'Almost alone among contemporary critics, Tzvetan Todorov has chosen to apply his prodigious talents to the literature of twentieth-century totalitarianism. His unique gift is his ability to elucidatethe memoirs and writings of some of the century's greatest survivors, not merely discovering their literary qualities, but also finding in their works moral and political lessons, relevant to us all.' -- Anne Applebaum Tzvetan Todorov identifies totalitarianism as the major innovation of the twentieth century and examines the struggle between this system and democracy and its effects on human life and consciousness. Totalitarianism imposed itself because, more than any other political system, it played on people's need for the absolute: it fed their hope to endow life with meaning by taking part in the construction of a paradise on earth. As a result, millions of people lost their lives in the name of a higher good. This unique account explores the history of the past century by analyzing its spectacular political conflicts and by offering moving profiles of individuals who, at great personal cost, resisted the strictures of the communist and Nazi regimes. Hope and Memory reaffirms the legacy of the past as we move into the twenty-first century. 'A very rich book, full of interesting - and often highly controversial - conversation as well as moving portraits of striking figures of the century that has just passed. It is addressed to a general public very much engaged in discussing what the twentieth century was all about and where we are going from here.' -- Charles Taylor

This is a collection in translation of recent essays by Tzvetan Todorov, one of the most eminent of today's literary critics. The essays concentrate on the idea of genre, literary or otherwise, and asks such questions as: What is literature? What is genre? Which are the major literary genres? In the first section, Todorov proposes definitions for the notions of literature, discourse, and genre. Following is a general discussion of the two principal literary genres, fiction and poetry. Finally, in the third section of essays, Todorov examines individual authors as case studies: among them Poe, Dostoyevsky, Baudelaire, Conrad, and James.

Originally published in 1982, this is an anthology of studies by French literary theorists representing the most significant contributions to the field made in France in the preceding fifteen years. The essays were published here in English for the first time and cover, among other topics, the methodology of literary studies, the specifics of literary creation, the different facets and levels of the text, and the issues raised by the classification of literature into genres and periods. Biographical notes on the authors and an introduction are provided by the editor. The contributors all reflect in varying degrees the influence of structural linguistics, and this collection will be of value for all those, on whichever side of the debate, concerned with the impact and importance of this method of approach for the study of literature.

Both a political history and a moral critique of the twentieth century, this is a personal and impassioned book from one of Europe's most outstanding intellectuals. Identifying totalitarianism as the major innovation of the twentieth century, Tzvetan Todorov examines the struggle between this system and democracy and its effects on human life and consciousness. Totalitarianism managed to impose itself because, more than any other political system, it played on people's need for the absolute: it fed their hope to endow life with meaning by taking part in the construction of a paradise on earth. As a result, millions of people lost their lives in the name of a higher good. While democracy eventually won the struggle against totalitarianism in much of the world, democracy itself is not immune to the pitfall of do-goodery: moral correctness at home and atomic or "humanitarian" bombs abroad. Todorov explores the history of the past century not only by analyzing its spectacular political conflicts but also by offering moving profiles of several individuals who, at great personal cost, resisted the strictures of the communist and Nazi regimes. Some--Margarete Buber-Neumann, David Rousset, Primo Levi, and Germaine Tillion--were deported to concentration camps. Others--Vasily Grossman and Romain Gary--fought courageously in World War II. All became exemplary witnesses who described with great lucidity and humanity what they had endured. This book preserves the memory of the past as we move into the twenty-first century--arguing eloquently that we must place the past at the service of a just future.

This is a collection in translation of recent essays by Tzvetan Todorov, one of the most eminent of today's literary critics. The essays concentrate on the idea of genre, literary or otherwise, and asks such questions as: What is literature? What is genre? Which are the major literary genres? In the first section, Todorov proposes definitions for the notions of literature, discourse, and genre. Following is a general discussion of the two principal literary genres, fiction and poetry. Finally, in the third section of essays, Todorov examines individual authors as case studies: among them Poe, Dostoyevsky, Baudelaire, Conrad, and James.

Tzvetan Todorov's approach to symbols is historical rather than theoretical, providing a survey of the interpretations of this concept to be found in the writings of authors as various as Aristotle, Cicero, Quintilian, St. Augustine, Lessing, Diderot, Goethe, Novalis, Moritz, the brothers Schlegel, Freud and Jakobson. With a wealth of penetrating individual analyses the author traces a line of development in the history of ideas that ranges from Classical Antiquity to the Age of Enlightenment and from Romanticism to the present.

In The Fantastic, Tzvetan Todorov seeks to examine both generic theory and a particular genre, moving back and forth between a poetics of the fantastic itself and a metapoetics or theory of theorizing, even as he suggest that one must, as a critic, move back and forth between theory and history, between idea and fact. His work on the fantastic is indeed about a historical phenomenon that we recognize, about specific works that we may read, but it is also about the use and abuse of generic theory.

As an essay in fictional poetics, The Fantastic is consciously structuralist in its approach to the generic subject. Todorov seeks linguistic bases for the structural features he notes in a variety of fantastic texts, including Potocki's The Sargasso Manuscript, Nerval's Aurelia, Balzac's The Magic Skin, the Arabian Nights, Cazotte's Le Diable Amoureux, Kafka's The Metamorphosis, and tales by E. T. A. Hoffman, Charles Perrault, Guy de Maupassant, Nicolai Gogol, and Edgar A. Poe."

The celebrated scholar Tzvetan Todorov offers a study examining the complex relationship between "ethics" and "history". Exploring such questions as "How does one measure and experience freedom in the depths of society?" and "How does one practise and measure equality among different societies?", Todorov confronts topics ranging from the conquest of America and 19th-century colonialism, to democracy and conflicts of the "self" versus the "other". As he probes the effects of intercultural relationships and the difficulties inherent to the representation of the other, Todorov describes his own experience as a Bulgarian living in France. He also studies a variety of travel narratives from those of Columbus to Amerigo Vespucci to Lamartine, and he analyzes with great clarity the writings of the "ideologues" of both colonialism and anticolonialism. Offering an urgent call to contemporary intellectuals to re-examine their role in society and to integrate values into their work, "The Morals of History" explores the relationship between facts and values, truth and fiction, interpretation and articulation. Addressed to a broad audience, it should intrigue readers interested in contemporary discussions regarding the outcome of democracy and the future of late capitalism, the persistence of a logic of conquest and ethnocentrism, and the signs which point to emerging fascisms.

Available in English for the first time, Imperfect Garden is both an approachable intellectual history and a bracing treatise on how we should understand and experience our lives. In it, one of France's most prominent intellectuals explores the foundations, limits, and possibilities of humanist thinking. Through his critical but sympathetic excavation of humanism, Tzvetan Todorov seeks an answer to modernity's fundamental challenge: how to maintain our hard-won liberty without paying too dearly in social ties, common values, and a coherent and responsible sense of self. Todorov reads afresh the works of major humanists--primarily Montaigne, Rousseau, and Constant, but also Descartes, Montesquieu, and Toqueville. Each chapter considers humanism's approach to one major theme of human existence: liberty, social life, love, self, morality, and expression. Discussing humanism in dialogue with other systems, Todorov finds a response to the predicament of modernity that is far more instructive than any offered by conservatism, scientific determinism, existential individualism, or humanism's other contemporary competitors. Humanism suggests that we are members of an intelligent and sociable species who can act according to our will while connecting the well-being of other members with our own. It is through this understanding of free will, Todorov argues, that we can use humanism to rescue universality and reconcile human liberty with solidarity and personal integrity. Placing the history of ideas at the service of a quest for moral and political wisdom, Todorov's compelling and no doubt controversial rethinking of humanist ideas testifies to the enduring capacity of those ideas to meditate on--and, if we are fortunate, cultivate--the imperfect garden in which we live.

Can humanity be divided into good and evil? And if so, is it possible for the good to vanquish the evil, eradicating it from the face of the Earth by declaring war on evildoers and bringing them to justice? Can we overcome evil by the power of memory? In "Memory as a Remedy for Evil," Tzvetan Todorov answers these questions in the negative, arguing that despite all our efforts to the contrary, we cannot be delivered from evil.

In this work on evil, memory and justice, Todorov examines the uses of memory and the spate of memorial laws in France in order to show how memory has failed as a remedy against evil and how efforts to come to grips with past evil through trials and punitive justice have failed as well. Todorov locates the fatal flaw of all these approaches in our erroneous relationship with evil as alterity, the distinction that we draw between ourselves and others that allows us to imagine ourselves in the appealing role of hero and victim and confine others to the role of villain and criminal.

Similarly, in his analysis of the South African Truth and Reconciliation Commission and Cambodia's Khmer Rouge Tribunal, Todorov argues in favor of restorative justice, which "seeks not to punish but to restore relations that should never have been interrupted" between former perpetrators and former victims.

"Memory as a Remedy for Evil" is a powerful and timely work that asks that we recognize the good and evil within each of us--and reminds us that it is only by coming to terms with evil and trying to understand it that we can hope to tame it.

The Nazi concentration camps and the Soviet gulag provide the context for this acclaimed examination of the human capacity for moral life. Drawing on a striking array of documents, Tzvetan Todorov reconstructs a vivid portrait of the conduct of those who ran the camps and those who suffered their outrages. Challenging the widespread view that moral life was extinguished in the extreme circumstances of the camps, he uncovers instead a rich moral universe, composed not of grand acts of heroism but of ordinary gestures of dignity and care, compassion and solidarity.
A complex and profound study, "Facing the Extreme "restores a lost dimension to this anguished history, even as it offers an eloquent plea for the recognition of everyday virtues as a basis for contemporary morality.

Este libro constituye en primer lugar una reflexion sobre las formas que toma el conocimiento de lo humano, puesto que Tzvetan Todorov plantea la relacion existente entre hechos y valores, verdad y ficcion, interpretacion y elocuencia, y a la vez examina la funcion del intelectual contemporaneo. Pero la obra es al mismo tiempo una puesta en practica de la ciencia moral y politica: como vivir la libertad en el interior de una sociedad? Si a Socrates le gustaba describirse como un tabano pegado al lado de la ciudad, aguijoneandola sin tregua, como imitarle hoy en dia, cuando las ciencias humanas y la historia parten de un sueno totalmente distinto, tomar los hechos sin ofrecer ningun juicio, tratar de lo humano como si no fuera tal? Para criticar lo que es, no hace falta creer en lo que deberia ser? El texto trae asi a la memoria hechos e interpretaciones como la colonizacion o la conquista de America vista por los aztecas, resucita debates de epocas muy variadas entre Socrates y los sofistas, Montaigne y Montesquieu, Spinoza y Locke, el vizconde de Bonald y Benjamin Constant, Leo Strauss y Raymond Aron, y, sobre todo, a lo largo de estos recorridos, procura no perder de vista lo esencial: las morales de la historia.

In Symbolism and Interpretation, Tzvetan Todorov examines two aspects of discourse: its production, which has traditionally been the domain of rhetoric, and its reception, which has always been the object of hermeneutics. He analyzes the diverse theories of symbolism and interpretation that have been elaborated over the centuries and considers their contribution to a general theory of verbal symbolism, discussing a wide range of thinkers, from the Sanskrit philosophers and Aristotle to the German Romantics and contemporary semioticians.

Todorov begins by examining general ideas of linguistic symbolism and the interpretive process. He then turns to a detailed consideration of two of the most influential and pervasive interpretative strategies in Western thought: the patristic exegesis of Augustine and Aquinas, and the philological exegesis foreshadowed in the work of Spinoza, developed by Wolf, Ast, Boeckh, and Lanson, and criticized by Schleiermacher. Todorov clarifies in masterly fashion the intricacies of the many schools of thought and refines the concepts crucial to critical theory today, including the distinctions between language and discourse, direct and indirect meaning, sign and symbol. Ably translated by Catherine Porter, Symbolism and Interpretation provides a coherent and innovative framework that is indispensable to the study of semiotics, its history, and its future.

Focusing on theories of verbal symbolism, Tzvetan Todorov here presents a history of semiotics. From an account of the semiotic doctrines embodied in the works of classical rhetoric to an exploration of representative modern concepts of the symbol found in ethnology, psychoanalysis, linguistics, and poetics, Todorov examines the rich tradition of sign theory. In the course of his discussion Todorov treats the works of such writers as Aristotle, Cicero, Quintilian, Augustine, Condillac, Lessing, Diderot, Goethe, Novalis, the Schlegel brothers, Levy-Bruhl, Freud, Saussure, and Jakobson.

A classic in its field, The Conquest of America is a study of cultural confrontation in the New World, with implications far beyond sixteenth-century America. The book offers an original interpretation of both Columbus's discovery of America and the Spaniards' subsequent conquest, colonization, and destruction of pre-Columbian cultures in Mexico and the Caribbean. Using sixteenth-century sources, the distinguished French writer and critic Tzvetan Todorov examines the beliefs and behavior of the Spanish conquistadors and of the Aztecs, adversaries in a clash of cultures that resulted in the near extermination of Mesoamerica's Indian population. A new foreword by Anthony Pagden discusses the implications of Todorov's landmark study.

One of the most terrible legacies of our century is the concentration camp. Countless men and women have passed through camps in Nazi Germany, Communist China, and the Soviet bloc countries. In Voices from the Gulag, Tzvetan Todorov singles out the experience of one country where the concentration camps were particularly brutal and emblematic of the horrors of totalitarianism -- communist Bulgaria.

The voices we hear in this book are mostly from Lovech, a rock quarry in Bulgaria that became the final destination for several thousand men and women during its years of operation from 1959 to 1962. The inmates, though drawn from various social, professional, and economic backgrounds, shared a common fate: they were torn from their homes, by secret police, brutally beaten, charged with fictitious crimes, and shipped to Lovech. Once there, they were forced to endure backbreaking labor, inadequate clothing, shelter, and food, systematic beatings, and institutionalized torture.

We also hear from guards, commandants, and bureaucrats whose lives were bound together with the inmates in an absurd drama. Regardless of their grade and duties, all agree that those responsible for these "excesses" were above or below them, yet never they themselves. Accountability is thereby diffused through the many strata of the state apparatus, providing legal defenses and "clear" consciences. Yet, as the concluding section of interviews -- with the children and wives of the victims -- reminds us, accountability is a moral and historical imperative.

The testimonies in Voices from the Gulag were written specifically for this volume or have been published in the Bulgarian press or on Bulgarian television.Todorov compiled them for this book and has written an introductory essay -- a lucid and troubling analysis of totalitarianism and the role that terror and the concentration camp play in such a world. He reflects upon his own experience living in Bulgaria during the years when Lovech was in operation. It is through that experience that Todorov has sought to understand the totalitarian horrors of our century.

Although Lovech and the other camps of Soviet Russia and Eastern Europe have been closed down, concentration camps still exist in the countries whose communist regimes remain in power -- Vietnam, China, North Korea, and Cuba. The voices in this book remind us that we are never completely safe from the threat of totalitarianism, a threat that we all must face. As Todorov writes, "I cannot say that these stories do not concern me."

In his major work on communism, the international bestseller The Passing of an Illusion, the eminent French historian François Furet devoted a lengthy footnote to German historian Ernst Nolte’s interpretation of fascism. Nolte responded, a correspondence ensued, and the result was the remarkable exchange presented in this volume. Fascism and Communism offers readers the rare opportunity to witness and learn from a confrontation between two of the world’s most distinguished historians over one of the most serious subjects of our time. Each from a different perspective, Furet and Nolte offer compelling arguments for the common genealogy of these two ideologies as well as reasons for the intellectual community’s rejection of this explosive thesis throughout the twentieth century. This discussion leads to a deeper understanding of the nature of totalitarianism as well as the trajectory and interpretation of modern European history.

Tzvetan Todorov is one of Europe's leading intellectuals. Beyond his work in cultural and literary theory, philosophy and psychoanalysis, Todorov's influence is extraordinarily far-reaching specifically because of the clarity of his writing and his refusal to be bound by systems of thought and disciplinary straitjackets. Todorov's many writings include "The Poetics of Prose", "The Conquest of America", "Mikhail Bakhtin: The Dialogical Principle", "Facing the Extreme: Moral Life in the Concentration Camps", "On Human Diversity", "Hope and Memory", "Imperfect Garden: Lessons from the Twentieth Century" and "The New World Disorder: Reflections of a European". "Duties and Delights" presents a series of interviews with Tzvetan Todorov which illuminate the paths that he has taken, the paths that he has crossed and the paths that he has opened up for others.