This combination set is the ultimate starter set for those looking to begin their oil painting journey! The set contains everything you need to get started: an oil colour set of 12 x 12 ml tubes in basic colours to build your palette with, a handy table easel, a stretched canvas of 24 x 30 cm, 2 oil painting brushes and a mess-free tear-off palette.

It also includes a detailed step-by-step plan so you can easily create your own masterpiece. Taking up oil painting as a hobby has never been this easy!

About Talens Art Creation oil colours

Talens Art Creation oil colour is a versatile type of paint that you can use both thin and very pasty. The paint is made of pigments and vegetable oil and offers intense colours. These oil colours are suitable for all oil painting techniques, such as wet on wet, layered painting and glazing.

Oil paints are known for their slow drying time. This means the paint allows you to continue correcting and painting for a long time, it dries exactly as applied with sharp brush strokes and no volume loss or change in colour. With oil colours, you know exactly what the end result will be!

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Start with oil painting.
Daler-Rowney Simply Oil colours are a perfect starting point for artists looking to experiment with oils. These soft-bodied colours can be used straight from the tube as they wet easily onto the surface, or thinned down to create glazes. Available in a wide variety of colours, Simply Oil offers great value for money, and together with other products from the Simply Oil range, an easy entry point for artists to begin working with oils.

Made in England.
Daler-Rowney is particularly proud to continue the long heritage of manufacturing Simply Oil Colours in the United Kingdom.

Colour: Alizarin Crimson
Pigment Index: PR177
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.

Tradition. The original formula handed down through generations exactly as it had been conceived. Oil plus pigment, period. Faithfully carrying through time the elements required by master painters united in seeking fine execution and quality mediums. Historic tonalities, unattainable mixtures, tints now impossible to find whose roots are in the Italian painting that the whole world admires and extols. Like a force abiding by transcendent principles, flowing through the ages. Artisti still bears the label of the A series that Gianni Maimeri designed in 1923. One hundred and two colours, in a balanced division. Five differently toned whites. Seventeen natural earth tones. Three chrome yellows. No colours with low light resistance. No substance considered harmful is used.

Highly transparent with a blue undertone, Permanent Alizarin Crimson is a vivid red colour. Introduced in 1994, it has been formulated as a highly permanent red pigment.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Cobalt Blue Hue is a clean blue pigment closely resembling Cobalt Blue. Genuine Cobalt was discovered in 1802 by French chemist Thénard as an alternative pigment to the expensive Lapis Lazuli blue.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Ivory black is a stable all-round black colour with brown undertones and excellent tinting powers. Its name stems from the traditional method for obtaining it: roasting elephant tusks.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Raw Umber is a rich brown pigment made by the natural brown clays found in earth. It was named after Umbria, a region in Italy where it was mined.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

LUKAS STUDIO OIL Fine Artists’ oil colour, the modern premium quality with an optimised price-performance ratio, is ideally suitable for the demanding artist and student. The oil colours contain only brilliant and valuable pigments with a high lightfastness in high concentration, for exceptional colour intensity and opacity.

A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality.

Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm.

The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance.

LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.

Colour: Primary Magenta
Pigment Index: PV23
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Cadmium Yellow Hue is a cool, bright yellow colour. It is an opaque colour closely resembling genuine Cadmium Lemon.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Colour: Alizarin Crimson
Pigment Index: PR177
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

French Ultramarine is a rich transparent blue. It was created by French chemist Guimet in 1828 as a synthetic but chemically identical alternative to the expensive pigment derived from Lapis Lazuli.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

A rich violet with a beautiful blue violet undertone that bridges a gap between Dioxazine Purple and French Ultramarine.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Tradition. The original formula handed down through generations exactly as it had been conceived. Oil plus pigment, period. Faithfully carrying through time the elements required by master painters united in seeking fine execution and quality mediums. Historic tonalities, unattainable mixtures, tints now impossible to find whose roots are in the Italian painting that the whole world admires and extols. Like a force abiding by transcendent principles, flowing through the ages. Artisti still bears the label of the A series that Gianni Maimeri designed in 1923. One hundred and two colours, in a balanced division. Five differently toned whites. Seventeen natural earth tones. Three chrome yellows. No colours with low light resistance. No substance considered harmful is used.

Tradition. The original formula handed down through generations exactly as it had been conceived. Oil plus pigment, period. Faithfully carrying through time the elements required by master painters united in seeking fine execution and quality mediums. Historic tonalities, unattainable mixtures, tints now impossible to find whose roots are in the Italian painting that the whole world admires and extols. Like a force abiding by transcendent principles, flowing through the ages. Artisti still bears the label of the A series that Gianni Maimeri designed in 1923. One hundred and two colours, in a balanced division. Five differently toned whites. Seventeen natural earth tones. Three chrome yellows. No colours with low light resistance. No substance considered harmful is used.