Snapshots and Short Notes examines the photographic postcards exchanged during the first half of the twentieth century as illustrated, first-hand accounts of American life. Almost immediately after the introduction of the generic postcard at the turn of the century, innovations in small, accessible cameras added black and white photographs to the cards. The resulting combination of image and text emerged as a communication device tantamount to social media today. Postcard messages and photographs tell the stories of ordinary lives during a time of far-reaching technological, demographic, and social changes: a family's new combine harvester that could cut 40 acres a day; a young woman trying to find work in a man's world; the sight of an airplane in flight. However, postcards also chronicled and shared hardship and tragedy - the glaring reality of homesteading on the High Plains, natural disasters, preparations for war, and the struggles for racial and gender equality. With a meticulous eye for detail, painstaking research, and astute commentary, Wilson surveys more than 160 photographic postcards, reproduced in full color, that provide insights into every aspect of life in a time not far removed from our own.

When does a book that is merely old become a rarity and an object of desire? David McKitterick examines, for the first time, the development of the idea of rare books, and why they matter. Studying examples from across Europe, he explores how this idea took shape in the sixteenth and seventeenth centuries, and how collectors, the book trade and libraries gradually came together to identify canons that often remain the same today. In a world that many people found to be over-supplied with books, the invention of rare books was a process of selection. As books are one of the principal means of memory, this process also created particular kinds of remembering. Taking a European perspective, McKitterick looks at these interests as they developed from being matters of largely private concern and curiosity, to the larger public and national responsibilities of the first half of the nineteenth century.

In the last years of the nineteenth century an American tobacco company, Allen and Ginter, began inserting plain cards called 'stiffeners' into packets of cigarettes to protect their products from being crushed. What seemed at the time like an inconsequential product development was swiftly exploited for commercial purposes: to advertise other products and then illustrate the cards with popular personalities. These collectables swiftly became a phenomenon and crossed to the other side of the Atlantic. These cards were decorated by many different subjects: politicians, actors, writers, poets and sporting personalities, most significantly footballers. A craze that lasted for more than half a century was born. In an era before the widespread use of photography in print media and when the game was seldom captured by motion film, cigarette cards were often the most enduring portrayal of football's stars in the early twentieth century. Small boys would collect these cards from family and friends. Teams would be formed and, in a fore- runner of today's fantasy football games, the cards would be swapped and traded to see who could assemble the best team.Today they provide a compelling insight into a bygone era. Now, in The Redmen of Liverpool FC, Rowlands has shared his passion. Featuring every single Liverpool player featured in this medium, along with biographical details and contextual notes, Rowlands tells the story of the cigarette card craze. Presented in full colour, Redmen is a richly illustrated and deeply evocative window into one of football's bygone eras and an essential reference for every Liverpool fan.

Catalogue of an exhibition of Neale M. Albert's collection of specially-commissioned miniature designer bindings, held at the Grolier Club September 13-November 4, 2006.

Catalogue of a Grolier Club exhibition held March 29 - May 26, 2000, describing eighty books, prints, and manuscripts from the author's wide-ranging collection illustrating various aspects of English history--royalty, succession, social commentary, architecture, and the Reformation. Printed at the Ascensius Press, in an edition of 500 copies.

Use these spirited protest postcards to write your elected representative or inspire a friend-or just post one above your desk. And feel good about yourself at the same time: All proceeds go to the ACLU, a nonprofit organization that protects civil rights for all Americans.

The eighteenth century has generally been understood as the Age of Print, when the new medium revolutionized the literary world and rendered manuscript culture obsolete. After Print, however, reveals that the story isn't so simple. Manuscript remained a vital, effective, and even preferred forum for professional and amateur authors working across fields such as literature, science, politics, religion, and business through the Romantic period. The contributors to this book offer a survey of the manuscript culture of the time, discussing handwritten culinary recipes, the poetry of John Keats, Benjamin Franklin's letters about his electrical experiments, and more. Collectively, the essays demonstrate that what has often been seen as the amateur, feminine, and aristocratic world of handwritten exchange thrived despite the spread of the printed word. In so doing, they undermine the standard print-manuscript binary and advocate for a critical stance that better understands the important relationship between the media. Bringing together work from literary scholars, librarians, and digital humanists, the diverse essays in After Print offer a new model for archival research, pulling from an exciting variety of fields to demonstrate that manuscript culture did not die out but, rather, may have been revitalized by the advent of printing. Contributors: Leith Davis, Simon Fraser University * Margaret J. M. Ezell, Texas A&M University * Emily C. Friedman, Auburn University * Kathryn R. King, University of Montevallo * Michelle Levy, Simon Fraser University * Marissa Nicosia, Penn State Abington * Philip S. Palmer, Morgan Library and Museum * Colin T. Ramsey, Appalachian State University * Brian Rejak, Illinois State University * Beth Fowkes Tobin, University of Georgia * Andrew O. Winckles, Adrian College

In "Peasants, Warriors, and Wives," Keith Moxey examines woodcut images from the German Reformation that have often been ignored as a crude and inferior form of artistic production. In this richly illustrated study, Moxey argues that while they may not satisfy received notions of "art," they nevertheless constitute an important dimension of the visual culture of the period. Far from being manifestations of universal public opinion, as a cursory acquaintance with their subject matter might suggest, such prints were the means by which the reformed attitudes of the middle and upper classes were disseminated to a broad popular audience.

Contributions by Jani L. Barker, Rudine Sims Bishop, Julia S. Charles-Linen, Paige Gray, Dianne Johnson-Feelings, Jonda C. McNair, Sara C. VanderHaagen, and Michelle Taylor Watts The Brownies' Book occupies a special place in the history of African American children's literature. Informally the children's counterpart to the NAACP's The Crisis magazine, it was one of the first periodicals created primarily for Black youth. Several of the objectives the creators delineated in 1919 when announcing the arrival of the publication-"To make them familiar with the history and achievements of the Negro race" and "To make colored children realize that being 'colored' is a beautiful, normal thing"-still resonate with contemporary creators, readers, and scholars of African American children's literature. The meticulously researched essays in A Centennial Celebration of "The Brownies' Book" get to the heart of The Brownies' Book "project" using critical approaches both varied and illuminating. Contributors to the volume explore the underappreciated role of Jessie Redmon Fauset in creating The Brownies' Book and in the cultural life of Black America; describe the young people who immersed themselves in the pages of the periodical; focus on the role of Black heroes and heroines; address The Brownies' Book in the context of critical literacy theory; and place The Brownies' Book within the context of Black futurity and justice. Bookending the essays are, reprinted in full, the first and last issues of the magazine. A Centennial Celebration of "The Brownies' Book" illuminates the many ways in which the magazine-simultaneously beautiful, complicated, problematic, and inspiring-remains worthy of attention well into this century.

An illustrated history of football trade cards, an epic saga of 1,000 brands and myriad collections. The A-Z traces the earliest cards and stickers - British inventions, both - through a century of sports cards from tobacco cards to Panini stickers, via everything that came in between: footballers issued with chewing gum and sweet cigarettes, lucky bag mementoes, football teams cut from packets of tea, and many more. It chronicles the epoch of our forefathers and the very first football cards, dating back to the 1880s, followed by the era of their children and the earliest stickers - and so the rise of cigarette cards and paper soccer star adhesives. These days, along with our Panini stickers and trading cards, we appreciate these vintage treasures not only for their beauty but also for their value. Fond recollections of childhood passions past and present will warm hearts, while enchanting galleries of rarely seen cards will captivate football fans and collectors alike. Incorporating a guide to values, the A-Z is priceless.

First publication of remarkable repainting of outstanding Mexican codex (priceless original is in Vatican Library), thought to have originated in the Cholula area, ca. a.d. 1400. Seventy-six large full-color plates show an astounding array of gods, kings, warriors, mythical creatures and abstract designs. A work of rare power and beauty now available in this inexpensive, high-quality edition. Introduction.

In the late 1980s, Laura Light undertook the monumental task of bringing the catalogue descriptions of the Houghton's medieval manuscripts--more than 1,300 in all--up to the standards of modern scholarship. Among the fruits of that project was an exhibition in the Library of twelfth century Biblical manuscripts. Light's catalogue catches the culture of the medieval book at its height, not only in Bibles but in breviaries, lectionaries, commentaries, and works of the Doctors and Fathers of the Church.

Daniel Berkely Updike (1860-1941) founded the Merrymount Press in 1893, which quickly came to represent the flowering of the Arts and Crafts movement in American book arts. At the same time, the quixotic and patrician Updike championed his vision of the "scholar-printer"--an artist whose work mixes a practical understanding of the printing trade with a deep knowledge of and reverence for the history of the book. This catalogue demonstrates the breadth and beauty of the Press's work, and the standard it set for commercial and fine printing.

This work explores the emergence of modern Greek language, thought, and sensibility reflected in Harvard's 80,000-item- strong collection of Greek books and manuscripts, ranging from fifteenth century liturgical manuals to Renaissance translations into modern Greek of Homer and other classical authors to the works and papers of such twentieth-century Greek literary figures as Nikos Kazantzakis, George Seferis, and C. P. Cavafy. With copious illustrations of Greek writing, design, and typography, Evro Layton's catalogue is a visual and intellectual treat for philhellenes.

Rodney Dennis, the Curator of Manuscripts in the Harvard College Library for many years, has solicited 37 brief essays from a group of international scholars to illustrate the evidentiary usefulness of manuscripts as well as their complexities. Early and recent manuscripts from the collections of the Houghton Library illuminate the subject according to a four-fold arrangement: the establishment of text, the creation of text, the history of the manuscript, and the physical nature of the manuscript in relation to its contents.;Richard Tarrant writes about textual principles revealed in three manuscripts of Aristotle's ethical writings. Helen Vendler discusses variants in the manuscript of Keat's "Ode to Autumn" and a Spanish comic strip found in the papers of John Ashbery. Francois Avril calls attention to the signature of Charles V in an illuminated manuscript of the 14th century, washed off in modern times by a thief. Christopher Ricks meditates upon marks and accents written by Elizabeth Bishop over her own poems to help her to read them in public. Among others, David Hughes (on "unheightened" neumes), Bernard Boschenstein (on Trakl), Barbara Johnson (On Mallarme), and Gerald Browne (on a faded pottery shard) help to reveal a variety in the forms of written communication.

Widmungen stellen eine Form von Paratexten des Buches dar, deren historische Aussagekraft bislang nicht ausreichend gewurdigt erscheint. Am Beispiel der deutschsprachigen Druckproduktion der Stadt Mainz im 16. Jahrhundert weist der Autor 178 Dedikationen nach, die er durch eine Kombination bewahrter texthermeneutischer wie auch innovativ-statistischer und netzwerkanalytischer Untersuchungsmethoden auswertet. Die Untersuchung liefert neue Einblicke in die soziale, oekonomische und religioese Struktur der Mainzer Stadtgesellschaft der Fruhen Neuzeit. Sie versteht sich durch Anwendung computergestutzter Analysetechniken als Beitrag zur schrittweisen Entwicklung jener Wissenschaftskonzeption, die weltweit unter dem Stichwort Digital Humanities diskutiert wird.

A unique Smithsonian coloring book featuring the letters of the alphabet from rare illuminated books and manuscripts Abecedarium offers artists of all ages the chance to color the pages of history: it includes two black and white versions of each alphabetical letter for readers to personalize. These letters are drawn from rare illuminated books and manuscripts of science and art of the fifteenth through the twentieth centuries. Accompanying each letter is the story of its rare book source, its artist, and its historical context. Part history, part coloring book, and part guide to selected historic books, Abecedarium is a contemplative and inspiring way to experience art, science, and culture from the Renaissance through early modern times.

The Book of Kells is the richest and most copiously illustrated book of in the Celto-Saxon style that still survives. However, despite its rarity and fame, there is little that is known about it. Reproducing over sixty of the wonderful images from the book itself, this guide describes the hidden meanings behind the illustrations and opens our eyes to the history behind them. Picking out the most interesting, beautiful and unique images from the 339 vellum leaves that comprise the book as a whole, it gives an illuminating insight into the manuscript and its creation. This book will appeal to everyone from the hundreds of thousands of people visiting the Book of Kells at Trinity College Dublin every year, to those interested in history, art, ancient artefacts or the gospels and anyone with a passion for beautiful objects.

In 2017, the New York Times announced that the long-lost memoir of Luis de Carvajal the Younger had been rediscovered. Considered the first autobiography by a Jew in the Americas, the book had been stolen decades earlier from Mexico's National Archives. Here, Ilan Stavans recounts the extraordinary and entertaining story of the reappearance of this precious object and how its discovery opened up new vistas onto the world of secret Jews escaping the Spanish Inquisition. Called el Mozo (the Younger) to distinguish him from an uncle of the same name who was governor of Nuevo Leon, Luis de Carvajal learned of his Jewishness after being raised a Catholic. He came to recognize himself as a messiah for fellow crypto-Jews, and he was burned at the stake on December 8, 1596, in the biggest auto-da-fe in all of Latin America. His memoir-a 180-page manuscript written by a crypto-Jew targeted by the Holy Office of the Inquisition for unlawful proselytizing activities-was not only distinct but of enormous value. With characters such as conniving academics embroiled in a scholarly feud, a magnanimous philanthropist, naive booksellers, and a secondary cast that could be taken from a David Lynch film, The Return of Carvajal recounts the global intrigue that placed crypto-Jewish culture at the heart of contemporary debates on religion and identity.