La Vita e Dolce is an exciting take on Italian baking by food writer and trained pastry chef, Letitia Clark. Featuring over 80 Italian desserts, La Vita e Dolce showcases Letitia's favourite puddings inspired by her time living in Sardinia. Whether you're looking for something fruity, nutty, creamy, chocolatey or boozy, you will be seduced by the sweet aromas of every bake. Complete with anecdotes and beautiful location photography throughout, each recipe is authentic in taste but with a delicious, contemporary twist. From a joyful Caramelised Citrus Tart to a classic Torta Caprese, this is a stunning celebration of the sweet things in life, and is guaranteed to bring a slice of Italy into your home.

The extraordinary and unconventional life of a modern teenage bohemian. 'I am Cat Balou, I am Jeanne Moreau, I am Modigliani's lover, but not the one who threw herself out of the window...' Una is a sixteen year old sexual fantasist. In 1989 she is a kept woman in Paris, whose romantic ideas about the lifestyle of a mistress to an aging record producer don't quite live up to the reality. She searches for an affair that corresponds to her dreams, but finds herself flitting from one romantic infatuation to another, obsessed by the idea of sex but careful of her virginity. From her borrowed studio in Pigalle she explores a bohemian Paris full of unpredictable characters: her Caribbean neighbour Henri, who creeps in naked to use her shower when she's out; her friends Ines the stripper and Marcus, who help her scrape an existence of Burger Kings and Gauloises. La Dolce Vita is hot on her heels, from the pretentious prince who woos her to the transvestite prostitute who chases her. As Una drifts through a year in her life, she is carried from Paris to a wintry Prague on the verge of revolution, to her rambling family home in rural Italy and to a shocking pre-honeymoon in Brazil. Una's voyage is a rite of passage from girlhood to womanhood. Like most journeys, it involves danger and discovery. Dolce Vita, with its cocktail of fantasy, innocence and worldliness, introduces a strong and unusual new voice in British fiction.

This lavish fourth volume in Abrams’ Slim Aarons collection revels in this photographer’s decades-long love affair with Italy. From breathtaking aerials of the Sicilian countryside to intimate portraits of celebrities and high society taken in magnificent villas, Slim Aarons: La Dolce Vita captures the essence of “the good life.� Slim Aarons first visited Italy as a combat photographer during World War II and later moved to Rome to shoot for Life magazine, yet even after relocating to New York, he would return to Italy almost every year for the rest of his life. The images collected here document the aristocracy, cultural elite, and beautiful people, such as Marcello Mastroianni, Ursula Andress, Joan Fontaine, and Tyrone Power, who lived la dolce vita in Italy’s most fabulous places during the last 50 years. The introduction by Christopher Sweet shares stories from Aarons’s years in Italy and new insights about his life and career. Also available from Slim Aarons: Slim Aarons: Women, Slim Aarons: Once Upon a Time, Slim Aarons: A Place in the Sun, and Poolside with Slim Aarons. Praise for Slim Aarons: La Dolce Vita: “Nostalgia-soaked images.� —Harper’s Bazaar “Sumptuous images.� —Publishers Weekly “It’s the next best thing to time travel.� —DuJour magazine

What does it mean to be Italian? Is it pausing to enjoy an aperitivo or gelato? A passeggiata down a laneway steeped in history? An August spent tanning at the beach? This book is a celebration of the Italian lifestyle - an education in drinking to savour the moment, travelling indulgently, and cherishing food and culture. A lesson in the dolce far niente: the sweetness of doing nothing. We may not all live in the bel paese, but anyone can learn from the rich tapestry of life on the boot. From the innovation of Italian fashion and design, the Golden Age of its cinema to the Roman Empire's cultural echoes (and some very good espresso), take a dip into the Italian psyche and learn to eat, love, dress, think and have fun as only the Italians can.

Fellini's La dolce vita has been a phenomenon since before it was made, a scandal in the making and on release in 1960 and a reference point ever since. Much of what made it notorious was its incorporation of real people, events and lifestyles, making it a documentation of its time. It uses performance, camera movement, editing and music to produce a striking aesthetic mix of energy and listlessness, of exuberance and despair. Richard Dyer's study considers each of these aspects of the film - phenomenon, document, aesthetic - and argues that they are connected. Beginning with the inspirations and ideas that were subsequently turned into La dolce vita, Dyer then explores the making of the film, the film itself and finally its critical reception, providing engaging new insights into this mesmerising piece of cinema.

Buon Natale -- A Merry Christmas -- made all the more joyful with these literary treats filled with ancient churches, trains whistling through the countryside, steaming tureens, plates piled high with pasta, High Mass, dashed hopes, golden crucifixes, flowing wine, shimmering gifts and plenty of style. In this collection, classic works by Boccaccio to Pirandello intertwine with more recent stories from writers like Anna Maria Ortese, Natalia Ginzburg and Nobel laureate Grazia Deledda to bring together the greatest festive tales from the land of enchantment: Italy. Bursting with family chaos, carols and yuletide cheer, An Italian Christmas showcases stories that put the passionate, fiery side of the festive period back into Christmas.

This book chronicles the demise of the supposedly leftist Italian cultural establishment during the long 1980s. During that time, the nation's literary and intellectual vanguard managed to lose the prominence handed it after the end of World War II and the defeat of Fascism. What emerged instead was a uniquely Italian brand of cultural capital that deliberately avoided any critical questioning of the prevailing order. Ricciardi criticizes the development of this new hegemonic arrangement in film, literature, philosophy, and art criticism. She focuses on several turning points: Fellini's futile, late-career critique of Berlusconi-style commercial television, Calvino's late turn to reactionary belletrism, Vattimo's nihilist and conservative responses to French poststructuralism, and Bonito Oliva's movement of art commodification, Transavanguardia.

A deliciously different travelogue

In 2005, Cathy and Jason threw in successful careers as TV presenters and producers to become olive farmers in Italy. With their one year old daughter and Italian dictionary in tow, they found themselves in the middle of a European nowhere untouched by modernity.

They were on a steep learning curve in more-or-less everything finding out how to prune an olive tree so that a sparrow can pass through its branches, learning what beauty products are de rigeur in the changing rooms of a local Italian football team, being trained, by a local Italian choir, how to sing in English but with an Italian accent and learning the rigorous rules of when one is allowed to consume a cappuccino. Armed with their indefatigable love of food, they headed off many a potentially tricky situation by cooking their way out of it, a sure route to the heart of any Italian.

They discover that olive farming is dominated by the big boys and desperate to turn their new home into a way of making a living they cast around for ideas of how they can do so. A flash of inspiration led them to launch an 'Adopt-an-Olive-Tree' scheme. For a fee buyers could adopt a tree, receive produce from it and even go and visit it to give it a hug. The scheme became hugely popular with trees selling out way ahead of expectations. A contract with Selfridges followed and suddenly Cathy and Jason's dream is realised. Or nearly anyway. It's a hard slog and they meet every challenge with fortitude and humour but what they hadn't expected was that the biggest challenge would be the quiet of the countryside. Soon they find themselves hankering for the sounds and stench of the city and facing a difficult decision on what they should do next."

La Dolce Vita University, 2nd Edition (LDVU2) is the perfect sampler for anyone curious about (or already in amore with) Italy and its remarkably rich cultural gifts, both past and present. This fully revised second edition includes 125 pages of new material (more than 60 new mini-essays and 40 new illustrations) to expand on the delights in the first edition. True to its lighthearted name, La Dolce Vita “U� is all about pleasurable learning, or what we prefer to call “edu-tainment.� Its dozens of entertaining yet authoritative mini-essays on a wide assortment of intriguing topics encourage random dipping at the reader’s pleasure. Even the most erudite Italophile will discover fun new facts and fascinating new insights in the pages of La Dolce Vita U. Mini-essays treat specific topics in one or more of the following subject areas: the Italian character; the visual arts (art, artists, architects); the performing arts (music, theater, cinema); history and antiquity; language and literature; cuisine and agriculture; wine and spirits; traditions and festivals; style and applied arts; unique places. In a wink and nod to the book’s “academic� identity, the 200 mini-essays are arranged alphabetically and accompanied by charming illustrations throughout. A special traveler’s topic index is provided at the end of the book.

What happens if you decide to make a dream come true? Newly retired and looking for more than a vacation, John and Nancy Petralia intrepidly pack a few suitcases and head to the "perfect" Italian city. Within days their dream becomes a nightmare. After residing in two Italian cities, negotiating the roads and healthcare, discovering art, friends, food, and customs, the Petralias learn more than they anticipate--about Italy, themselves, what it means to be American, and what's important in life. Part memoir, part commentary, quirky and sincere, Not in a Tuscan Villa is about having the courage to step out of your comfort zone and do something challenging in later life. The adventure recaptures the Petralias' youth, rekindles their romance--and changes their lives forever.