This book analyzes liquid biopsy applications in cancer and other diseases. Chapters guide readers through the latest technologies and analysis methods for liquid biopsy,liquid biopsy in cancer, role of liquid biopsies in rheumatoid arthriti, cell-free circulating DNA profiling in patients with skin diseases, circulating non-coding RNAs, and exomes. Written in the format of the highly successful Methods in Molecular Biology series, each chapter includes an introduction to the topic, lists necessary materials and reagents, includes tips on troubleshooting and known pitfalls, and step-by-step, readily reproducible protocols.   Authoritative and cutting-edge, Liquid Biopsies: Methods and Protocols aims to attract more researchers and clinicians to study the diagnosis, immunotherapy, and prognosis of cancer and other diseases with liquid biopsy analysis.

A monograph by the Chinese academia expounding on basic opinions of Marxist philosophy, evealing the ignored or forgotten views by the classical textbook system of Marxist philosophy and ystematically demonstrating the opinions that Marx has ever expounded but not sufficiently developed with the view of practical philosophy; meanwhile coinciding with major contemporary issues in order to upgrade them into the basic opinions of Marxist philosophy and highlighting the modernity and contemporary significance of Marxist philosophy and comparison with postmodern thought. Focusing on the studies of the basic features and opinions of Marxist philosophy, the first part puts Marxist philosophy into the grand theoretical backgrounds of history of western philosophy and modern western philosophy, including postmodernism, to explore anew its theme, system features and contemporary significance. Part Two reinvestigates the historical process and thinking logic of Marx in founding historical materialism, explores the evolution of the ontology of Marxist philosophy after Marx, and analyzes, from Marx's point of view, the western philosophy of history, methods of western social science, postmodernism, post-colonialism, and the thought changes of Husserl and Derrida, with a view to highlighting the contemporary significance of Marxist philosophy.

In this book, Yan Geng examines Mao's image from the perspective of its producers, focusing on four artists, chosen for both the diverse media they worked in and their diverse backgrounds. The book suggests an alternative perspective on the making of propaganda not only as a politically themed representation but also as an expression of artists' subjectivities and their roles as pivotal agents in the transition of modern Chinese art history. Mao's Image: Artists and China's 1949 Transition demonstrates how artists portrayed Mao as the nation's leader during the early People's Republic and what such images reveal about Chinese artists' experience during the Communist takeover of the country.