Joan Scott's work has influenced several generations of historians and helped make the topic of gender central to the way in which the discipline is taught and studied today. At root a new way of conceptualizing capitalist societies, Scott's theories suggest that gender is better understood as a social construct than as a biological fact. Scott's original contribution to the debate, however, stems in her use of the critical thinking skill of analysis to understand how the arguments of earlier generations of historians were built in order to fully grasp both their structure and the assumptions that underpinned them. From there, Scott was able to use problem-solving to resolve the issues that emerged from her analysis, asking productive questions focused on better ways to build a model capable of explaining the historical phenomenon of gender difference. Scott answered these questions by introducing models created by deconstructionist scholars - notably Jacques Derrida, who challenged the idea that any term or concept has a stable or dependable meaning rooted in material reality. She was able, in consequence, to refute that idea that gender inequality is the natural (hence justifiable) consequence of biological sexual differences, and issue a fundamental challenge to the capitalist system itself.

The Landscape of Murder documents all the sites where murders occurred in London between January 1st, 2011 and December 31st, 2012. In total 209 murders were committed over this two year period. Most murders make the news for only a fleeting moment and the landscape in which they occur reverts back to normality very quickly after the forensic teams leave. Yet the scars remain, sometimes subtle, sometimes very open, whether a single solitary flower or the gathering of grieving family and friends. Sometimes nothing remains to show that a life has ended violently in a particular location. Antonio Zazueta Olmos seeks to give memory to what are mostly forgotten events, in unseen places where great violence has occurred. A violence that is mostly silent, private and unseen by the wider public. The project has taken him to parts of London he knew little or nothing about and in the process he has created an alternative portrait of London, one shaped by violence and inequality.

Joan Scott's work has influenced several generations of historians and helped make the topic of gender central to the way in which the discipline is taught and studied today. At root a new way of conceptualizing capitalist societies, Scott's theories suggest that gender is better understood as a social construct than as a biological fact.

Scott’s original contribution to the debate, however, stems in her use of the critical thinking skill of analysis to understand how the arguments of earlier generations of historians were built in order to fully grasp both their structure and the assumptions that underpinned them. From there, Scott was able to use problem-solving to resolve the issues that emerged from her analysis, asking productive questions focused on better ways to build a model capable of explaining the historical phenomenon of gender difference.

Scott answered these questions by introducing models created by deconstructionist scholars – notably Jacques Derrida, who challenged the idea that any term or concept has a stable or dependable meaning rooted in material reality. She was able, in consequence, to refute that idea that gender inequality is the natural (hence justifiable) consequence of biological sexual differences, and issue a fundamental challenge to the capitalist system itself.