Sondag. Oukersaand. Ná ’n inbraak by die Stables Estate in Pretoria-Oos word sakeman Lafras van Zyl vir dood agtergelaat. Die res van die Van Zyl-gesin verdwyn spoorloos. Kaptein AJ Williams moet inspring om te help. Alex en Ranna is op die spoor van ’n meisie, wat in Johannesburg vermis geraak het. Twee misdade. Meer vrae as antwoorde.

Tortured to the bone, Treasure Mohapi steps into a world that many haven’t seen in Sandton; the new way of life filled with millionaires and quick cash scams doesn’t come cheap.

The young model seems too naïve for Sandton and her bloodsucking master stops at nothing to prove his power. Treasure finds herself face-to-face with the Devil who controls ministers, doctors and policemen. A secret society like no other in the history of Africa comes alive once again. As she is drawn into supremacy, the chains of material slavery keep following Treasure and her best friend Lintle Kente. After years of sexual entertainment and high flying, can their master let them go?

With the increasing number of dead bodies, drugs and cults, will this love affair prove to be a way of life for many? The wives of the rich and famous have deep, dark roots too.

The only human ever born wearing Jordans receives a DM on Twitter after a gang-related hit. The mission: Find the Tamagotchi, or else! This is the story of a banggat, a main ou, a genuine ou, a malnaai and a Twitter user. A story where dark and fantastical experiences are intricately woven to tell the tale of a network of wannabe gangsters, a wife fanning herself with her husband’s money in the Northern Suburbs and a sturvy twenty-nine-year-old living in Woodstock.

‘Baby, did you just say emotional labour like seven times?’
‘Ja, why?’
‘You just sound so woke right now.’
‘What the fuck is woke?’

In this Cape Town, there’s a Goddess who casts raging red storms when female bodies are abused. It’s a place where women try to redefine their space in society and highly coveted mermaid tails are traded for R 4 000/kg. Mermaid Fillet is a noir crime novel about violence, feminism and how you dala what you must.

In 2019, Eva Mazza's Sex, Lies & Stellenbosch took the SA publishing world by storm. The sizzling novel, centred around the seemingly upstanding lives of Stellenbosch's elite, has remained in the Top 100 since publication. Now the much anticipated sequel will whet the appetites of thousands of readers obsessed with what happens next in the steamy lives of the winelands aristocracy.

At the end the first book, Jen, the main protagonist, receives a mysterious WhatsApp, which set book two in motion. The sequel masterfully tracks the next stage of the lives of the characters readers got to love and hate.

There is Jen's ex-husband, John, bent on a path of self-destruction; her ex-best friend, Frankie, who betrayed Jen in more ways than one; and the sultry Patty, who works at the Cape Town sex club secretly attended by the small town's elite, who now finds herself in New York. Is Lee still alive? And who is Captain Stranger?

Brian Fredericks, ’n aangrypende nuwe stem, skryf met nege kortverhale ’n wêreld oop in die Cape Flats.

Hy werp lig op ’n komplekse wêreld waar die grens tussen reg en verkeerd heeltyd verskuiwe, maar bowenal het hy ’n sonderlinge insig in die feilbaarheid maar ook die broosheid van menswees. Karakters kry lewe op papier, en maak jou opnuut kyk na die wêreld om jou en in jou.

Met dié bundel kortverhale vestig Fredericks hom as baanbreker in die Afrikaanse kortkuns.

In a future where most of the men are dead, Cole and her twelve-year-old son Miles are on the run from the most dangerous person she knows … her sister.

Miles is one of the lucky survivors of a global pandemic. But, in a world of women, that also makes him a hot commodity. The Department of Men wants to lock him away in quarantine, forever, maybe. A sinister cult of neon nuns wants to claim him for its own; the answer to their prayers. And boy traffickers are close on their heels, thanks to Billie, Cole’s ruthless sister, whom Cole thought she left for dead.

In a desperate chase across a radically changed America, Cole will do whatever it takes to get Miles to safety. Because she’s all he’s got.

When Thuli reveals her secret - that she can see up to seven days into the future - to seasoned local journalist Helen, the latter is highly sceptical of the student's claims. But as Thuli truly believes that #FeesMustFall protest leader, Hector, will be assassinated by a sinister force, Helen starts to look into the matter.

And what she finds is some very odd behaviour by the police sent to “keep the peace” on campus. Police sent by Noné, South Africa's President and Most Impressive Leader, who wants no trouble from pesky students while she plans the launch of her zoo of creatures with extraordinary abilities.

One thing is certain: If what Thuli has seen is true, they have only seven days to change the future …

Few in his native Scotland know about Thomas Pringle – the abolitionist, publisher, and – some would say – Father of South African Poetry. A biography of Pringle is in order, and a reluctant writer takes up this task.

To help tell the story of Pringle is the spectre of Mary Prince, a West Indian slave whose history he had once published. Also offering advice is the ghost of Hinza Marossi, Pringle’s adopted Khoesan son, and the timetraveller Sir Nicholas Greene, a character exhumed from the pages of a book.

While Mary is breathing fire and Sir Nicholas’s heart is pining, Hinza is interrogating his origins. But what is to be made of the life of Pringle so many years after his death by this motley crew from the 1800s?

As the apparitions flit through time and space to put together the pieces of Pringle’s story and find their own place in his biography, Zoë Wicomb’s novel offers an acerbic exploration of colonial history in superb prose and with piercing wit.

*Winner of the UJ Debut Prize*

Family secrets run deep for Grace, a young girl growing up in Cape Town during the 1980s, spilling over into adulthood, and threating to ruin the respectable life she has built for herself.

When an old childhood friend reappears, Grace’s memories of her childhood come rushing back, and she is confronted, once again, with the loss that has shaped her. The novel is permeated with the long shadow cast by personal trauma, violence and loss on people’s lives.

“I could have guessed that one day I’d hear something I shouldn’t have on that party line. It was one thing listening to the gossip and the small talk that buzzed along its wires all the time, but it was something else to hear, on a hot Saturday morning before you started high school, that your best friend’s mother, the woman you wished you could somehow have married one day, was dead.”

Dangerous boyhood memories surface when a letter brings news of Karl’s suicide.

Karl, Max’s enigmatic friend who taught him how to toughen up when he’d first arrived in their small Lowveld town. Karl, whose beautiful mother became the object of Max’s raging teenage obsession.

Her tragic death brought a brutal end to the two boys’ friendship. But why exactly did Karl and his family leave town so soon thereafter?

As Max tries to make sense of what is transpiring, his complicity in the ills of the past begins to gnaw at him.

Due South of Copenhagen is Mark Winkler’s masterful tale of the friendships between men, small-town living during the height of South Africa’s Border War, and about what it takes to put the past to rest.

In a village in Venda, Thandeka has a chance encounter with a business tycoon that offers her the words of comfort she has been longing to hear. They don’t exchange names but she is shocked to learn from a friend that he is a serial womaniser. Gundo is delighted when the beautiful woman he met in Venda shows up as a cleaner at his company in Johannesburg. He would love to get to know Thandeka better. He doesn’t realise that she has been misinformed about his identity and his intentions . . .

‘You would not think it to look at you, but your voice, when you use it: akin to a god’s. You must be careful what you do with it.’

Exiled Jacob Kitara takes in injured compatriots and nurses them in a boarded-up building. Social unrest has emptied the streets of London, movement into and out of the country has been suspended, and those who remain are in hiding.

When a young man makes his appearance, insisting that he is Jacob’s son – a man presumed dead, torn from Jacob’s life by war and guilt over the fate of the boy’s mother – Jacob is driven to anger.

But can this stranger offer Jacob a chance to reach back to a different continent, to the foot of Africa from where he has been banished, to atone for the past?

The Weight of Skin is a poignant tale of personal and political responsibility, and of the intricate narratives of family and nationality that bind us.

All hell breaks loose when Detective Storm van der Merwe’s mom is pushed under a train at Paddington Station. Storm must rush to London, even though she’s in the middle of a murder investigation: leading South African fashion designer Beebee Bukelwa Babu was found dead in a luxury Hermanus hotel.

Drumming up a team to investigate Beebee’s death is proving difficult in a town crippled by protest action and in the grip of a menacing charismatic prophet firing up crowds to hysteria. Storm soon realises that her mom was a deliberate target. And she is one too. Meanwhile Storm’s former colleague, the bumbling Andreas Moerdyk, now a PI, is doing his best to locate a missing and very valuable red diamond.

From the murky streets of London to the diamond bourse in Antwerp, from secluded Port Nolloth to Storm’s beloved Hermanus, Irna van Zyl’s third crime novel unfolds at a heart-stopping pace.

Cry the Beloved Country is the deeply moving story of the Zulu pastor Stephen Kumalo and his son Absalom, set against the background of a land and a people riven by racial injustice. Remarkable for its contemporaneity, unforgettable for character and incident, Cry, the Beloved Country is a classic work of love and hope, courage and endurance, born of the dignity of man.

In the Karoo-like landscape of a mythical country beset with civil war,
tarot cards flutter away on the wind and bones swiftly turn to dust. Against
the backdrop of this arid place, one woman survives on her inner resources:

Kitty Cloete, the inn-keeper’s wife.

Strong and self-willed, Kitty is a skilled equestrienne, wheelwright,
blacksmith and talented harpist – none of which could shield her from a
loveless marriage after an ill-fated romance.

And now, devastation at Helsvlakte.

After State soldiers are ambushed by Separatist guerillas, a critically
injured captain arrives at their inn. For the haunted man, whose face has
been disfigured in combat, the soulful music of Kitty’s harp will become
the elixir that brings him back to life.

But drama awaits offstage. A young man who witnessed the slaying of
his family and the torching of their farm hears of the captain’s residence at
the inn. He holds the captain responsible for the tragedy that befell his
loved ones, and sets out to find him.

The Inn at Helsvlakte is present-day troubadour Patricia Schonstein’s
bewitching tale of love and betrayal, family, human foibles and the theatre
of war.

As her 21st birthday approaches, Katy Ferreira has not left her bedroom for close on two years. In fact, she has not left her bed – at 360 kilogrammes, she simply can’t.

Characterised by an indomitable spirit, Katy tries to make the best of a bad situation. She does the crossword in the Herald newspaper her mother brings home, consumes the food she craves – biscuits, pies, doughnuts, litres of fizzy drinks – and waits in hope for insulin and a solution to her plight. To pass the time she begins to compile her own crossword in one of the Croxley notebooks that have been unused since she dropped out of school. Within each cryptic clue is a message, an attempt to explain how it feels to be ‘the fat girl’, how taking comfort in sweet things as a grieving and lonely child escalated into a deadly relationship with food and a psychological and physical disease.

The process triggers splintered memories of dark family secrets and hints of culpability. As Katy finds her voice – quirky, macabre, devastatingly astute and viciously funny at times – the notebooks fill up.

Not to Mention is part diary, part memoir, part love-hate letter to the mother who fuelled her daughter’s addiction as steadily as the world ostracised her.

The destructive power of shame and society’s harsh judgement of people who are ‘different’ is matched by the immense courage of a young woman who is determined to be heard.