for SATB (with divisions) unaccompanied The text for this arrangement of the second of William Walton's Two Pieces for Strings from Henry V' is based on the line 'Touch her soft mouth, and part' from Shakespeare's Henry V (Act 2, Scene 3). Featured on the Tenebrae Consort's CD Sun, Sea, Moon and Stars (released January 2016), this melancholic setting is simple yet highly effective.

for SATB, baritone solo and orchestra A newly engraved edition of this vibrant choral work and fully compatible with the new Walton Edition full score. There are minor adjustments to the piano reduction to improve playability and the text underlay is now English only, as Walton's original.

for SATB and orchestra This new vocal-score edition was published to mark the 60th anniversary of Queen Elizabeth II's coronation, in June 1953. First performed as the new Queen processed out of Westminster Abbey, Walton's Te Deum is at once regal, celebratory, and restrained, and a beacon among English settings. The new vocal score (with keyboard reduction) draws on research for the complete Walton Edition and is compatible with existing orchestral materials on hire. Orchestral material is available on hire/rental.

Guy Hamilton's classic war film looks at how England defended itself from the German aerial onslaught of the summer of 1940. Laurence Olivier plays Sir Hugh Dowding, the air chief marshal whose fleet outmanouevre the Luftwaffe, despite a numerical disadvantage; and those few to whom so many owed so much are portrayed by an all-star cast including Michael Caine, Kenneth More and Ralph Richardson. Despite its pro-British slant, the authenticity of the film's impressive flying sequences was guaranteed by the technical advice of Adolf Galland, one of the Nazi's most celebrated World War 2 pilots.

A setting of a 15th-century carol, for SATB unaccompanied.

Suitable for soprano and tenor soli and unaccompanied mixed chorus.

This edition of Walton's Cello Concerto has been off-printed from the Wiliam Walton Edition full score, and combines the scholarship of the Edition (including an introduction by the editor) with the practical benefits of a study score format. Dating from 1956, the work was commissioned by Gregor Piatigorsky and premiered by him the following year. Walton regarded this work as the best of his three solo concertos. Orchestral material is available on hire/rental.

for organ solo An arrangement for organ of this popular march, first performed at the coronation of King George VI.

A popular setting for double choir and organ/brass, in a clear and authoritative edition.

A setting of a melancholy text by Phineas Fletcher for unaccompanied SATB voices.

William Carlos Williams' Collected Poems Volume I reissued as a Carcanet Classic. Described by Thom Gunn as `an ideal edition', this first volume of William Carlos Williams' Collected Poems is a vivid account of his formation as a poet, his time in Europe, and his interactions with the major players of Modernism (he never quite appreciated that he was one of them). The poems are printed in the order of original publication, starting with The Tempers (1913) and ending with Poems 1936-1939. Williams remains one of the most popular American poets of all time, Whitman's heir but with a voice wholly unlike Whitman's: provincial, particular, never quite settled. His material is the stuff of daily life, though he takes big risks of theme: `the urgent insurgent now' that he lives and celebrates becomes history; it can generate energy even from the past.

This edition of Walton's Facade: First and Second Suites for Orchestra has been off-printed from the William Walton Edition full scores. It combines the scholarship of the main edition with the practical benefits of a study score format, and includes an introduction by the editor. Orchestral material is available on hire/rental.

Suitable for soprano and tenor soli, mixed chorus (with divisions) and organ (in the Gloria only).

Guy Hamilton's classic war film looks at how England defended itself from the German aerial onslaught of the summer of 1940. Laurence Olivier plays Sir Hugh Dowding, the air chief marshal whose fleet outmanouevre the Luftwaffe, despite a numerical disadvantage; and those few to whom so many owed so much are portrayed by an all-star cast including Michael Caine, Kenneth More and Ralph Richardson. Despite its pro-British slant, the authenticity of the film's impressive flying sequences was guaranteed by the technical advice of Adolf Galland, one of the Nazi's most celebrated World War 2 pilots.

Five Bagatelles were written for Julian Bream and dedicated to Malcolm Arnold 'with admiration and affection for his 50th birthday'. They were given their first performance in Bath on 27th May 1972.

The Bear is an extravaganza in one act for three soloists and orchestra, commissioned by the Koussevitsky Foundation in 1965 and first performed at the Aldeburgh Festival in 1967. It is based on a short story of Chekhov, with a libretto by Paul Dehn. The action takes place in the drawing room of Madam Popova's house in the country in 1888. Popova, a pretty widow affectedly faithful to the memory of her late and, alas, promiscuous, husband is confronted by Smirnov, one of her husband's more boorish creditors. They quarrel to a point at which each aims a loaded pistol at the other, but neither can fire. They have both fallen helplessly in love. This new edition is based on a full assessment of all extant sources and takes account of Walton's various revisions. A new vocal score is also published on sale, and new orchestral material fully compatible with this score is available for hire.

This volume presents newly engraved and edited scores of all Walton's popular film scores, including the various Shakespeare suites and for the first time on sale his music for the film Battle of Britain.

Anthem for the Feast of any Apostle, for SATB soli, SATB choir, and organ or orchestra Orchestral material is available on hire.

Walton's Belshazzar's Feast is a cornerstone of the modern choral repertory. Commissioned by the BBC and premiered at the Leeds Festival in 1931, the works sets texts selected and arranged from the Bible by Osbert Sitwell. With its commanding baritone narrative, colourful orchestration, and jubilant choral finale, this dramatic re-telling of a well-known Biblical story is as popular today as it was at its premiere almost eighty years ago.