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Arts & Crafts > Fine Art Supplies Showing 1 - 25 of 74 matches in Fine Art Supplies
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.
LUKAS CRYL STUDIO was developed after the newest knowledge of pigment and binding agent research. Good covering power is ensured through a high concentration of valuable pigments, significantly higher than typical economic colours. Pigments are used to guarantee excellent levels of lightfastness. No shade has a lower lightfastness than 6-7 on the internationally standardised 8-step wool scale (exceptions are the Fluorescent and Glow in the Dark colours, for technical reasons). The exclusive use of high-quality acrylates as a binder guarantees an excellent absorption on a great variety of surfaces such as cardboard, canvas, plastic, glass, as well as high elasticity and tensile strength. This enables work in thick layers without the risk of cracking. The colour has a medium consistency to allow the most variable application, from an easy, extensive colour application up to a slight structure while ensuring good control. The quick-drying LUKAS CRYL STUDIO Acrylic colors are water dilutable and dry to a satin gloss finish. They can be mixed with all LUKAS acrylic colour assortments, like CRYL pastos, CRYL liquid and CRYL TERZIA. The wide colour range of 72 shades includes classical shades also affects colours, like metallic, Fluorescent and Glow in the Dark, and modern trend colours, like pastel shades.
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.
LUKAS CRYL STUDIO was developed after the newest knowledge of pigment and binding agent research. Good covering power is ensured through a high concentration of valuable pigments, significantly higher than typical economic colours. Pigments are used to guarantee excellent levels of lightfastness. No shade has a lower lightfastness than 6-7 on the internationally standardised 8-step wool scale (exceptions are the Fluorescent and Glow in the Dark colours, for technical reasons). The exclusive use of high-quality acrylates as a binder guarantees an excellent absorption on a great variety of surfaces such as cardboard, canvas, plastic, glass, as well as high elasticity and tensile strength. This enables work in thick layers without the risk of cracking. The colour has a medium consistency to allow the most variable application, from an easy, extensive colour application up to a slight structure while ensuring good control. The quick-drying LUKAS CRYL STUDIO Acrylic colors are water dilutable and dry to a satin gloss finish. They can be mixed with all LUKAS acrylic colour assortments, like CRYL pastos, CRYL liquid and CRYL TERZIA. The wide colour range of 72 shades includes classical shades also affects colours, like metallic, Fluorescent and Glow in the Dark, and modern trend colours, like pastel shades.
LUKAS CRYL STUDIO was developed after the newest knowledge of pigment and binding agent research. Good covering power is ensured through a high concentration of valuable pigments, significantly higher than typical economic colours. Pigments are used to guarantee excellent levels of lightfastness. No shade has a lower lightfastness than 6-7 on the internationally standardised 8-step wool scale (exceptions are the Fluorescent and Glow in the Dark colours, for technical reasons). The exclusive use of high-quality acrylates as a binder guarantees an excellent absorption on a great variety of surfaces such as cardboard, canvas, plastic, glass, as well as high elasticity and tensile strength. This enables work in thick layers without the risk of cracking. The colour has a medium consistency to allow the most variable application, from an easy, extensive colour application up to a slight structure while ensuring good control. The quick-drying LUKAS CRYL STUDIO Acrylic colors are water dilutable and dry to a satin gloss finish. They can be mixed with all LUKAS acrylic colour assortments, like CRYL pastos, CRYL liquid and CRYL TERZIA. The wide colour range of 72 shades includes classical shades also affects colours, like metallic, Fluorescent and Glow in the Dark, and modern trend colours, like pastel shades.
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.
LUKAS CRYL STUDIO was developed after the newest knowledge of pigment and binding agent research. Good covering power is ensured through a high concentration of valuable pigments, significantly higher than typical economic colours. Pigments are used to guarantee excellent levels of lightfastness. No shade has a lower lightfastness than 6-7 on the internationally standardised 8-step wool scale (exceptions are the Fluorescent and Glow in the Dark colours, for technical reasons). The exclusive use of high-quality acrylates as a binder guarantees an excellent absorption on a great variety of surfaces such as cardboard, canvas, plastic, glass, as well as high elasticity and tensile strength. This enables work in thick layers without the risk of cracking. The colour has a medium consistency to allow the most variable application, from an easy, extensive colour application up to a slight structure while ensuring good control. The quick-drying LUKAS CRYL STUDIO Acrylic colors are water dilutable and dry to a satin gloss finish. They can be mixed with all LUKAS acrylic colour assortments, like CRYL pastos, CRYL liquid and CRYL TERZIA. The wide colour range of 72 shades includes classical shades also affects colours, like metallic, Fluorescent and Glow in the Dark, and modern trend colours, like pastel shades.
LUKAS CRYL STUDIO was developed after the newest knowledge of pigment and binding agent research. Good covering power is ensured through a high concentration of valuable pigments, significantly higher than typical economic colours. Pigments are used to guarantee excellent levels of lightfastness. No shade has a lower lightfastness than 6-7 on the internationally standardised 8-step wool scale (exceptions are the Fluorescent and Glow in the Dark colours, for technical reasons). The exclusive use of high-quality acrylates as a binder guarantees an excellent absorption on a great variety of surfaces such as cardboard, canvas, plastic, glass, as well as high elasticity and tensile strength. This enables work in thick layers without the risk of cracking. The colour has a medium consistency to allow the most variable application, from an easy, extensive colour application up to a slight structure while ensuring good control. The quick-drying LUKAS CRYL STUDIO Acrylic colors are water dilutable and dry to a satin gloss finish. They can be mixed with all LUKAS acrylic colour assortments, like CRYL pastos, CRYL liquid and CRYL TERZIA. The wide colour range of 72 shades includes classical shades also affects colours, like metallic, Fluorescent and Glow in the Dark, and modern trend colours, like pastel shades.
LUKAS CRYL STUDIO was developed after the newest knowledge of pigment and binding agent research. Good covering power is ensured through a high concentration of valuable pigments, significantly higher than typical economic colours. Pigments are used to guarantee excellent levels of lightfastness. No shade has a lower lightfastness than 6-7 on the internationally standardised 8-step wool scale (exceptions are the Fluorescent and Glow in the Dark colours, for technical reasons). The exclusive use of high-quality acrylates as a binder guarantees an excellent absorption on a great variety of surfaces such as cardboard, canvas, plastic, glass, as well as high elasticity and tensile strength. This enables work in thick layers without the risk of cracking. The colour has a medium consistency to allow the most variable application, from an easy, extensive colour application up to a slight structure while ensuring good control. The quick-drying LUKAS CRYL STUDIO Acrylic colors are water dilutable and dry to a satin gloss finish. They can be mixed with all LUKAS acrylic colour assortments, like CRYL pastos, CRYL liquid and CRYL TERZIA. The wide colour range of 72 shades includes classical shades also affects colours, like metallic, Fluorescent and Glow in the Dark, and modern trend colours, like pastel shades.
LUKAS CRYL STUDIO was developed after the newest knowledge of pigment and binding agent research. Good covering power is ensured through a high concentration of valuable pigments, significantly higher than typical economic colours. Pigments are used to guarantee excellent levels of lightfastness. No shade has a lower lightfastness than 6-7 on the internationally standardised 8-step wool scale (exceptions are the Fluorescent and Glow in the Dark colours, for technical reasons). The exclusive use of high-quality acrylates as a binder guarantees an excellent absorption on a great variety of surfaces such as cardboard, canvas, plastic, glass, as well as high elasticity and tensile strength. This enables work in thick layers without the risk of cracking. The colour has a medium consistency to allow the most variable application, from an easy, extensive colour application up to a slight structure while ensuring good control. The quick-drying LUKAS CRYL STUDIO Acrylic colors are water dilutable and dry to a satin gloss finish. They can be mixed with all LUKAS acrylic colour assortments, like CRYL pastos, CRYL liquid and CRYL TERZIA. The wide colour range of 72 shades includes classical shades also affects colours, like metallic, Fluorescent and Glow in the Dark, and modern trend colours, like pastel shades.
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.
LUKAS CRYL STUDIO was developed after the newest knowledge of pigment and binding agent research. Good covering power is ensured through a high concentration of valuable pigments, significantly higher than typical economic colours. Pigments are used to guarantee excellent levels of lightfastness. No shade has a lower lightfastness than 6-7 on the internationally standardised 8-step wool scale (exceptions are the Fluorescent and Glow in the Dark colours, for technical reasons). The exclusive use of high-quality acrylates as a binder guarantees an excellent absorption on a great variety of surfaces such as cardboard, canvas, plastic, glass, as well as high elasticity and tensile strength. This enables work in thick layers without the risk of cracking. The colour has a medium consistency to allow the most variable application, from an easy, extensive colour application up to a slight structure while ensuring good control. The quick-drying LUKAS CRYL STUDIO Acrylic colors are water dilutable and dry to a satin gloss finish. They can be mixed with all LUKAS acrylic colour assortments, like CRYL pastos, CRYL liquid and CRYL TERZIA. The wide colour range of 72 shades includes classical shades also affects colours, like metallic, Fluorescent and Glow in the Dark, and modern trend colours, like pastel shades.
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.
LUKAS CRYL STUDIO was developed after the newest knowledge of pigment and binding agent research. Good covering power is ensured through a high concentration of valuable pigments, significantly higher than typical economic colours. Pigments are used to guarantee excellent levels of lightfastness. No shade has a lower lightfastness than 6-7 on the internationally standardised 8-step wool scale (exceptions are the Fluorescent and Glow in the Dark colours, for technical reasons). The exclusive use of high-quality acrylates as a binder guarantees an excellent absorption on a great variety of surfaces such as cardboard, canvas, plastic, glass, as well as high elasticity and tensile strength. This enables work in thick layers without the risk of cracking. The colour has a medium consistency to allow the most variable application, from an easy, extensive colour application up to a slight structure while ensuring good control. The quick-drying LUKAS CRYL STUDIO Acrylic colors are water dilutable and dry to a satin gloss finish. They can be mixed with all LUKAS acrylic colour assortments, like CRYL pastos, CRYL liquid and CRYL TERZIA. The wide colour range of 72 shades includes classical shades also affects colours, like metallic, Fluorescent and Glow in the Dark, and modern trend colours, like pastel shades.
LUKAS CRYL STUDIO was developed after the newest knowledge of pigment and binding agent research. Good covering power is ensured through a high concentration of valuable pigments, significantly higher than typical economic colours. Pigments are used to guarantee excellent levels of lightfastness. No shade has a lower lightfastness than 6-7 on the internationally standardised 8-step wool scale (exceptions are the Fluorescent and Glow in the Dark colours, for technical reasons). The exclusive use of high-quality acrylates as a binder guarantees an excellent absorption on a great variety of surfaces such as cardboard, canvas, plastic, glass, as well as high elasticity and tensile strength. This enables work in thick layers without the risk of cracking. The colour has a medium consistency to allow the most variable application, from an easy, extensive colour application up to a slight structure while ensuring good control. The quick-drying LUKAS CRYL STUDIO Acrylic colors are water dilutable and dry to a satin gloss finish. They can be mixed with all LUKAS acrylic colour assortments, like CRYL pastos, CRYL liquid and CRYL TERZIA. The wide colour range of 72 shades includes classical shades also affects colours, like metallic, Fluorescent and Glow in the Dark, and modern trend colours, like pastel shades.
LUKAS CRYL STUDIO was developed after the newest knowledge of pigment and binding agent research. Good covering power is ensured through a high concentration of valuable pigments, significantly higher than typical economic colours. Pigments are used to guarantee excellent levels of lightfastness. No shade has a lower lightfastness than 6-7 on the internationally standardised 8-step wool scale (exceptions are the Fluorescent and Glow in the Dark colours, for technical reasons). The exclusive use of high-quality acrylates as a binder guarantees an excellent absorption on a great variety of surfaces such as cardboard, canvas, plastic, glass, as well as high elasticity and tensile strength. This enables work in thick layers without the risk of cracking. The colour has a medium consistency to allow the most variable application, from an easy, extensive colour application up to a slight structure while ensuring good control. The quick-drying LUKAS CRYL STUDIO Acrylic colors are water dilutable and dry to a satin gloss finish. They can be mixed with all LUKAS acrylic colour assortments, like CRYL pastos, CRYL liquid and CRYL TERZIA. The wide colour range of 72 shades includes classical shades also affects colours, like metallic, Fluorescent and Glow in the Dark, and modern trend colours, like pastel shades.
LUKAS CRYL STUDIO was developed after the newest knowledge of pigment and binding agent research. Good covering power is ensured through a high concentration of valuable pigments, significantly higher than typical economic colours. Pigments are used to guarantee excellent levels of lightfastness. No shade has a lower lightfastness than 6-7 on the internationally standardised 8-step wool scale (exceptions are the Fluorescent and Glow in the Dark colours, for technical reasons). The exclusive use of high-quality acrylates as a binder guarantees an excellent absorption on a great variety of surfaces such as cardboard, canvas, plastic, glass, as well as high elasticity and tensile strength. This enables work in thick layers without the risk of cracking. The colour has a medium consistency to allow the most variable application, from an easy, extensive colour application up to a slight structure while ensuring good control. The quick-drying LUKAS CRYL STUDIO Acrylic colors are water dilutable and dry to a satin gloss finish. They can be mixed with all LUKAS acrylic colour assortments, like CRYL pastos, CRYL liquid and CRYL TERZIA. The wide colour range of 72 shades includes classical shades also affects colours, like metallic, Fluorescent and Glow in the Dark, and modern trend colours, like pastel shades.
A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality. Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm. The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance. LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine. |
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