High-quality medium, creamy body acrylic.
Daler-Rowney System3 Acrylic Paints are lightfast, permanent (ranking from 3 to 4 stars for most of the colours), opaque (10 opaque and 20 semi-opaque colours) and flexible. System3 Acrylic Paints are made from high-quality pigments, their superior pigment loading allows for them to be thinned with water to pale washes or used directly from the pot. Either way, they dry quickly and form an insoluble film. All acrylic paint colours have good to very good lightfastness.

Highly versatile acrylic colours.
Daler-Rowney System3 Acrylic Paints are versatile high-quality paints for leisure painters and professional artists who use large quantities of paint. Suitable for both indoor and outdoor use, Daler-Rowney System3 Acrylic can be easily applied onto traditional fine art surfaces such as canvas, paper and board, as well as wood, textile, plastic and murals. Its unique flow formula is ideal for large-scale art installations as well as studio projects.

Made in England.
Daler-Rowney is particularly proud to continue the long heritage of manufacturing System3 Acrylic Paints in the United Kingdom, based in the South of England, in Bracknell.

Das Air Drying Modelling Clay, easily workable by hand or can be used with a variety of modelling tools.A moist ready to use modelling clay with no need to fire the finished product. Air drying to a hard matt finish, drying time may vary. Can be painted when dry.This modeling compound is made in Italy. It is a solid modeling clay which air dries (no baking required). It is easy to use- simply knead the material briefly and form it. It can also be sanded when dry. It is super soft and very easy to shape. It is a slow drying clay so you can take your time forming it. It is not a lightweight clay so it is perfect for free form sculptures.

Specifications..Keep unused Das in a plastic bagWhite

Colour: Alizarin Crimson
Pigment Index: PR177
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Our polymer clay has a firm consistency becoming soft and pliable when kneaded. This insures a high level of structural stability making our clay suitable for beginners, amateur crafters and professional artists.

Conditioning Dala Polymer Clay - Begin by rolling it back and forth in your hands. This motion will cause the clay to warm up and the edges to smooth out. Once the clay feels warm roll it into a ball and then a snake. Repeat this step until the clay is fully pliable.

Baking Dala Polymer Clay - The clay is baked in a standard household oven at 130c for 30 to 40 minutes. Pieces thicker the 6mm should be baked for a longer duration. Please be advised that due the variations in ovens you should bake test a piece beforehand.

Storing Dala Polymer Clay - Store our polymer clay in the original packaging at room temperature, out of direct sunlight or other sources of heat. Alternatively be wrap in Aluminum foil or stored in PE bag. Protect it from dust and avoid contact with Polystyrene or PVC.

Dala Acrylic paint has a wonderful, thick, creamy consistency that is lightfast, and value for money. Use in conjunction with Dala's extensive range of Acrylic Mediums.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work.All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

Graduate Acrylics offer a very affordable range of acrylic colours. The range features bright and strong colours that are easy to brush onto surfaces. They can be used on any paper surface, primed board or canvas, used indoors or outdoors and are so versatile they can also be used with a variety of acrylic mediums, also available from Daler-Rowney. There are 48 colours in the range, including metallic colours.

Graduate Acrylic colours are of good pigment strength and flow easily across paper and primed surfaces. Colours are water-based and contain no solvents. In accordance with EC labelling regulations, all colours are classified as non-dangerous for use.

The advantage of acrylic colours to schools and hobbyists, of course, is that artwork can be dried and stored away shortly after an art class has been completed, and will not smudge if water is spilled on the surface of the painting. The colours are fast-drying, durable and flexible, so paintings will last a long time. Paper and canvas coated with Graduate Acrylic can be loosely rolled and stored without fear of cracking.

With waste of colour in mind, Daler–Rowney have developed a unique packaging for Graduate Acrylic colours. All colours come in a 500ml squeezable pot that has a lid with a unique valve mechanism and stay-clean technology to dispense the colour, so only what is needed comes out of the pot, minimising the waste in the classroom, workshop or at home!

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work.All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.

In addition to the highest lightfastness, the Luminance 6901 leads benefit from an extreme softness which enables you to obtain subtle mixings and gradations, as well as blendings. Every shade has been formulated using finely-ground pigments chosen for their purity, intensity and resistance to UV.

Caran d’Ache is always searching for technical innovations and once again it demonstrates it's Swiss Made expertise in colours. It has combined a high concentration of extra-fine pigments with excellent solubility to create Museum Aquarelle: watercolours in the form of a pencil. With this new approach to the traditional technique, amateur artists and watercolour painters will never look at watercolours in the same way again.

Stabilo All Surface Pencils are designed for artists and professional users with special requirements­ (e.g. industrial applications). • Coloured and graphite pencil for almost all surfaces. • Writes brilliantly on glass, plastic, metal. • Available in 8 aquarellable colours. • Leads made from the highest-quality pigments and finest graphite. • Lead quality and strong colours guarantee reliable results. • An all-rounder which will satisfy even the most unusual of requests.

Faber Castell Polychomos are the finest oil-based colour pencils on the market. Each pencil has a 3.8mm lead which is coloured with high-quality artists' pigments suspended in an oil-based binder. This lead is bound to its casing of Californian cedar-wood, which renders it exceptionally break-resistant. It is water-resistant, smudgeproof and has exceptional covering power, though it will also sharpen to a very fine point for detailed work. The full range includes 120 colours which are graded good, very good or maximum for light-fastness.According to Faber Castell's light-fastness scale, this pencil is graded Excellent (***).pdf=POLYCHROMOSArtistColorPencils.pdf Polychromos Artist Color Pencils colourchart.

Chemical Description: Rutile Titanium Dioxide
Lightfastness: ***
Opacity: Opaque
Colour Index: PW6

Acrylic Artist Colour contains one of the widest ranges of pure pigments available for fine arts, in a dispersion of 100% acrylic resin. The colours offer the highest grade of permanence and lightfastness. Following traditional methods, most of the colours in the range have been formulated with only one pigment, resulting in maximum purity and colour strength and giving the artist complete control over their material in mixtures and compositions.

The heavy body consistency of Acrylic Artist Colour permits all techniques, from finest brush stroke to heaviest impasto. Colours dry rapidly to a matte finish with great flexibility.

Caran D'ache Pablo Coloured Pencils match the superior quality required for colour drawings, while the precision of Pablo leads is ideally suited to realist drawing.   The dry 3.8 mm diameter leads ensure an exceptionally high covering power and create minimal powder / dust. Artists, designers and students can rely on the lightfastness of the leads, as well as their perfect opacity.   The covering power of Pablo colour pencils enables easy usage on a large number of surfaces, ranging from textured paper and cardboard to wooden panels. The barrel of each pencil is completely varnished and sealed with a shiny colour that corresponds to the colour of the lead.

Series number: 1

Chemical Description: Zinc oxide, Titanium dioxide

Colour index name: PW4, PW6

Colour index number: 77947, 77891

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O

A high level of pigmentation provides good covering power and tinting strength. While it can't match the superior pigment load of Artists' Oil Colour, the Winton range is much stronger than many other artists' quality ranges.The economical cost has been achieved through the use of moderately priced pigments rather than lessening the pigment content to an unacceptable level. Winsor & Newton formulation, manufacture and quality control ensure a product of absolute excellence. The Winton range has a more uniform consistency than Artists' Oil Colour and is slightly stiffer. It offers excellent retention of brush and palette knife strokes.

Faber Castell Polychomos are the finest oil-based colour pencils on the market. Each pencil has a 3.8mm lead which is coloured with high-quality artists' pigments suspended in an oil-based binder. This lead is bound to its casing of Californian cedar-wood, which renders it exceptionally break-resistant. It is water-resistant, smudgeproof and has exceptional covering power, though it will also sharpen to a very fine point for detailed work. The full range includes 120 colours which are graded good, very good or maximum for light-fastness.According to Faber Castell's light-fastness scale, this pencil is graded excellent (***).pdf=POLYCHROMOSArtistColorPencils.pdf Polychromos Artist Color Pencils colourchart.

MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour. 

The Derwent Drawing Pencil has an extra wide, creamy textured core which produces a beautifully soft, velvety finish. It is the perfect medium for wildlife and nature studies, and is seen by many artists as the ideal pencil to draw 'fur & feather'. It is also ideal for rich subtle landscapes and deep thoughtful portraits. Available in 24 subtle shades.

In addition to the highest lightfastness, the Luminance 6901 leads benefit from an extreme softness which enables you to obtain subtle mixings and gradations, as well as blendings. Every shade has been formulated using finely-ground pigments chosen for their purity, intensity and resistance to UV.

Range of 84 rich and vibrant colours.Powdery texture, generous shading.Purity of shades, high concentration of ultra-fine pigments.Powerful coverage, exceptional lightfastness (Blue Wool scale).Easy, even shading. Rich colours that are particularly popular with pastel artists.

The particular grain of the surface and the highly lightfast colours are the principal characteristics of this laid paper. It is acid free and particulary recommended for deluxe editions, advertising (company presentations, posters, calendars, brochures, leaflets and catalogues), fancy paperwork and book binding applications, drawing (pastel, charcoal) and collage. The grain directions runs parallel to the 100 cm side and the cross lines are parallel to the 70 cm side. This pastel paper is 160gsm, mould-made, wood-free and laid watermarked. Suitable for all dry media, especially soft pastels and pastel pencils.

• Water-soluble wax pastel.• Exceptional covering power.• Excellent lightfastness.• Dry or wet drawing on all materials.

Colour number/code: 512

Series number: 1

Chemical Description: Titanium dioxide

Colour index name: PW6

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: O



Good quality gouache colour is a combination of pigment and gum arabic. Gum arabic is the binder that holds the pigment, giving it that perfect creamy 'flowing' consistency. (NB some cheaper brands may have chalk added to the pigment which in turn effects the 'flow and the brilliance of colour'). As a result of the high level of pigmentation Winsor & Newton Designers Gouache dries to a matt finish. This reduces the reflection when photographing the work.

Every colour within the range has an individual formulation to take advantage of each and every pigment characteristic and ensure tube stability.

One of the natural attributes of gum arabic - the binder used in Designers Gouache is that it is quick drying. This faster drying allows quick working techniques and preliminary sketching to be done. Also as with water colour, work can be finished quickly and as a result travelling with work is made much easier.