'The State Quarter program has made coin collecting cool. What other activity requires treasure hunting skills and knowledge of history, and delivers a decade of budding excitement, the thrill of the hunt for errors, and a renewed interest in U.S. history and state pride? Treat yourself and your favorite fan of State Quarters to this beautiful three-panel folder, with 60 slots and intriguing anecdotes about these history-making coins.

"The Legend of Alexander the Great on Greek and Roman Coins" will for the first time collect, present and examine the portraits and representations of Alexander the Great on ancient coins of the Greek and Roman periods (c.320 BC to AD 400). It offers a firsthand insight into the posthumous appreciation of his legend by Hellenistic kings, Greek cities, and Roman Emperors. Dahmen combines an introduction to the historical background and basic information on the coins with a comprehensive study of Alexander's numismatic iconography. He also discusses in detail examples of coins with Alexander's portrait. Which are part of a selective presentation of representative coin types in the second part of the study (in which an image and discussion is combined with a characteristic quotation of a source from ancient historiography and a short bibliographical reference).
The numismatic material presented, although representative, will exceed any previously published work on the subject. This book will be useful for classicists, archaeologists, historians and art historians and students.

The articles republished in this volume are ground-breaking studies that employ a large body of religious figural imagery of Byzantine lead seals ranging from the 6th to the 15th century. A number of the studies present tables, charts and graphs in their analysis of iconographic trends and changing popularity of saintly figures over time. And since many of the seals bear inscriptions that include the names, titles or offices of their owners, information often not given for the patrons of sacred images in other media, these diminutive objects permit an investigation into the social use of sacred imagery through the various sectors of Byzantine culture: the civil, ecclesiastical and military administrations. The religious figural imagery of the lead seals, accompanied by their owners' identifying inscriptions, offers a means of investigating both the broader visual piety of the Byzantine world and the intimate realm of their owners' personal devotions. Other studies in this volume are devoted to rare or previously unknown sacred images that demonstrate the value of the iconography of Byzantine lead seals for Byzantine studies in general. This volume includes studies dedicated to the image of Christ, primarily found on imperial seals, various images of the Virgin, and narrative or Christological scenes. A companion volume presents various articles focusing on sphragistic images of saints and on the religious imagery of Byzantine seals as a means of investigating the personal piety of seal owners, as well as the wider realm of the visual piety and religious devotions of Byzantine culture at all levels. (CS1085)

In a time before large banking systems, and with paper money just in its infancy, money during the Renaissance meant coinage (mainly gold and silver) and local credit systems. These monetary forms had a significant influence on the ways in which money was understood throughout the period, and shaped discussions on such topics as the meaning of monetary value, the economic, political, religious, and aesthetic uses of coinage, the moral implications of usury and credit systems, and the importance of reputation, both at the state and individual levels. Crucial to the transformation of ideas about money in the period was the growing awareness that the individuals, up to and including the monarch, were powerless to overcome the market forces that determined value and directed the movement of goods and money. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Renaissance presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

Like other volumes in this series, Ancient History from Coins demystifies a specialism, introducing students (from first year upwards) to the techniques, methods, problems and advantages of using coins to do ancient history.
Coins are a fertile source of information for the ancient historian; yet too often historians are uneasy about using them as evidence because of the special problems attaching to their interpretation. The world of numismatics is not always easy for the non-specialist to penetrate or understand with confidence. Dr Howgego describes and anlyses the main contributions the study of coins can make to ancient history, showing shows through numerous examples how the character, patterns and behaviour of coinage bear on major historical themes. Topics range from state finance and economic policy to imperial domination and political propaganda through coins types.
The period covered by the book is from the invention of coinage (ca 600BC) to AD 400.

eBook available with sample pages: 0203135865

Studies of seals and sealing practices have traditionally investigated aspects of social, political, economic, and ideological systems in ancient societies throughout the Old World. Previously, scholarship has focused on description and documentation, chronology and dynastic histories, administrative function, iconography, and style. More recent studies have emphasized context, production and use, and increasingly, identity, gender, and the social lives of seals, their users, and the artisans who produced them. Using several methodological and theoretical perspectives, this volume presents up-to-date research on seals that is comparative in scope and focus. The cross-cultural and interdisciplinary approach advances our understanding of the significance of an important class of material culture of the ancient world. The volume will serve as an essential resource for scholars, students, and others interested in glyptic studies, seal production and use, and sealing practices in the Ancient Near East, Egypt, Ancient South Asia and the Aegean during the 4th-2nd Millennia BCE.

This is the first scholarly art-historical appraisal of Anglo-Saxon coinage, from its inception in the late sixth century to Offa's second reform of the penny c.792. Outside numismatic circles, this material has largely been ignored because of its complexity, yet artistically this is the most vibrant period of English coinage, with die-cutters showing flair and innovation and employing hundreds of different designs in their work. By analysing the iconography of the early coinage, this book intends to introduce its rich legacy to a wide audience.
Anna Gannon divides the designs of the coins into four main categories: busts (including attributes and drapery), human figures, animals and geometrical patterns, presenting prototypes, sources of the repertoire and parallels with contemporary visual arts for each motif. The comparisons demonstrate the central role of coins in the eclectic visual culture of the time, with the advantages of official sanctioning and wide circulation to support and diffuse new ideas and images. The sources of the motifs clarify the relationship between the many designs of the complex Secondary phase (c.710-50). Contemporary literature and theological writings often offer the key to the interpretation of motifs, hinting at a universal preoccupation with religious themes. The richness of designs and display of learning point to a sophisticated patronage with access to exotic prototypes, excellent craftsmanship and wealth; it is likely that minsters, as rich, learned, and well-organized institutions, were behind some of the coinage. After the economic crises of the mid-eighth century this flamboyant iconography was swept away: with the notable exeption of the coins of Offa, still displaying exciting designs of high quality and inventiveness, reformed issues bore royal names and titles, and strove towards uniformity.

Coins were the most deliberate of all symbols of public communal identities, yet the Roman historian will look in vain for any good introduction to, or systematic treatment of, the subject. Sixteen leading international scholars have sought to address this need by producing this authoritative collection of essays, which ranges over the whole Roman world from Britain to Egypt, from 200 BC to AD 300. The subject is approached through surveys of the broad geographical and chronological structure of the evidence, through chapters which focus on ways of expressing identity, and through regional studies which place the numismatic evidence in local context.

Coins were the most deliberate of all symbols of public communal identities, yet the Roman historian will look in vain for any good introduction to, or systematic treatment of, the subject. Sixteen leading international scholars have sought to address this need by producing this authoritative collection of essays, which ranges over the whole Roman world from Britain to Egypt, from 200 BC to AD 300. The subject is approached through surveys of the broad geographical and chronological structure of the evidence, through chapters which focus on ways of expressing identity, and through regional studies which place the numismatic evidence in local context.

A large gap exists in the literature of ancient numismatics between general works intended for collectors and highly specialized studies addressed to numismatists. Indeed, there is hardly anything produced by knowledgeable numismatists that is easily accessible to the academic community at large or the interested lay reader. The Oxford Handbook of Greek and Roman Coinage will fill this gap by providing a systematic overview of the major coinages of the classical world. The handbook begins with a general introduction by volume editor William E. Metcalf followed by an article establishing the history and role of scientific analysis in ancient numismatics. The subsequent thirty-two chapters, all written by an international group of distinguished scholars, cover a vast geography and chronology, beginning with the first evidence of coins in Western Asia Minor in the seventh century BCE and continuing up to the transformation of coinage at the end of the Roman Empire. In addition to providing the essential background and current research questions of each of the major coinages, the handbook also includes articles on the application of numismatic evidence to the disciplines of archaeology, economic history, art history, and ancient history. With helpful appendices, a glossary of specialized terms, indices of mints, persons, and general topics, and nearly 900 halftone illustrations, The Oxford Handbook of Greek and Roman Coinage will be an indispensable resource for scholars and students of the classical world, as well as a stimulating reference for collectors and interested lay readers.

This is the first scholarly art historical appraisal of early Anglo-Saxon coinage. Anna Gannon examines the many coins produced during this most vibrant period of English coinage. She analyses their prototypes and explores their sources and parallels with contemporary arts, literature, and theology, setting their meaning in context.

The invention of coinage in ancient Greece provided an arena in which rival political groups struggled to imprint their views on the world. Here Leslie Kurke analyzes the ideological functions of Greek coinage as one of a number of symbolic practices that arise for the first time in the archaic period. By linking the imagery of metals and coinage to stories about oracles, prostitutes, Eastern tyrants, counterfeiting, retail trade, and games, she traces the rising egalitarian ideology of the polis, as well as the ongoing resistance of an elitist tradition to that development. The argument thus aims to contribute to a Greek "history of ideologies," to chart the ways ideological contestation works through concrete discourses and practices long before the emergence of explicit political theory.

To an elitist sensibility, the use of almost pure silver stamped with the state's emblem was a suspicious alternative to the para-political order of gift exchange. It ultimately represented the undesirable encroachment of the public sphere of the egalitarian polis. Kurke re-creates a "language of metals" by analyzing the stories and practices associated with coinage in texts ranging from Herodotus and archaic poetry to Aristotle and Attic inscriptions. She shows that a wide variety of imagery and terms fall into two opposing symbolic domains: the city, representing egalitarian order, and the elite symposium, a kind of anti-city. Exploring the tensions between these domains, Kurke excavates a neglected portion of the Greek cultural "imaginary" in all its specificity and strangeness.

"The Value of Money"celebrates the power of using monetary objects to explore history. This richly illustrated book features over 175 objects from the Smithsonian National Museum of American History s National Numismatic Collection. With objects from every inhabited continent, spanning more than 2,600 years, this book showcases the National Numismatic Collection s unique strengths, including the geographic and chronological diversity of the collection and the stunning rarities it contains. The companion volume to a major exhibition of the same name, this book examines the origins of money, new monetary technologies, the political and cultural messages money conveys, numismatic art and design, and the practice of collecting money. "The Value of Money" connects American history to global histories of exchange, cultural interaction and expression, political change, and innovation."

Money Talks is a fast-paced history of the humble British coin, the events which at times literally shaped it and the stories reflected in its creation.It has been used to barter and to bribe, to hold a cloak in place and to pay a king's ransom, been an object of pride and a symbol of courage. The coin has witnessed the great events in history - about kings and queens and the transfer of power - and it speaks to us of generations passed, of battles and heroic deeds, of countries and empires as well as of moments we would rather forget.Money Talks is about how such a small object of desire has been regarded as a symbol of power and authority for more than 2,500 years. It traces British history through the one thing that has come to dominate our lives - hard cash - and it demonstrates how monarchs down the centuries have used it to fund their wars, maintain their lifestyles and portray their image to prove their position or legitimatise dubious claims to the throne.From time to time the coin has slipped out of use altogether as bartering goods was preferred to poor quality coinage for day-to-day business. It has been hoarded for safer times and simply used as adornment.But even as the modern world turns increasingly to electronic transactions moving billions around the world at the touch of a button, the coin retains its place at the heart of everyday life. (In association with Vitabiotics)

Did you know that some societies once used giant rocks for money? Why do some coins have holes in them? Will plastic soon replace paper currency? The history of money closely parallels the history of chemistry, with advances in material science leading to advances in our physical currency. From the earliest examples of money, through the rise of coins, paper, plastic and beyond, with excursions into corrosion and counterfeiting along the way, this book provides a chemist's eye view into the history of the cash in our pockets. Written in an accessible style that will appeal to the layperson and scientist alike, The Chemistry of Money will be sure to both enlighten and entertain. You will never look at money the same way again!

This volume continues documenting the well-known excavations at Morgantina, a Greek town in central Sicily, in a presentation of the largest body of coins ever unearthed at an Italian site and published as a group. The excavations, conducted by Princeton University, The University of Illinois, and The University of Virginia between 1955 and 1981, produced nearly 10,000 identifiable coins--most of them at of Sicilian Greek and Roman issues, struck before the end of the first century B.C. The numismatic evidence not only made possible the initial identification fo the side as Morgantina, but has subsequently opened the way to reconstructing the history of early Roman Republican coinage and the bronze coinage of Greek Sicily. The catalogue presents a full list of the coins found at Morgantina through the 1981 season, with discussion of significant issues and illustrations of 679 specimens. A completed corpus and study of the coins struck at Morgantina is also included. Theodore V. Buttrey is Professor Emeritus of Classical Studies at the University of Michigan. Kenan T. Erim is Professor of Classical Archaeology at New York University. Thomas. D. Groves is a graduate student in the Department of Classical Archaeology at Princeton University. R. Ross Holloway is Professor of Classical Archaeology at Brown University. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Sardis, capital city of the Lydian and Persian kings, stronghold of the Seleukid kings, metropolis of Roman Asia, and episcopal see in the Byzantine period, has been the focus of archaeological research since the early 1900s. This monograph focuses on the over 8,000 coins minted in the Lydian, Hellenistic, Roman, and Byzantine periods that were excavated between 1973 and 2013 in the Harvard-Cornell Expedition. The book places coins within eastern Mediterranean historical, cultural, and economic contexts, in order to better understand the monetized economy of Sardis. It adds important archaeological context to shed light on the uses of coins and the nature of the deposits, with attention paid to the problems of monetary circulation and chronological development of the deposits, especially in the Late Roman period. Statistical analyses, including a new method of analyzing the deposits, help define the nature and chronological horizons of the strata. A catalog of the coins concludes the main body of the study, followed by appendices on countermarks, monograms, and statistical analyses.

The narrative of Roman history has been largely shaped by the surviving literary sources, augmented in places by material culture. The numerous surviving coins can, however, provide new information on the distant past. This accessible but authoritative guide introduces the student of ancient history to the various ways in which they can help us understand the history of the Roman republic, with fresh insights on early Roman-Italian relations, Roman imperialism, urban politics, constitutional history, the rise of powerful generals and much more. The text is accompanied by over 200 illustrations of coins, with detailed captions, as well as maps and diagrams so that it also functions as a sourcebook of the key coins every student of the period should know. Throughout, it demystifies the more technical aspects of the field of numismatics and ends with a how-to guide for further research for non-specialists.

The Roman empress Faustina the Younger, wife of the emperor Marcus Aurelius and mother to at least eleven imperial children, including the future emperor Commodus, not only played a key role in Roman history of the 2nd century AD but also was the subject of almost unparalleled commemoration in visual media, especially sculpture and coinage, during her lifetime. This book examines the single largest surviving ancient source for the portraiture and public image of Faustina the Younger: the coinage struck in her name under Antoninus Pius and Marcus Aurelius. The coinage of Faustina the Younger is rich in original iconography and long in duration but its chronology and the relationships between its various types are unclear at best, unknown at worst. This study seeks to remedy this situation by employing the methodology of die analysis to create a new and firm chronology for Faustina's coinage. The results make it possible to establish an authoritative typology for Faustina's portraiture and to show the precise relationship between the diverse obverse and reverse types. The die analysis also clarifies Faustina's complicated iconographic programme, making it possible to compare it directly with the iconography of the better-dated coinage of her male contemporaries. Taken together, these results permit a complete re-evaluation of the coinage, portraits and public image of Faustina the Younger.

Julia Augusta examines the socio-political impact of coin images of Augustus's wife, Livia, within the broader context of her image in other visual media and reveals the detailed visual language that was developed for the promotion of Livia as the predominant female in the Roman imperial family. The book provides the most comprehensive examination of all extant coins of Livia to date, and provides one of the first studies on the images on Roman coins as gender-infused designs, which created a visual dialogue regarding Livia's power and gender-roles in relation to those of male members of the imperial family. While the appearance of Roman women on coins was not entirely revolutionary, having roughly coincided with the introduction of images of powerful Roman statesmen to coins in the late 40s BCE, the degree to which Livia came to be commemorated on coins in the provinces and in Rome was unprecedented. This volume provides unique insights into the impact of these representations of Livia, both on coins and in other visual media. Julia Augusta: Images of Rome's First Empress on the Coins of the Roman Empire will be of great interest to students of women and imperial imagery in the Roman Empire, as well as the importance of visual representation and Roman imperial ideology.