A pianist, arranger, and composer, William Pursell is a mainstay of the Nashville music scene. He has played jazz in Nashville's Printer's Alley with Chet Atkins and Harold Bradley, recorded with Johnny Cash and Patsy Cline, performed with the Nashville Symphony, and composed and arranged popular and classical music. Pursell's career, winding like a crooked river between classical and popular genres, encompasses a striking diversity of musical experiences. A series of key choices sent him down different paths, whether it was reenrolling with the Air Force for a second tour of duty, leaving the prestigious Eastman School of Music to tour with an R&B band, or refusing to sign with the Beatles' agent Sid Bernstein. The story of his life as a working musician is unlike any other-he is not a country musician nor a popular musician nor a classical musician but, instead, an artist who refused to be limited by traditional categories. Crooked River City is driven by a series of recollections and personal anecdotes Terry Wait Klefstad assembled over a three-year period of interviews with Pursell. His story is one not only of talent, but of dedication and hard work, and of the ins and outs of a working musician in America. This biography fills a crucial gap in Nashville music history for both scholars and music fans.

Just a Little From the Top is an autobiography of a lifetime in music. Roderick Elms' love of music throughout his childhood and secondary school at The City of London School led to the Royal Academy of Music, and a full time career at the highest level of music-making in London. It includes a multitude of anecdotes, many humorous, and reveals some of the workings of the music profession, including occasions when things have gone wrong, as a result of practical or mechanical failures, or due simply to incompetent leadership. In addition to his freelance performances for the BBC from the late seventies until the present, Roderick Elms describes the periods he spent with the London Symphony Orchestra, London Philharmonic Orchestra and the Royal Philharmonic Orchestra. There is a chapter about his work and travels as pianist with the eminent cellist Mstislav Rostropovich. He has made numerous solo recordings with the London orchestras and these are detailed together with the many film soundtracks to which he has contributed, notably the complete The Lord of the Rings, trilogy. Composing and arranging has also been a big part of his life and there is a chapter about this and the CD recordings made of his music (including 'A Little Fall-ish!'; 'Festive Frolic'; 'Moody Moves'; 'A Windy Christmas'). A little early biographical information takes the reader through the wonderful experiences gained by many from musical opportunities provided by the Redbridge Music Service and its music advisor, Malcolm Bidgood OBE. It also takes a trip through some of the Redbridge-based musical groups which played such a big part in the lives of young musicians living in that area in the late-sixties, seventies and eighties. Not least, the internationally unknown Gnaff Ensemble.

Known the world over for her unique musical style, distinctive look and a voice that propelled her into the charts time and time again, Dusty Springfield was undoubtedly one of the biggest and brightest musical stars of the twentieth century.Never one to be shy of the spotlight, Dusty broke the mould as the first female entertainer to publicly admit she was bisexual, and was famously deported from South Africa for refusing to play to segregated audiences during apartheid in 1964, just a year after the launch of her solo career.Combining brand-new material, meticulous research and frank interviews with friends, lovers, employees and confidants, journalist Karen Bartlett reveals sensational new details about the soul diva's unconventional upbringing, tumultuous relationships and unbridled addictions, including a lifelong struggle to come to terms with her sexuality.Named one of the Sunday Times's best musical biographies of 2014, this is the intimate portrait of an immensely complicated and talented woman - the definitive account of one of music's most legendary figures.

Believe Your Ears is the memoir of composer Kirke Mechem, whose unorthodox path to music provides a fascinating narrative. He wrote songs and played music by ear as a newspaper reporter, a touring tennis player, and a Stanford creative-writing major before studying composition and conducting at Harvard. He describes his residencies in San Francisco, Vienna, London, and Russia, and gives detailed attention to his choral music, operas, and symphonies. He writes that "the twentieth century gave us much brilliant music" but shows how atonality came to dominate the post-war period. His lyric style belongs to no particular "school," avoiding the trends, -isms, experiments, fads, and lunacies of the period. He encourages younger composers who are trying to bring back beauty, passion, and humor-even entertainment-to classical music. He asks music lovers to believe their own ears, not the lectures of "experts." Believe Your Ears is addressed to all who love classical music. Along the way, readers will meet Dimitri Shostakovich, Wallace Stegner, Billie Jean King, the Grateful Dead, Richard Rodgers, Benjamin Britten, Bill Tilden, and Aaron Copland-a who's who in Mechem's storied career.

Wilbur C. Sweatman (1882-1961) is one of the most important, yet unheralded, African American musicians involved in the transition of ragtime into jazz in the early twentieth century. In "That's Got 'Em ," Mark Berresford tracks this energetic pioneer over a seven-decade career. His talent transformed every genre of black music before the advent of rock and roll--"pickaninny" bands, minstrelsy, circus sideshows, vaudeville (both black and white), night clubs, and cabarets. Sweatman was the first African American musician to be offered a long-term recording contract, and he dazzled listeners with jazz clarinet solos before the Original Dixieland Jazz Band's so-called "first jazz records."

Sweatman toured the vaudeville circuit for over twenty years and presented African American music to white music lovers without resorting to the hitherto obligatory "plantation" costumes and blackface makeup. His bands were a fertile breeding ground of young jazz talent, featuring such future stars as Duke Ellington, Coleman Hawkins, and Jimmie Lunceford. Sweatman subsequently played pioneering roles in radio and recording production. His high profile and sterling reputation in both the black and white entertainment communities made him a natural choice for administering the estate of Scott Joplin and other notable black performers and composers.

"That's Got 'Em " is the first full-length biography of this pivotal figure in black popular culture, providing a compelling account of his life and times.

From the late 1950's, Mancunians have had a passion for creating and following great music. Be it live or via recordings, the city centre has been a magnet for generations of locals - and in recent years music fans from all over the country and beyond - to enjoy. Whilst cities such as Liverpool and Memphis turned their musical heritage into a tourist attractions, Manchester kept looking forward, developing new scenes and tastes. Yet the 2002 film "Twenty-Four Hour Party People" was probably the point at which Manchester music fans started to look back at the rich musical history of their city. This coincided with the publication of the book "Morrissey's Manchester" by Phill Gatenby, also in 2002 and numerous other publications penned by luminaries of the Manchester scene. Following the success of "Morrissey's Manchester", a guide book dedicated to locations associated with The Smiths, author Phill Gatenby has put together several tours featuring other world famous Manchester bands from the Buzzcocks via Joy Division to Oasis, Elbow and Doves as well as the various scenes from beat to acid house or even lo-fi. An interesting guide for anyone with an interest in British music, the guide documents the various clubs and venues that have influenced Manchester based musicians over the last 50 years.

Gil Scott-Heron: a father & son story, is about professional footballer, Gil Heron, who was the first black footballer to play for Scottish club Celtic FC, and his son, acclaimed poet and musician, Gil Scott-Heron.

Here is an up-to-date, thoroughly researched biography of the world's most popular pop-punk band. Green Day is almost certainly the world's most popular pop-punk band. How they got there is the subject of Green Day: A Musical Biography, the first book to follow the band from their beginnings through the spring 2009 release of 21st Century Breakdown. Tracing the band's evolution from fiercely independent punks to a global powerhouse, Green Day starts with the members' earliest musical influences and upbringing and the founding of the punk club 924 Gilman Street that shaped their sense of community. Discussion of their conflicted feelings about signing to a major label explores the classic rock 'n' roll conundrum of "selling out," while details of their decline and 2004 rebirth offer an inspirational story of artistic rejuvenation. Interviews with the band members and key figures in their lives, excerpted from punk 'zines and other publications, offer a perspective on their methods of self-promotion and the image they have chosen to project over time.

Offering insight into the creative processes of a contemporary composer, "Tinman" presents 150 vignettes from author David Cope's life. Some of the notable individuals discussed in this innovative biography are John Cage, Karlheinz Stockhausen, Pierre Boulez, Aaron Copland, Warren Zevon, Carl Sagan, Frank Drake, Douglas Hofstadter, Arthur Knight, Danny Glover, Steven Spielberg, George Lucas, Dorothy Freeman, Arthur C. Clarke, Isaac Asimov, and Philip Jos Farmer. "Tinman" offers a fond music journey including two encounters with Bach, Rachmaninoff's classic "Prelude in isharp minor," Beethoven's "Fifth Symphony," Pierre Boulez, and the sadness of Igor Stravinsky's death.
The title, borrowed from L. Frank Baum's book "The Wizard of Oz," is an aphorism affectionately attached to Cope in the late 1990s. The reference reflects the many attitudes about his work with his computer music program, "Experiments in Musical Intelligence"; critics felt the results of this program lack heart.
Though "Tinman" covers many other aspects of Cope's life-from his love of the cello, to his days as a graduate student at the University of Southern California, and to his work as a composer, author, and teacher-the main theme centers on his search for self-identity.

This comprehensive discussion of the singer/songwriter/guitarist's life carves autobiographical details from the lyrics of his song catalog. Jimi Hendrix was a rock 'n' roll guitar god and remains an important rock icon, still popular despite the four decades that have passed since his death in 1970. The Words and Music of Jimi Hendrix uses Hendrix's music—including the posthumous album Valleys of Neptune, released on March 9, 2010—to shed light on the details of the singer/songwriter's all-too-brief life. Organized chronologically, the book provides an in-depth look at Hendrix's life, carving autobiographical details from his lyrics. At the same time, it offers readers a better understanding of the superstar's music and the forces behind it. The book focuses on the three albums released during Hendrix's life, as well as the major posthumous works. Priority is also given to touring and to the influence of other guitarists.

"A frank, intriguing memoir."
--People "Painfully shrewd, and written with real delicacy and pathos."
--The New York Times Book Review "Home reflects the very qualities that first made the working-class English singer a star 45 years ago: intelligence, gentle humor, and a clear, sweet, surprisingly powerful voice . . . In warmly nostalgic later chapters, the book begins to glow."
--Entertainment Weekly "A delightful remembrance of her own childhood, and an engrossing prelude to her cinematic career . . . Andrews is an accomplished writer who holds back nothing while adding a patina of poetry to the antics and anecdotes throughout this memoir of bittersweet backstage encounters and theatrical triumphs."
--Publishers Weekly (starred review) "Frank and fascinating . . . Andrews comes across as plainspoken, guilelessly charming and resoundingly tough."
--Time In Home: A Memoir of My Early Years, Julie Andrews takes her readers on a warm, moving, and often humorous journey from a difficult upbringing in war-torn Britain to the brink of international stardom in America.

In this book, the work of legendary singer-songwriter Joni Mitchell is explored, emphasizing the way text and music work together to create an artistic statement in her recorded songs. Few singer-songwriters have been as influential as Joni Mitchell. Her song "Both Sides, Now" has been recorded over 640 times, while Bill and Hillary Clinton credit her "Chelsea Morning" as the inspiration for their daughter's name. The Words and Music of Joni Mitchell surveys the entire output of this legendary artist, from her 1968 debut album Song to a SeagulI to her 2007 album Shine. After a brief overview of Mitchell's career and a chapter that explains some of the important technical features of the guitar styles upon which she draws, the book offers an in-depth discussion of every song Mitchell wrote and recorded. Proceeding chronologically through Mitchell's albums, author James Bennighof clarifies the musical content of the songs and the personality behind the music. Each brief essay describes how important musical features—such as instrumentation, idiosyncratic guitar tunings, harmonic structure, form, and elements of melody and rhythm—interact with the text of the song to create the unforgettable artistic statements for which Mitchell is celebrated.

The Great Tompall: Forgotten Country Music Outlaw provides an in-depth look at the life of one of country music's least recognized - but most iconic and influential performers and business owners. Given unprecedented access to Tompall, this book tells his story through his own words and through the words of those who knew him best as the result of many lengthy interviews. In addition to providing never-before known information about Tompall, this book provides historical information about Nashville and gives a glimpse of what country music was like during the 1960s up to the 1990s. If you are a "classic" or an "outlaw" country music fan you will not want to miss out on this highly acclaimed gem.

The diva – a central figure in the landscape of contemporary popular culture: gossip-generating, scandal-courting, paparazzi-stalked. And yet the diva is at the epicentre of creative endeavours that resonate with contemporary feminist ideas, kick back against diminished social expectations, boldly call-out casual sexism and industry misogyny and, in terms of hip-hop, explores intersectional oppressions and unapologetically celebrates non-white cultural heritages. Diva beats and grooves echo across culture and politics in the West: from the borough to the White House, from arena concerts to nightclubs, from social media to social activism, from #MeToo to Black Lives Matter. Diva: Feminism and Fierceness from Pop to Hip-Hop addresses the diva phenomenon and its origins: its identity politics and LGBTQ+ components; its creativity and interventions in areas of popular culture (music, and beyond); its saints and sinners and controversies old and new; and its oppositions to, and recuperations by, the establishment; and its shifts from third to fourth waves of feminism. This co-edited collection brings together an international array of writers – from new voices to established names. The collection scopes the rise to power of the diva (looking to Mariah Carey, Whitney Houston, Dolly Parton, Grace Jones, and Aaliyah), then turns to contemporary diva figures and their work (with Beyoncé, Amuro Namie, Janelle Monáe, Cardi B, Megan Thee Stallion, Shakira, Jennifer Lopez, and Nicki Minaj), and concludes by considering the presence of the diva in wider cultures, in terms of gallery curation, theatre productions, and stand-up comedy.

Silent Films/Loud Music discusses contemporary scores for silent film as a rich vehicle for experimentation in the relationship between music, image, and narrative. Johnston offers an overview of the early history of music for silent film paired with his own first-hand view of the craft of creating new original scores for historical silent films: a unique form crossing musical boundaries of classical, jazz, rock, electronic, and folk. As the first book completely devoted to the study of contemporary scores for silent film, it tells the story of the historical and creative evolution of this art form and features an extended discussion and analysis of some of the most creative works of contemporary silent film scoring. Johnston draws upon his own career in both contemporary film music (working with directors Paul Mazursky, Henry Bean, Philip Haas and Doris Doerrie, among others) and in creating new scores for silent films by Browning, Melies, Kinugasa, Murnau & Reiniger. Through this book, Johnston presents a discussion of music for silent films that contradicts long-held assumptions about what silent film music is and must be, with thought-provoking implications for both historical and contemporary film music.

Steve Beresford's polymathic activities have formed a prism for the UK improv scene since the 1970s. He is internationally known as a free improviser on piano, toy piano and electronics, composer for film and TV, and raconteur and Dadaist visionary. His résumé is filled with collaborations with hundreds of musicians and other artists, including such leading improvisers as Derek Bailey, Evan Parker and John Zorn, and he has given performances of works by John Cage and Christian Marclay. In this book, Beresford is heard in his own words through first-hand interviews with the author. Beresford provides compelling insight into an extensive range of topics, displaying the broad cultural context in which music is embedded. The volume combines chronological and thematic chapters, with topics covering improvisation and composition in jazz and free music; the connections between art, entertainment and popular culture; the audience for free improvisation; writing music for films; recording improvised music in the studio; and teaching improvisation. It places Beresford in the context of improvised and related musics – jazz, free jazz, free improvisation – in which there is growing interest. The linear narrative is broken up by 'interventions' or short pieces by collaborators and commentators.

Despite just a three-year tenure with the band, co-founder Syd Barrett’s influence on Pink Floyd was profound and long-lasting. If his guitar gave the early Pink Floyd a distinctive hallucinatory sound, his often obscure and surreal lyrics were perhaps even more intoxicating. The complete lyrics of Syd Barrett – 52 songs written for Pink Floyd and during his subsequent solo career – are presented together for the first time, along with rare photos and artwork, to form this beautifully illustrated book. Compiled in collaboration with the Syd Barrett estate, and featuring a foreword from former Pink Floyd manager Peter Jenner and a comprehensive introduction by biographer Rob Chapman, The Lyrics of Syd Barrett delves deep into one of rock’n’roll’s most imaginative and searing minds.

Blackstar Theory takes a close look at David Bowie's ambitious last works: his surprise 'comeback' project The Next Day (2013), the off-Broadway musical Lazarus (2015) and the album that preceded the artist's death in 2016 by two days, Blackstar. The book explores the swirl of themes that orbit and entangle these projects from a starting point in musical analysis and features new interviews with key collaborators from the period: producer Tony Visconti, graphic designer Jonathan Barnbrook, musical director Henry Hey, saxophonist Donny McCaslin and assistant sound engineer Erin Tonkon. These works tackle the biggest of ideas: identity, creativity, chaos, transience and immortality. They enact a process of individuation for the Bowie meta-persona and invite us to consider what happens when a star dies. In our universe, dying stars do not disappear - they transform into new stellar objects, remnants and gravitational forces. The radical potential of the Blackstar is demonstrated in the rock star supernova that creates a singularity resulting in cultural iconicity. It is how a man approaching his own death can create art that illuminates the immortal potential of all matter in the known universe.

Bill Anderson is one of the most successful songwriters, performers, and personalities in country music history. Known as "Whisperin' Bill" to generations of fans, Anderson's soft vocalisations and spoken lyrics are the hallmarks of his style. A long-standing member of the weekly Grand Ole Opry radio program and stage performance in Nashville, he also discovered future Country Music Hall of Famer Connie Smith and wrote her first hits, toured with Johnny Cash, hosted his own television show, sang eighty charting singles and thirty-seven Top Ten country music hits, and wrote songs recorded by James Brown, Jerry Lee Lewis, the Louvin Brothers, Dean Martin, Aretha Franklin, and many more. Anderson's current and reinvigorated career is covered in this revision and expansion of his 1989 autobiography. Over the past twenty years, he has won two Country Music Association Song of the Year prizes, been nominated for GRAMMY awards, won the Academy of Country Music's Song of the Year distinction, and had works recorded by superstars Brad Paisley, Kenny Chesney, Alison Krauss, George Strait, Vince Gill, Elvis Costello, and many more. In 2001, he entered the Country Music Hall of Fame. Whisperin' Bill: An Unprecedented Life in Country Music presents a portrait of a long-gone Nashville and introduces readers to the famous and fascinating characters who helped build what is now known as country music. Richly illustrated with black-and-white photos of Anderson interacting with the superstars of American roots music, including such legends as Patsy Cline, Vince Gill, and Steve Wariner, this autobiography highlights Anderson's trajectory in the business and his influence on the past, present, and future of this dynamic genre.