An indispensable and distinctive book that will help anyone who wants to write, write better, or have a clearer understanding of what it means for them to be writing, from widely admired writer and teacher Verlyn Klinkenborg.
Klinkenborg believes that most of our received wisdom about how writing works is not only wrong but an obstacle to our ability to write. In "Several Short Sentences About Writing," he sets out to help us unlearn that "wisdom"--about genius, about creativity, about writer's block, topic sentences, and outline--and understand that writing is just as much about thinking, noticing, and learning what it means to be involved in the act of writing. There is no gospel, no orthodoxy, no dogma in this book. Instead it is a gathering of starting points in a journey toward lively, lucid, satisfying self-expression.

In 1845 Henry David Thoreau left his pencil-manufacturing business and began building a cabin on the shore of Walden Pond near Concord, Massachusetts. This lyrical yet practical-minded book is at once a record of the 26 months Thoreau spent in withdrawal from society -- an account of the daily minutiae of building, planting, hunting, cooking, and, always, observing nature -- and a declaration of independence from the oppressive mores of the world he left behind. Elegant, witty, and quietly searching, Walden remains the most persuasive American argument for simplicity of life clarity of conscience.

For the first time, the authoritative editions of works by major American novelists, poets, scholars, and essayists collected in the hardcover volumes of The Library of America are being published singly in a series of handsome paperback books. A distinguished writer has contributed an introduction for each volume, which also includes a chronology of the author's life and career, an essay on the text, and notes.


From the Trade Paperback edition.

Back in print after 150 years

Out of print since 1856, The American Gardener is perhaps the first classic work of American gardening literature. In it, William Cobbett, Victorian England’s greatest and most gifted journalist, draws upon his experiences during a two-year exile on a Long Island, New York, farm to lay out the rudiments of gardening for American farmers and, ultimately, to tailor principles developed in wet, drippy, weed-prone British gardens to their fine, sun-drenched counterparts in America. Full of practical knowledge memorably imparted with Cobbett’s gift for the indelible phrase, The American Gardener offers advice still useful today on all aspects of gardening, with special attention to those plants successful in the New World, including the artichoke (“indeed, a thistle upon a gigantic scale”) and the increasingly ubiquitous potato. Rediscovered 180 years after its composition, The American Gardener is evidence of a great mind and pen at work in the earliest days of American gardens.

This Modern Library edition is published with a new Introduction by Verlyn Klinkenborg, a New York Times editorialist and the author of The Rural Life, Making Hay, and The Last Fine Time.

Few writers have attempted to explore the natural history of a particular animal by adopting the animal's own sensibility. But Verlyn Klinkenborg has done just that in "Timothy": an insightful and utterly engaging story of the world's most famous tortoise, whose real life was observed by the eighteenth-century English curate and naturalist Gilbert White. For thirteen years, Timothy lived in White's garden. Here Klinkenborg gives the tortoise an unforgettable voice and keen powers of observation on both human and natural affairs. Wry and wise, unexpectedly moving and enchanting at every-careful-turn, "Timothy" surprises and delights.

Verlyn Klinkenborg's The Last Fine Time sensitively chronicles the life of a family-owned restaurant in Buffalo, New York, from its days before WWII as a Polish tavern to 1947, when it became a swank nightspot serving highballs and Frenchfried shrimp to a generation of servicemen. In the inevitable disappearance of George & Eddie's, as narrated by Klinkenborg, we see the passing of both an Old World way of life and the end of the postwar exuberance that was Eddie Wenzek's "last fine time." A loving portrait of an era and place, The Last Fine Time is, by turns, an elegy, a celebration, a social history, and a tour de force of lyrical style.

The hugely admired author of "The Last Fine Time" preserves and makes new the sights, smells, sounds, and poetry of country living. Klinkenborg reveals the beauty of the American landscape, not from a scenic overlook, but through a screened-in porch or from the window of a pickup driving down an empty highway in the teeth of an approaching storm.

In this classic of American literature, Thoreau gives an account of his two years experience of the 'simple life' in the woods, telling how he sought and found material and spiritual sustenance in the solitude of the cabin which he built for himself on the shore of Walden Pond, near Concord, Massachusetts.

"Ducks in a stream, the bridge at St. Anthony Falls, streets of cities and towns, a fish in a net, the glittering lakes seen under low skies. The Face of Minnesota" is a fresh, simple, unpretentious statement of a place and time by people who know what Minnesota is because they live there." --Minor White, Aperture," 1958
"John Szarkowski is the single most important curator that photography has ever had. Looking at his photographs created over the last fifty years makes me want to weep. They are truly American pictures; one feels his desire to show not just what America was but what it still can be." --Ingrid Sischy, Vanity Fair, "2005
Originally commissioned to commemorate Minnesota's centennial in 1958 and out of print for nearly forty years, The Face of Minnesota" is a lost masterpiece of photography and an eloquent tribute to the people and places of the North Star state. Republished in celebration of the state's sesquicentennial, this beautifully produced edition includes contemporary essays about John Szarkowski's impact on American photography and introduces his work to new generations of Minnesotans.
Featuring more than 175 arresting photographs as well as essays filled with wit and affection, The Face of Minnesota "opens with this statement: "This book is about Minnesota now. But as a mature man carries on his face and in his bearing the history of his past, so does the look of a place today show its past-what it has been and what it has believed in." Though Minnesota has changed dramatically during the past fifty years, The Face of Minnesota" reveals the simple beauty of the imprint of the past and its deep resonance today.
John Szarkowski (1925-2007) wasdirector of the photography program at the Museum of Modern Art in New York, where he transformed our understanding of the art of photography through influential exhibitions and books, including Looking at Photographs "(1973). In 2005 his work was surveyed in a traveling exhibition, accompanied by the book John Szarkowski: Photographs."
Verlyn Klinkenborg joined the editorial board of the New York Times" in 1997. He is the author of several works, including The Rural Life."
Richard Benson has worked as a photographer and printer since 1966. He teaches at Yale University and is the coauthor, with John Szarkowski, of A Maritime Album: 100 Photographs and Their Stories."