twenty armed men in civilian clothes arrested Jacobo Timerman, editor and publisher of a leading Buenos Aires newspaper. Thus began thirty months of imprisonment, torture, and anti-Semitic abuse. . . . Unlike 15,000 other Argentines, 'the disappeared, ' Timerman was eventually released into exile. His testimony [is] gripping in its human stories, not only of brutality but of courage and love; important because it reminds us how, in our world, the most terrible fantasies may become fact."-New York Times, Books of the Century "It ranks with Hannah Arendt's Eichmann in Jerusalem in its examination of the totalitarian mind, the role of anti-Semitism, the silence."-Eliot Fremont-Smith, Village Voice "It is impossible to read this proud and piercing account of [Timerman's] suffering and his battles without wanting to be counted as one of Timerman's friends."-Michael Walzer, New York Review of Books "Timerman was a living reminder that real prophets are irritants and not messengers of reassurance. He told it like it is, whether in Argentina, Israel, Europe, or the United States."-Arthur Miller