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HIS RESTLESS HEART BEAT TO A RHYTHM OF ITS OWN- a rhythm that had once been so prevalent in the core of his soul, but had long been lost under the thick layers of routine, expectation, and responsibility created by a quiet, civilized life. Konrad Quintero de Leon, a young American man, having just returned home to New York after his schooling at Oxford University, decides to venture west to rediscover that lost rhythm and peel off the layers that have muffled it for so long.

Set in the 1840s, some of America's most restless years, Konrad begins an endless journey in search of his own "manifest destiny." He embarks on a westward expedition with the famous explorer John C. Fremont and legendary mountain man Kit Carson. He roams the wild Texas frontier with the Texas Rangers and fights in the bloody Battle of Monterrey under the command of General Zachary Taylor. But the life of a restless wanderer is not an easy one, as Konrad discovers when he falls in love with the beautiful and exciting Anastasia Carriere-the fiancee of another man. He is cast into a desperate battle where he must choose between the woman he loves and the adventure that he craves.

The publications of the Hakluyt Society (founded in 1846) made available edited (and sometimes translated) early accounts of exploration. The first series, which ran from 1847 to 1899, consists of 100 books containing published or previously unpublished works by authors from Christopher Columbus to Sir Francis Drake, and covering voyages to the New World, to China and Japan, to Russia and to Africa and India. This book contains three accounts of Dutch voyages in search of a north-eastern passage to China, undertaken in the 1590s. (When this Hakluyt edition was published in 1853, continuing anxiety about the fate of Sir John Franklin's expedition made any accounts of Arctic exploration extremely topical.) The Dutch were not successful in establishing a north-east passage; but the stories of the expeditions and of the courage and endurance of the men who took part in them make for fascinating reading.

Across sociology and cultural studies in particular, the concept of authenticity has begun to occupy a central role, yet in spite of its popularity as an ideal and philosophical value authenticity notably suffers from a certain vagueness, with work in this area tending to borrow ideas from outside of sociology, whilst failing to present empirical studies which centre on the concept itself. Authenticity in Culture, Self, and Society addresses the problems surrounding this concept, offering a sociological analysis of it for the first time in order to provide readers in the social and cultural sciences with a clear conceptualization of authenticity and with a survey of original empirical studies focused on its experience, negotiation, and social relevance at the levels of self, culture and specific social settings.

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For more than four decades, David Lyle Jeffrey has enriched the world of Christian scholarship. Throughout his work, Jeffrey has drawn attention to the ways in which imaginative engagements with biblical texts have been central to major shifts in Christian and post-Christian hermeneutics, ethics, and aesthetics. The purpose of this volume is to challenge and deepen that growing discourse by showing how English literature across varied traditions unfolds a central Christian interaction between divine Incarnation, invented narrative, and ethical praxis. In their essays, the authors demonstrate how an imaginative engagement with biblical narratives, in historical or contemporary writing, continues to provide a fruitful means to address the intellectual and ethical antinomies of the postmodern scene. The articles in this collection form two groups: the first set of essays focuses on specific episodes or moments of historical change within European biblical literary traditions; the second group focuses on the dissemination of biblical literary engagements in areas outside of European contexts, ranging from North America to South Africa to China. Unique in the wide range of topics it covers-itself a reflection of Jeffrey's own broad scope of scholarship-the collection functions as a working example of Jeffrey's thesis that the biblical tradition has a far-reaching influence on the development of Western literature, even by those who are reluctant to acknowledge its present influence.

Since its founding in 1937, "Partisan Review" has been one of the most important and culturally influential journals in America. Under the legendary editorship of William Phillips and Philip Rahv, "Partisan Review" began as a publication of the John Reed Club, but soon broke away to establish itself as a free voice of critical dissent. As such, it counteracted the inroads of cultural Stalinism and took up the fight for aesthetic modernism at a time when the latter was fiercely contested by both the political left and right. In this work, William Phillips offers an account of his own part in the magazine's eventful history. As the magazine's editor, Edith Kurzweil, notes in her introduction, many of the literary and political disagreements that famously marked "Partisan Review"'s history originated in the editors' initial adherence to a programme of radical politics and avant-gardism. Although this proved increasingly unworkable, Phillips and Rahv, even from the outset, never allowed sectarian narrowness to determine the magazine's contents. Over the decades, "Partisan Review" published work by authors as far from radicalism as T.S. Eliot and Wallace Stevens or from Marxist orthodoxy as Albert Camus and George Orwell. In literature, its contributors were as stylistically and intellectually varied as Saul Bellow, Vladimir Nabokov, Robert Lowell and Isaac Bashevis Singer. In short, "Partisan Review" featured the best fiction, poetry and essays of the 1940s and postwar decades. Beyond its literary preeminence, Partisan Review was famed as the most representative journal of the New York Intellectuals.

Across sociology and cultural studies in particular, the concept of authenticity has begun to occupy a central role, yet in spite of its popularity as an ideal and philosophical value authenticity notably suffers from a certain vagueness, with work in this area tending to borrow ideas from outside of sociology, whilst failing to present empirical studies which centre on the concept itself. Authenticity in Culture, Self, and Society addresses the problems surrounding this concept, offering a sociological analysis of it for the first time in order to provide readers in the social and cultural sciences with a clear conceptualization of authenticity and with a survey of original empirical studies focused on its experience, negotiation, and social relevance at the levels of self, culture and specific social settings.

Since its founding in 1937, "Partisan Review" has been one of the most important and culturally influential journals in America. Under the legendary editorship of William Phillips and Philip Rahv, "Partisan Review" began as a publication of the John Reed Club, but soon broke away to establish itself as a free voice of critical dissent. As such, it counteracted the inroads of cultural Stalinism and took up the fight for aesthetic modernism at a time when the latter was fiercely contested by both the political left and the right. In "A Partisan View," William Phillips gives a vivid account of his own part in the magazine's eventful history. As the magazine's current editor, Edith Kurzweil, notes in her new introduction, many of the literary and political disagreements that famously marked "Partisan Review"'s history originated in the editors' initial adherence to a program of radical politics and avant-gardism. Although this proved increasingly unworkable, Phillips and Rahv, even from the outset, never allowed sectarian narrowness to determine the magazine's contents. Over the decades, "Partisan Review" published work by authors as far from radicalism as T. S. Eliot and Wallace Stevens or from Marxist orthodoxy as Albert Camus and George Orwell. In literature, its contributors were as stylistically and intellectually varied as Saul Bellow, Vladimir Nabokov, Robert Lowell and Isaac Bashevis Singer. In short, "Partisan Review" featured the best fiction, poetry, and essays of the 1940s and postwar decades. Beyond its literary preeminence, "Partisan Review" was famed as the most representative journal of the New York Intellectuals. Much of the quality of "Partisan Review" came from Phillips own broad culture, cosmopolitanism, and intellectual tolerance. As Edith Kurzweil writes, "he kept trying to find a category of criticism' that might enable us all to better come to grips with the complexities of our ever-changing world." Now in paperback, "A Partisan View" will be of keen interest to intellectual historians as well as literary scholars.

In the early nineteenth century, the gifted stratigrapher and amateur geologist William Phillips (1773-1828) gave several lectures to interested young people in Tottenham on the subject of geology. These lectures were later collected into a book, which Phillips expanded in later versions. This reached its peak in 1822 when the clergyman William Daniel Conybeare (1787-1857) collaborated with Phillips to produce this rigorous and improved assessment of the geological composition of England and Wales. Although no second volume was ever published, the book had a tremendous impact on geologists throughout the United Kingdom and Europe, inspiring foreign scholars to produce equivalent volumes about their own countries. Conybeare's concern for the stratigraphy of fossils is especially remarkable for the time. William Fitton, later president of the Geological Society of London, praised the book highly, remarking that 'no equal portion of the earth's surface has ever been more ably illustrated'.

William Phillips (1773 1828) was a printer and geologist who became a Fellow of the Royal Society in 1827. A founder of the London Askesian Society, he was also an active member of the British Mineralogical Society. In 1807 he and twelve others founded the Geological Society of London, and he was described by the Society's historian as 'the most distinguished, as a geologist, of the original founders'. His pioneering 1818 digest of British geology, Outlines of the Geology of England and Wales, was the most ambitious and influential work of its kind. Phillips gave free lectures to young people in his village in 1814, and these were published the following year. This work followed in 1816, and both went on to become standard textbooks. Aimed at students, it collects observations of a wide range of minerals' characteristics and occurrence, incorporating crystallographic work using the new reflecting goniometer.

The publications of the Hakluyt Society (founded in 1846) made available edited (and sometimes translated) early accounts of exploration. The first series, which ran from 1847 to 1899, consists of 100 books containing published or previously unpublished works by authors from Christopher Columbus to Sir Francis Drake, and covering voyages to the New World, to China and Japan, to Russia and to Africa and India. This account of the East Indian travels of John Huyghen van Linschoten, originally published in the Netherlands in 1596 and translated into English in 1598, was published by the society in 1885 using an edited version of the early translation, supplemented with explanatory notes. It provides a rich source of information about Portuguese trade with the East Indies, as well as descriptions of the fauna, flora and indigenous peoples of the regions he visited, from the Azores and St Helena to Java and Sumatra.