Despite two-and-a-half decades of black majority rule after 1994, much of South African higher education in the area of humanities continues to embrace European models and paradigms. This is despite concepts such as Africanisation, indigenisation and decolonisation of the curriculum having become buzzwords, especially after the #MustFall campaigns, student-led protests from 2015.

This book argues that, beyond the use of internally constructed strategies to foster curriculum transformation in South Africa, it is important to draw lessons from the curriculum transformation efforts of other African countries and African-American studies in the United States (US).

The end of colonialism in Africa from the 1950s marked the most important era in curriculum transformation efforts in African higher education, evident in the rise of leading decolonial schools: the Ibadan School of History, the Dar es Salaam School of Political Economy and the Dakar School of Culture. These centres used rigorous research methods such as nationalist historiography and oral sources to challenge Eurocentric epistemologies. African-American studies emerged in the US from the 1920s to debunk notions of white superiority and challenge racist ideas and structures in international relations. The two important schools of this scholarship were the Atlanta School of Sociology and the Howard School of International Affairs.

In this haunting tale of love and learning, the existential chaos of a life ravaged by circumstance takes on a rhythm of its own, one bound by loss and loneliness, but also an intelligent awareness of self. Sometimes melancholy, sometimes brutal, occasionally funny and infuriating, a journalist-comrade-lover caught up in the shade and shadow of politics and social injustice faces treachery and betrayal on every level.

Set against the backdrop of a cityscape that taunts and tantalises, this is where love fails and passion wanes, “where suffering has no meaning”, where an individual escapes death only to find himself confronted with choices wrought by remorse and retribution, by conscience and character. And yet, with all trauma, there is a distinct musicality to the lyrical unpacking that follows a string of small things …

Written from the perspective of working men in South Africa, this classic explores both the banality and the extremity of apartheid as it recalls the energy of the ancestors, as the author calls them. Showing that poetry is much more than simply an artistic pastime, this collection acts as a medium for articulating feelings, opinions, ideas, thoughts, and beliefs. Making the set available for the first time in many years, this new edition includes English translations of the poems alongside the original Zulu versions.

Khamr: The Makings Of A Waterslams is a true story that maps the author’s experience of living with an alcoholic father and the direct conflict of having to perform a Muslim life that taught him that nearly everything he called home was forbidden.

A detailed account from his childhood to early adulthood, Jamil F. Khan lays bare the experience of living in a so-called middle-class Coloured home in a neighbourhood called Bernadino Heights in Kraaifontein, a suburb to the north of Cape Town. His memories are overwhelmed by the constant discord that was created by the chaos and dysfunction of his alcoholic home and a co-dependent relationship with his mother, while trying to manage the daily routine of his parents keeping up appearances and him maintaining scholastic excellence.

Khan’s memories are clear and detailed, which in turn is complemented by his scholarly thinking and analysis of those memories. He interrogates the intersections of Islam, Colouredness and the hypocrisy of respectability as well as the effect perceived class status has on these social realities in simple yet incisive language, giving the reader more than just a memoir of pain and suffering.

Khan says about his debut book: "This is not a story for the romanticisation of pain and perseverance, although it tells of overcoming many difficulties. It is a critique of secret violence in faith communities and families, and the hypocrisy that has damaged so many people still looking for a place and way to voice their trauma. This is a critique of the value placed on ritual and culture at the expense of human life and well-being, and the far-reaching consequences of systems of oppression dressed up as tradition."

South Africa’s finest living contemporary artists, like William Kentridge, Nandipha Mntambo and Penny Siopis, Banele Khoza, Zander Blom, Billie Zangewa and many many more, grace the pages of this funky children’s book. Let children jump into the lively and flourishing local art scene, see it in full colour, learn about the diverse paths of the artists and their fascinating artworks.

In time your little wonder will soon have found their own South African art hero to look up to! Explore! Awesome South African Artists is an inspiring and educational read for 9–15-year-olds that will keep them entertained. For lovers of Splat! The Most Exciting Artists of All Time and Good Night Stories for Rebel Girls, this book will be a welcome addition to their shelf.

Anxious about her prospects after leaving a stagnant job, Tambudzai finds herself living in a run-down youth hostel in downtown Harare. For reasons that include her grim financial prospects and her age, she moves to a widow’s boarding house and eventually finds work as a biology teacher. But at every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point.

In This Mournable Body, Tsitsi Dangarembga returns to the protagonist of her acclaimed first novel, Nervous Conditions, to examine how the hope and potential of a young girl and a fledgling nation can sour over time and become a bitter and floundering struggle for survival.

As a last resort, Tambudzai takes an ecotourism job that forces her to return to her parents’ impoverished homestead. This homecoming, in Dangarembga’s tense and psychologically charged novel, culminates in an act of betrayal, revealing just how toxic the combination of colonialism and capitalism can be.

President Cyril Ramaphosa is South Africa's fifth post-apartheid president. He first came to prominence in the 1980s as the founder of the National Union of Mineworkers. When Nelson Mandela was released from prison in February 1990, Ramaphosa was at the head of the reception committee that greeted him. Chosen as secretary general of the African National Congress in 1991, Ramaphosa led the ANC's team in negotiating the country's post-apartheid constitution. Thwarted in his ambition to succeed Mandela, he exchanged political leadership for commerce, ultimately becoming one of the country's wealthiest businessmen, a breeder of exotic cattle, and a philanthropist.

This fully revised and extended edition charts Ramaphosa's early life and education, and his career in trade unionism - including the 1987 21-day miners' strike when he committed the union to the wider liberation struggle - politics, and constitution-building. Extensive new chapters explore his contribution to the National Planning Commission, the effects of the Marikana massacre on his political prospects, and the real story behind his rise to the deputy presidency of the country in 2014. They set out the constraints Ramaphosa faced as Jacob Zuma's deputy, and explain how he ultimately triumphed in the election of the ANC's new president in 2017. The book concludes with an analysis of the challenges Ramaphosa faces as the country's fifth post-apartheid president.

Based on numerous personal conversations with Ramaphosa over the past decade, and on rich interviews with many of the subject's friends and contemporaries, this new biography offers a frank appraisal of one of South Africa's most enigmatic political figures.

Meet Wanda with her beautiful head of hair. She is brave and strong, but she's unhappy because of the endless teasing by the boys at school. After a particularly hard day at school, feeling confused, forlorn and hopeless, Wanda's grandmother lets her in on a few secrets. Through these hair secrets and stories, she finds the courage to face her fears and realise that her hair is a crown and something to be proud of. This book stands at the intersection of identity and beauty, celebrating how cultural pride is learned and passed on over the generations. This book encourages young children to love themselves for what they are born with, despite what society may say or think.

The Jacana series of pocket guides is meant for those who are looking for a brief but lively introduction to a wide range of relevant topics of South African history, politics and biography. Written by some of the leading experts in their fields, the individual volumes are informative and accessible, inexpensive yet well produced, slim enough to put in your pocket and carry with you to read.

Steve Biko is often seen as the charismatic leader of the Black Consciousness Movement, who played a useful stopgap role in South African politics in the late 1960s and 1970s. This biography of Biko shows, on the contrary, just how fundamental he was to the transformation of South Africa in the second half of the 20th century – and just how relevant he remains today.

Through the Best loved tales for Africa, we aim to grow a love of reading. "Refilwe, Refilwe, let down your locks, So I can climb the scraggy rocks!" In a cave high up on a craggy cliff, beautiful Refilwe is allowed to see no one but the witch who locked her away. One day, Prince Tumi hears Refilwe singing as he is riding his horse near her cave and he searches for the owner of the magical voice. Will Refilwe ever be free from the evil witch? Will she ever find true love? An African retelling of the classic fairy tale Rapunzel by one of our best loved authors, Zukiswa Wanner, with magical illustrations by Tamsin Hinrichsen will keep all children entranced, and grow a love of reading. Read aloud, read together, read alone, read forever!

Sol Plaatje is celebrated as one of South Africa’s most accomplished political and literary figures. A pioneer in the history of the black press, editor of several newspapers, he was one of the founders of the African National Congress in 1912, led its campaign against the notorious Natives Land Act of 1913, and twice travelled overseas to represent the interests of his people. He wrote a number of books, including – in English – Native Life in South Africa (1916), a powerful denunciation of the Land Act and the policies that led to it, and a pioneering novel, Mhudi (1930). Years after his death his diary of the siege of Mafeking was retrieved and published, providing a unique view of one of the best known episodes of the South African War of 1899–1902. At the same time Plaatje was a proud Morolong, fascinated by his people’s history. He was dedicated to Setswana, and set out to preserve its traditions and oral forms so as to create a written literature. He translated a number of Shakespeare’s plays into Setswana, the first in any African language, collected proverbs and stories, and even worked on a new dictionary. He fought long battles with those who thought they knew better over the particular form its orthography should take. This book tells the story of Plaatje’s remarkable life, setting it in the context of the changes that overtook South Africa during his lifetime, and the huge obstacles he had to overcome. It draws upon extensive new research in archives in southern Africa, Europe and the US, as well as an expanding scholarship on Plaatje and his writings. This biography sheds new light not only on Plaatje’s struggles and achievements but upon his personal life and his relationships with his wife and family, friends and supporters. It pays special attention to his formative years, looking to his roots in chiefly societies, his education and upbringing on a German-run mission, and his exposure to the legal and political ideas of the nineteenth-century Cape Colony as key factors in inspiring and sustaining a life of more or less ceaseless endeavour.

The issue of land rights is an ongoing and complex topic of debate for South Africans. Rights to Land comes at a time when land redistribution by government is underway. This book seeks to understand the issues around land rights and distribution of land in South Africa and proposes that new policies and processes should be developed and adopted. It further provides an analysis of what went so wrong, and warns that a new phase of restitution may ignite conflicting ethnic claims and facilitate elite capture of land and rural resources.

While there are no quick fixes, the first phase of restitution should be completed and the policy then curtailed. The book argues that land ownership and administration is important to rural democracy and that this should not be placed under the control of traditionalist intermediaries. Land restitution, initiated in 1994, was an important response to the injustices of the apartheid era. But it was intended as a limited and short-term process – initially to be completed in five years.

It may continue for decades, creating uncertainty and undermining investment into agriculture.

From the acclaimed and award-winning author of What Will People Say?, Rehana Rossouw takes us into a world seemingly filled with promise yet bedevilled by shadows from the past. In this astonishing tour de force Rossouw illuminates the tensions inherent in these new times.

Ali Adams is a political reporter in Parliament. As Nelson Mandela begins his second year as president, she discovers that his party is veering off the path to freedom and drafting a new economic policy that makes no provision for the poor. She follows the scent of corruption wafting into the new democracy’s politics and uncovers a major scandal. She compiles stories that should be heard when the Truth Commission gets underway, reliving the recent brutal past. Her friend Lizo works in the Presidency, controls access to Madiba’s ear. Another friend, Munier, is beating at the gates of Parliament, demanding attention for the plague stalking the land.

Aaliyah Adams lives with her devout Muslim family in Bo-Kaap. Her mother is buried in religion after losing her husband. Her best friend is getting married, piling up the pressure to get settled and pregnant. There is little tolerance for alternative lifestyles in the close-knit community. The Rugby World Cup starts and tourists pour up the slopes above the city, discovering a hidden gem their dollars can afford.

Ali/Aaliya is trapped with her family and friends in a tangle of razor-wire politics and culture, can she break free?

Told with Rehana’s trademark verve and exquisite attention to language you will weep with Aaliya, triumph with Ali, and fall in love with the assemblage that makes up this ravishing new novel.

The author takes the reader into a phantasmagoric world where streets are paved with human remains and men are apocalyptically condemned to death by the fire of their loins. And yet, despite recurrent nightmares, the world is also home to calligraphers who continue to record dreams that encompass the past, present, and future in a sort of Borgesian circularity. The absolute certainty that life begins in dream, that the world beyond is what lends ours a semblance of reality, that only the meditation of ancestors offers a link to the gods, has seldom been expressed with the depth of conviction one finds in this work. For all its contemporary relevance, it has at its core a dialogue between the living and the ancestors that creates a powerful resonance between the bones of the dead and the echoes of their survivors.

The winner of the 2017 Ernest Cole Award is Daylin Paul for his project, Broken Land. The project explores the other side of power. Set in Mpumalanga, home of 46% of South Africa's arable soil, it is also the area where nine power-burning coal stations are active. Paul's work explores the direct impact of fuel-burning coal stations on the local economy, population, farming community and, more broadly, climate change. As Paul says, "These power stations, while providing electricity for an energy-desperate South Africa, also have a devastating and lasting impact on the environment and the health of local people. Mining licences granted conditionally by the South African government are meant to safeguard the ecology and allow local people to benefit from the mineral wealth of the land. But it is clear that these conditions are not being followed and that the health and economic well-being of both the land and its people are being jeopardised. Vast tracts of fertile, arable land are being ripped up, the landscape scarred with the black pits of coal mines while coal-burning power stations are one of the biggest greenhouse gas emitters in the world." The polluting power stations not only contribute to global climate change but, through toxic sulphur effluents, also to the poisoning of scarce water supplies for a range of communities who are dependent on these for their survival. The area has in recent years also been hit by devastating droughts. The power dynamics in the area have in recent times been drawn into the national political arena. The former Glencore coal mines, taken over by Optimum Coal Holdings Limited, a conglomerate owned by the Gupta family, are embroiled in corruption and nepotism scandals that are affecting the very highest levels of the South African government. The aim of Paul's project as he says is "to look at both the macro issues like pollution, poverty and climate change while also personalising the experience of the local people who are on the front lines of this crisis and provide us with a glimpse of what the future could be like for the country and indeed the SADC region."

Winner of the Dinaane Debut Fiction Award for 2019.

When 11-year-old Chimuka and her younger brother, Ali, find themselves orphaned in the 1990s, it’s clear that their seemingly ordinary Zambian family is brimming with secrets, from HIV/AIDS, to infidelity, to suicide. Faced with the difficult choice of living with their abusive extended family or slithering into the dark underbelly of Lusaka’s streets, Chimuka and Ali escape and become street kids.

Against the backdrop of a failed military coup, election riots and a declining economy, Chimuka and Ali are raised by drugs, crime and police brutality. As a teenager, Chimuka is caught between prostitution and the remnants of the fragile stability that existed before her parents’ death.

The Mourning Bird is not just Chimuka’s story, it’s a national portrait of Zambia in an era of strife. With lively and unflinching prose, Kalimamukwento paints a country’s burden, shame and silence, which, when juxtaposed with Chimuka’s triumph, forms an empowering debut novel.

The Struggle Continues is a “searing, heartfelt, brutally honest account of the turbulent modern history of Zimbabwe” (Douglas Rogers author of The Last Resort).

This autobiographical political history since the 1950s deals with an era of great turbulence from the perspective a person who has been at the centre of the great Zimbabwean drama for over 30 years, David Coltart.

It is set to be the most authoritative book to date of the last sixty years of Zimbabwe’s history, described by the doyenne of Southern African journalists, Peta Thornycroft, as “a masterpiece”: from the obstinate racism of Ian Smith that provoked Rhodesia’s Unilateral Declaration of Independence from Britain in 1965, to the civil war of the 1970s, the Gukurahundi genocide of the 1980s, the land invasions of the 2000s, Robert Mugabe’s Murambatsvina war on poor urban dwellers in 2005, and the struggles waged by the MDC in confronting a brutal regime.

The 1976 Soweto uprising represented a real turning point in South Africa's history. Even to contemporaries it seemed to mark the beginning of the end of apartheid. It also brought into the political equation the role of youth, who were to play a vital role in the township revolts of the 1980s.

What commenced as a peaceful and coordinated demonstration rapidly turned into a violent protest when police opened fire on students. Orlando West, the centre of the confrontation on the day, was transformed into a space of political contestation. For the first time, students claimed the streets and schools as their own. Soweto parents were shocked by these events, revealing an important generational divide. Thereafter, forging student and parent unity became a central objective of the liberation movement.

This short history brings alive the sequence of events and delves into the significance the uprising had on South African politics.

A magisterial and masterful addition to the tradition of South African narrative non-fiction, Christa Kuljian’s Sanctuary offers a welcome woman’s voice in a genre distinguished by Jonny Steinberg, Antony Altbeker and Anton Harber.

After years of sporadic media attention and posturing by politicians, Kuljian has made it her business to find out exactly what has been going on at the Central Methodist Church in downtown Johannesburg, where the Church acts as a gateway to the city – an Ellis Island for South Africa, the place where many migrants first go to get their bearings. How did a place of worship turn into a shelter for thousands of refugees? Where did they come from? Why are they still there?

Seeking to answer such questions, Kuljian fluently combines many elements: interviews with members of the refugee community and residents of the Church, and key figures like Bishop Paul Verryn, who has often been at the centre of the storm; historical material on the church and its role in the city since the early years; and an understanding of urban dynamics, migrancy, and South African and southern African politics.

The result is a complex, open-eyed book that grapples with some of South Africa’s most urgent social problems as they are refracted through one appalling, frustrating, inspiring place.

This fourth volume in the Hidden Voices Series is about Oukasie, a township in the Madibeng municipality. At various times in its history, its inhabitants have struggled against problems such as forced removals, terrible living conditions and corrupt officials.

Bonds of Justice: The Struggle for Oukasie tells the story of a dedicated young group of people who were motivated by their belief that accountable and responsible leadership was needed to improve the situation of their community and its members. Before and after apartheid, they worked together to bring much-needed change to their community. This book tells the stories of those struggles in the 1980s and 1990s, and goes on to describe the problems faced by Oukasie and the wider community when the ethics of accountability were forgotten.

The book has many lessons for South Africa today – the benefits that accountable governance can achieve, and what the costs are when a more selfish approach takes root.

From Victoria Island, Lagos to Brooklyn, USA to Accra, Ghana to Paris, France; from across the Diaspora to the heart of the African continent, in this memoir Nigerian journalist Chike Frankie Edozien offers a highly personal series of contemporary snapshots of same gender loving Africans, unsung Great Men living their lives and finding joy in the face of great adversity.

After working closely with the Ahmed Kathrada Foundation in shaping and writing his memoir, author Hassen Ebrahim and Jacana Media are proud to publish this important record of a life that was spent in service to South Africa.

Writes Mac Maharaj in his foreword in the book: “Hassen Ebrahim is one of those many seldom heard of foot soldiers of the 1976 generation who joined the underground and was linked to the ANC structures operating from Botswana. He has been at the coalface of so many facets of South Africa’s march to freedom. He was there during the times when involvement in the struggle against apartheid carried the risk of death; he was involved in our negotiated transition to democracy; he was the chief executive of the elected Constitutional Assembly which wrote and adopted our Constitution; thereafter and until 2007 he served in the Department of Justice.”

From Marabastad to Mogadishu: The Journey of an ANC Soldier chronicles an all-too familiar story of those unsung cadres from the struggle we’ve forgotten to honour for their sacrifices. Those foot soldiers do not feature in our collective memory, they do not find themselves or their stories recorded in the pages of history books, and they are not remembered for their selfless acts of bravery.

The bravery and sacrifice of the ordinary teenager who dropped out of school, the cadre who risked life and limb, and the freedom fighter who exiled himself or herself to countries far and wide must be given a chance to live on book pages, find expression on film reels and all other mediums of historic memory collection.

From Marabastad to Mogadishu: The Journey of an ANC Soldier signals the resolve by the author, his peers, Jacana Media and support organisations such as the Ahmed Kathrada Foundation to bring the ordinary cadre’s story to the fore, to acknowledge his or her sacrifices, and to recognise their contribution to South Africa’s democracy.

As a photojournalist, Feni spends a lot of time photographing service delivery strikes and protest in the townships. Often the images that make it into the newspapers are only of the looting and burnings. Renting a backyard room in an informal settlement, Feni was troubled by this kind of portrayal of the lack of service delivery and the life of the marginalised.

As he says, “I live at the back of an RDP house in Mfuleni on the Cape Flats. I experience issues like poor sanitation, access to clean water and the flooding first hand”. Photographing the lack of sanitation was not pleasant for him, but he did not want a photographer from outside the community telling their stories while he watched on. “That too would be a Drain on Our Dignity and that’s what inspired this project”.

A Drain On Our Dignity echoes the ground-breaking images produced by Ernest Cole in the early 1960s, showing black life under apartheid. It is a sensitive and honest look at what lack of services is, what it does to a community and what it does to a people.

Without the screaming, fighting or burning – these captivating images compel the reader to look at what is happening in the Cape Town townships.

Many scholars have been arguing for some time that dominant knowledge and discourses on the African city are largely inappropriate. These discourses mirror simplistic modernist assumptions about what constitutes a viable, legible, efficient and competitive city. From such a vantage point the African city can only be seen and read as a narrative about absence, failure and inadequacy. Critics of these dominant discourses, such as Jennifer Robinson, AbdouMaliq Simone, Dominique Malaquais, Achille Mbembe, Asef Bayat, Ibrahim Abdullah, Okwui Enwezor, Onookome Okome, Jean Tshonda, Philip de Boeck, Sarah Nuttall, amongst many others, point to multiple alternatives in approaching and understanding the African city. The unique ambition of Rogue Urbanism is to produce new and relevant theoretical work on African urbanism in a way that works within the border zone between inherited theoretical resources and artistic representations of everyday practices and phenomenology in African cities. The assumption is that urban theorists can renew and expand their search for grounded approaches to theorise African urbanism through an engagement with the epistemologies of artists, cultural practitioners and designers; and theorists who work on the urban condition and spatiality can find new entry points to enrich their own creative processes. Where reflections fail to work directly with the insights of artists, scholars can at least work through their understanding of the ordinary in the everyday, however this may manifest or inspire. The hope of the editors is that Rogue Urbanism will provoke the passion of others to further enlarge and deepen the search for the rogue intensities that mark African cities as they find their voice and footing in a truly unwieldy world. In true African style, Rogue Urbanism is both a call and a response, in hope of better understanding.