High-quality medium, creamy body acrylic.
Daler-Rowney System3 Acrylic Paints are lightfast, permanent (ranking from 3 to 4 stars for most of the colours), opaque (10 opaque and 20 semi-opaque colours) and flexible. System3 Acrylic Paints are made from high-quality pigments, their superior pigment loading allows for them to be thinned with water to pale washes or used directly from the pot. Either way, they dry quickly and form an insoluble film. All acrylic paint colours have good to very good lightfastness.

Highly versatile acrylic colours.
Daler-Rowney System3 Acrylic Paints are versatile high-quality paints for leisure painters and professional artists who use large quantities of paint. Suitable for both indoor and outdoor use, Daler-Rowney System3 Acrylic can be easily applied onto traditional fine art surfaces such as canvas, paper and board, as well as wood, textile, plastic and murals. Its unique flow formula is ideal for large-scale art installations as well as studio projects.

Made in England.
Daler-Rowney is particularly proud to continue the long heritage of manufacturing System3 Acrylic Paints in the United Kingdom, based in the South of England, in Bracknell.

Open Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion. They resist skinning, remain wet on the palette for extended periods and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, monoprinting and screenprinting.

Pigment Classification: Synthetic Organic (Mixture) Chemical Description:

Quinacridone Quinacridone Chlorinated Copper Phthalocyanine

Opacity/Transparency: 6 Lightfastness Rating: I Permanency: Exc Colour index name: PR 122 / PR 206 / PG 7 Colour index number: 73915 / 73903 / 74260 Munsell Notation Listing: Hue 10 RP Value 2.8 Chroma 1.2

Viscosity Range: 4000-15000 CPS Gloss Average: 58.1 CIE L*a*b* Values: L*27.94 a*9.37 b*2.19 Tint Strength: 76.38

Well-balanced range of 70 colours, with a high degree of lightfastness.

Thanks to the use of pure and non-fading pigments even after several decades the works of art retain their original colour.

An exceptionally durable paint film (the binding agent consists of 100% acrylic resin), for an everlasting result.

Alkali resistant, and consequently suitable for wall paintings.

Choice of small and large packaging: 120 ml, 250 ml tubes and 500 ml and 1000 ml bottles.

The paint can be thinned easily with water.

Short drying time: thin films of paint dry within half an hour.

The specific preparation method makes the paint practically odourless.

Colour number/code: 548

Series number: 3

Chemical Description: Quinacridone

Colour index name: PR209

Colour index number: 73905

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: T



Only the purest pigments and the highest grades are used in Artists' Acrylics, formulated individually to ensure the cleanest, most brilliant colours. Winsor & Newton have developed a new unique binder that is translucent when wet and dries clear. It is this that ensures there is virtually no shift in colour at all and colours remain as brilliant when dry as they are when wet.

Artists' Acrylic offers the smooth, thick, short, buttery consistency preferred by most acrylic artists, with no stringiness. This juicy and painterly colour enables paints to be blended more easily and mixed with mediums or even water for water colour techniques. Whilst maintaining individual pigment characteristics these paints have achieved a uniform buttery consistency across the range, making it easier for the artist to handle during painting. These colours retain brushstrokes and the profile of the paint for excellent impasto effects. They also dilute gradually as water or medium is added, giving artists the maximum control over their paint.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Organometallic Chemical Description: Chlorinated Copper Phthalocyanine Opacity/Transparency: 3 Lightfastness Rating: I Permanency: Exc Colour index name: PG 7 Colour index number: 74260 Munsell Notation Listing: Hue 5.0 BG Value 1.25 Chroma 5

Viscosity Range: 16000- 20000 CPS Gloss Average: 94.02 CIE L*a*b* Values: L*27.19 a*-8.89 b*-4.8 Tint Strength: 78.54

Pebeo Studio Acrylics are rich acrylic colours with high viscosity, providing excellent quality at an affordable price. Available in a range of colours, including some iridescent and fluorescent, they have a thick consistency, can retain brush or spatula marks, and dry to a satin finish.This is a 100ml tube of Pebeo Studio Acrylic in Chrome Green Hue.

Chemical class: Zinc SulphideCI name: PW5Light-fastness: ***Opacity: 9

Cryla Artists’ Acrylic colour is a very heavy-bodied colour with a high loading of permanent, lightfast pigments. The unique heavy, buttery feel under the brush and knife is popular with artists wanting to achieve a wide variety of impasto effects.

Matisse Structure Formula has a rich and heavy texture that is especially suited to impasto techniques. It is ideal for application with a brush or palette knife and creates striking textured effects. The vibrant colours in the range cover the full colour spectrum.

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colors with very thin consistencies.

Pigment Classification: Organic Chemical Description: Copper Phthalocynine Opacity/Transparency: 3 Lightfastness Rating: I Permanency: Exc Colour index name: PB 15:4 Colour index number: 74160 Munsell Notation Listing: Hue 7.0 PB Value 1.25 Chroma 6.5

Viscosity Range: 400-1000 CPS Gloss Average: 94.21 CIE L*a*b* Values: L*24.95 a*8.48 b*-18.01 Tint Strength: 71.17

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Synthetic Organic Chemical Description: Diarylide Yellow HR-70 Opacity/Transparency: 5 Lightfastness Rating: I Permanency: Exc Colour index name: PY 83 Colour index number: 21108 Munsell Notation Listing: Hue 8.0 YR Value 7 Chroma 15.8

Viscosity Range: 23000-27000 CPS Gloss Average: 85.52 CIE L*a*b* Values: L*75.48 a*33.38 b*80.36 Tint Strength: 88.16

Open Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion. They resist skinning, remain wet on the palette for extended periods and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, monoprinting and screenprinting.

Pigment Classification: Natural Inorganic Chemical Description: Natural Iron Oxide Opacity/Transparency: 4 Lightfastness Rating: I Permanency: Exc Colour index name: PY 43 Colour index number: 77492 Munsell Notation Listing: Hue 19.0 YR Value 4.5 Chroma 6.6

Viscosity Range: 4000-15000 CPS Gloss Average: 14.2 CIE L*a*b* Values: L*88.09 a*4.82 b*12.73 Tint Strength: 90

49 high-intensity colours, including Iridescent and Fluorescent colours.

Full intensity and transparent.

Add to refillable markers, ruling pens or technical pens.

Great for illustration and fine detail.

Flows effortlessly from a brush.

Great for staining and colour washing.

Pour right from the bottle.

Introducing Golden High Flow Acrylics, a new acrylic paint line that can go from brush to marker or from dip pen toairbrush and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including staining effects, leveling colours, calligraphy, and mixed media.

Replacing Golden Airbrush Colours, the new formula offers several improvements over Airbrush Colours, most notably an increase in durability of dry paint and more colours.

Well-balanced range of 70 colours, with a high degree of lightfastness.

Thanks to the use of pure and non-fading pigments even after several decades the works of art retain their original colour.

An exceptionally durable paint film (the binding agent consists of 100% acrylic resin), for an everlasting result.

Alkali resistant, and consequently suitable for wall paintings.

Choice of small and large packaging: 120 ml, 250 ml tubes and 500 ml and 1000 ml bottles.

The paint can be thinned easily with water.

Short drying time: thin films of paint dry within half an hour.

The specific preparation method makes the paint practically odourless.



Lightfastness: ***Opacity: Semi-OpaquePigment Code: PY74

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour. Lightfastness: ***Opacity: OpaquePigment code: PW6/PBk11/PY42

Acrylic Studio contains the same resin as Acrylic Artist Colour, and many of the same pigments; the pigments selected for this range have been chosen for their permanence, purity and colour intensity, always keeping in mind the purpose of offering an excellent product at a moderate and uniform price.

Acrylic Studio colours do not contain fillers of any kind, so that the colours have great strength and chromatic purity. They are opaque or transparent, depending on the nature of the pigment, and dry to a semi matte finish. The range of 26 colours does not contain any toxic pigments or derivatives of heavy metals, and does not create waste products which may harm the environment. The name and colour index number of the pigments are stated on the labels and in the colourchart, so that the artist can study mixtures and develop their own colours with complete control.

The heavy body consistency of Acrylic Studio permits all techniques, allows the artist to mix the colours with all mediums as well as extraneous materials and can also be simply diluted with water for more transparent applications.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

With Original and Heavy Body versions, System 3 acrylics are highly versatile, water-based acrylic colours. They offer an excellent painting experience at an economical price. Only high-quality pigments are used in the manufacture of the System 3 acrylic ranges, offering significantly greater loading than in other acrylic ranges available in this class. System 3’s comprehensive range of colours offers excellent light-fastness, permanence, durability and covering power. All colours can be thinned with water to pale washes, or used directly from the pot or tube; each form dries quickly to create an insoluble film. The quick drying properties of the range enable the artist to work quickly, superimposing or juxtaposing colours without unnecessary fuss. All System 3 Original and Heavy Body colours are fully intermixable and suitable for interior use. As they are not lightfast, fluorescent colours are not recommended for exterior use; all other colours are both lightfast and durable.

Artists will be excited by the varying effects achievable with the different methods used to apply the Matisse Dry Mediums. They provide magnificent textural effects and will surprise artists and viewers alike. Ferrous Powder can be used for highlighting and decorating works and making magnetic coatings. Use on paintings and mixed media. Mix with a gloss, matt or satin medium for your desired look and seal with a varnish. Avoid sprinkling as large amounts may cause the canvas to sag. Read more about this medium in this Jackson's Art blog post.

Graduate Acrylics offer a very affordable range of acrylic colours. The range features bright and strong colours that are easy to brush onto surfaces. They can be used on any paper surface, primed board or canvas, used indoors or outdoors and are so versatile they can also be used with a variety of acrylic mediums, also available from Daler-Rowney. There are 48 colours in the range, including metallic colours.

Graduate Acrylic colours are of good pigment strength and flow easily across paper and primed surfaces. Colours are water-based and contain no solvents. In accordance with EC labelling regulations, all colours are classified as non-dangerous for use.

The advantage of acrylic colours to schools and hobbyists, of course, is that artwork can be dried and stored away shortly after an art class has been completed, and will not smudge if water is spilled on the surface of the painting. The colours are fast-drying, durable and flexible, so paintings will last a long time. Paper and canvas coated with Graduate Acrylic can be loosely rolled and stored without fear of cracking.

With waste of colour in mind, Daler–Rowney have developed a unique packaging for Graduate Acrylic colours. All colours come in a 500ml squeezable pot that has a lid with a unique valve mechanism and stay-clean technology to dispense the colour, so only what is needed comes out of the pot, minimising the waste in the classroom, workshop or at home!

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies.

Pigment Classification: Inorganic Chemical Description: Polyulfide of Sodium-Alumino-Silicate Opacity/Transparency: 6 Lightfastness Rating: I Permanency: Exc

This color is sensitive to a combination of moisture and Ultra Violet radiation and is not recommended for outdoor use.

Colour index name: PB 29 Colour index number: 77007 Munsell Notation Listing: Hue 8.0 PB Value 2 Chroma 4.5

Viscosity Range: 400-1000 CPS Gloss Average: 23.89 CIE L*a*b* Values: L*24.36 a*12.28 b*-25.74 Tint Strength: 79.94

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Inorganic Chemical Description: Iron, Chromium, Nickel Opacity/Transparency: 2 Lightfastness Rating: N/A Permanency: Exc Colour index name: - Colour index number: 77485 Munsell Notation Listing: Hue N/A Value N/A Chroma N/A

Viscosity Range: 5000-6000 CPS Gloss Average: 25.48 CIE L*a*b* Values: L* a* b*N/A Tint Strength: N/A

Sennelier Abstract is a high-quality fine acrylic paint made in France, packaged in a flexible pouch.The flexible air air-tight pouches can be firmly resealed with the nozzle, which means paint stays wet, workable, and all of it can be used. The Abstract range is composed of 34 single pigment colours among the 60 shades.pdf=cc_sennelier_abstract.pdf Sennelier Abstract Colour Chart.

Royal Talens Amsterdam Standard Acrylics have a high degree of lightfastness and use pure and non-fading pigments, ensuring artworks retain their original colour even after several decades. The binding agent consists of 100% acrylic resin for long-lasting results. Each tube is recyclable and clear, allowing artists to see the true colour and contents with ease.These paints are alkali resistant and this means they are suitable for wall and mural paintings. The paint can be thinned easily with water and, if applied in a thin film, paint can dry within half an hour.This is a 20ml tube of Talens Amsterdam Standard Acrylic in the following colour: Azo Orange.pdf=Amsterdam.pdf Royal Talens Amsterdam Standard Acrylics Colour Chart

With Original and Heavy Body versions, System 3 acrylics are highly versatile, water-based acrylic colours. They offer an excellent painting experience at an economical price. Only high-quality pigments are used in the manufacture of the System 3 acrylic ranges, offering significantly greater loading than in other acrylic ranges available in this class. System 3’s comprehensive range of colours offers excellent light-fastness, permanence, durability and covering power.

All colours can be thinned with water to pale washes, or used directly from the pot or tube; each form dries quickly to create an insoluble film. The quick drying properties of the range enable the artist to work quickly, superimposing or juxtaposing colours without unnecessary fuss.

All System 3 Original and Heavy Body colours are fully intermixable and suitable for interior use. As they are not lightfast, fluorescent colours are not recommended for exterior use; all other colours are both lightfast and durable.