Offering a fresh way to look at one of the best-selling hip hop artists of the early 21st century, this book presents Eminem's words, images, and music alongside comments from those who love and hate him, documenting why Eminem remains a cultural, spiritual, and economic icon in global popular culture. Eminem: The Real Slim Shady examines the rapper, songwriter, record producer, and actor who has become one of the most successful and well-known artists in the world. Providing far more than a biography of his life story, the book provides a comprehensive description, interpretation, and analysis of his personas, his lyrical content, and the cultural and economic impact of Eminem's work through media. It also contains the first in-depth content analysis of 200 of the rapper's most popular songs from 1990 through 2012. The book is organized into three sections, each focusing on one of the artist's public personas (Slim Shady, Marshall Mathers, Eminem), with each section further divided into chapters that explore various aspects of Eminem's cultural, spiritual, and economic significance. Besides being a book that every fan of Eminem and pop music will want to read, the work will be valuable to researchers in the areas of race and ethnicity, communication, cultural and musical studies, and hip hop studies. Includes never before conducted analysis of 200 of Eminem's most popular lyrics, presented visually with tables and charts Provides an up-to-date, combined discography, videography, and bibliography of the rapper's work

A pianist, arranger, and composer, William Pursell is a mainstay of the Nashville music scene. He has played jazz in Nashville's Printer's Alley with Chet Atkins and Harold Bradley, recorded with Johnny Cash and Patsy Cline, performed with the Nashville Symphony, and composed and arranged popular and classical music. Pursell's career, winding like a crooked river between classical and popular genres, encompasses a striking diversity of musical experiences. A series of key choices sent him down different paths, whether it was reenrolling with the Air Force for a second tour of duty, leaving the prestigious Eastman School of Music to tour with an R&B band, or refusing to sign with the Beatles' agent Sid Bernstein. The story of his life as a working musician is unlike any other-he is not a country musician nor a popular musician nor a classical musician but, instead, an artist who refused to be limited by traditional categories. Crooked River City is driven by a series of recollections and personal anecdotes Terry Wait Klefstad assembled over a three-year period of interviews with Pursell. His story is one not only of talent, but of dedication and hard work, and of the ins and outs of a working musician in America. This biography fills a crucial gap in Nashville music history for both scholars and music fans.

During a time when toughskin blue jeans, button-down shirts, and flat-top haircuts were all the rage, Gene Odom and Ronnie Van Zant became best friends. Growing up on the same block, Ronnie and Gene fished, played football, anddreamed together. Years later, one of the boys would become famous-and the other would stand by his side through thick and thin. This is the story of two young men from the same neighborhood, school, and world who together, discovered the meaning of true friendship.

As Ronnie's dreams of becoming a professional musician finally became a reality, Lynyrd Skynyrdbegan selling out arenas and became famous for not only their music, but also their substance abuse. After Ronnie offered Gene a job as a security officer for the band, he embarked on an unforgettable journey into a world like no other. But everything would change in October 1977 when the plane carrying the band plummeted from the sky.

"Lynyrd Skynyrd, Ronnie Van Zant, and Me ... Gene Odom" provides a fascinating behind-the-scenes glimpse of what it was like to be friends with one of the biggest rock stars of the 1970s and how a friendship between two childhood buddies stood the test of time.

Just a Little From the Top is an autobiography of a lifetime in music. Roderick Elms' love of music throughout his childhood and secondary school at The City of London School led to the Royal Academy of Music, and a full time career at the highest level of music-making in London. It includes a multitude of anecdotes, many humorous, and reveals some of the workings of the music profession, including occasions when things have gone wrong, as a result of practical or mechanical failures, or due simply to incompetent leadership. In addition to his freelance performances for the BBC from the late seventies until the present, Roderick Elms describes the periods he spent with the London Symphony Orchestra, London Philharmonic Orchestra and the Royal Philharmonic Orchestra. There is a chapter about his work and travels as pianist with the eminent cellist Mstislav Rostropovich. He has made numerous solo recordings with the London orchestras and these are detailed together with the many film soundtracks to which he has contributed, notably the complete The Lord of the Rings, trilogy. Composing and arranging has also been a big part of his life and there is a chapter about this and the CD recordings made of his music (including 'A Little Fall-ish!'; 'Festive Frolic'; 'Moody Moves'; 'A Windy Christmas'). A little early biographical information takes the reader through the wonderful experiences gained by many from musical opportunities provided by the Redbridge Music Service and its music advisor, Malcolm Bidgood OBE. It also takes a trip through some of the Redbridge-based musical groups which played such a big part in the lives of young musicians living in that area in the late-sixties, seventies and eighties. Not least, the internationally unknown Gnaff Ensemble.

Believe Your Ears is the memoir of composer Kirke Mechem, whose unorthodox path to music provides a fascinating narrative. He wrote songs and played music by ear as a newspaper reporter, a touring tennis player, and a Stanford creative-writing major before studying composition and conducting at Harvard. He describes his residencies in San Francisco, Vienna, London, and Russia, and gives detailed attention to his choral music, operas, and symphonies. He writes that "the twentieth century gave us much brilliant music" but shows how atonality came to dominate the post-war period. His lyric style belongs to no particular "school," avoiding the trends, -isms, experiments, fads, and lunacies of the period. He encourages younger composers who are trying to bring back beauty, passion, and humor-even entertainment-to classical music. He asks music lovers to believe their own ears, not the lectures of "experts." Believe Your Ears is addressed to all who love classical music. Along the way, readers will meet Dimitri Shostakovich, Wallace Stegner, Billie Jean King, the Grateful Dead, Richard Rodgers, Benjamin Britten, Bill Tilden, and Aaron Copland-a who's who in Mechem's storied career.

Here is an up-to-date, thoroughly researched biography of the world's most popular pop-punk band. Green Day is almost certainly the world's most popular pop-punk band. How they got there is the subject of Green Day: A Musical Biography, the first book to follow the band from their beginnings through the spring 2009 release of 21st Century Breakdown. Tracing the band's evolution from fiercely independent punks to a global powerhouse, Green Day starts with the members' earliest musical influences and upbringing and the founding of the punk club 924 Gilman Street that shaped their sense of community. Discussion of their conflicted feelings about signing to a major label explores the classic rock 'n' roll conundrum of "selling out," while details of their decline and 2004 rebirth offer an inspirational story of artistic rejuvenation. Interviews with the band members and key figures in their lives, excerpted from punk 'zines and other publications, offer a perspective on their methods of self-promotion and the image they have chosen to project over time.

This comprehensive discussion of the singer/songwriter/guitarist's life carves autobiographical details from the lyrics of his song catalog. Jimi Hendrix was a rock 'n' roll guitar god and remains an important rock icon, still popular despite the four decades that have passed since his death in 1970. The Words and Music of Jimi Hendrix uses Hendrix's music—including the posthumous album Valleys of Neptune, released on March 9, 2010—to shed light on the details of the singer/songwriter's all-too-brief life. Organized chronologically, the book provides an in-depth look at Hendrix's life, carving autobiographical details from his lyrics. At the same time, it offers readers a better understanding of the superstar's music and the forces behind it. The book focuses on the three albums released during Hendrix's life, as well as the major posthumous works. Priority is also given to touring and to the influence of other guitarists.

Offering insight into the creative processes of a contemporary composer, "Tinman" presents 150 vignettes from author David Cope's life. Some of the notable individuals discussed in this innovative biography are John Cage, Karlheinz Stockhausen, Pierre Boulez, Aaron Copland, Warren Zevon, Carl Sagan, Frank Drake, Douglas Hofstadter, Arthur Knight, Danny Glover, Steven Spielberg, George Lucas, Dorothy Freeman, Arthur C. Clarke, Isaac Asimov, and Philip Jos Farmer. "Tinman" offers a fond music journey including two encounters with Bach, Rachmaninoff's classic "Prelude in isharp minor," Beethoven's "Fifth Symphony," Pierre Boulez, and the sadness of Igor Stravinsky's death.
The title, borrowed from L. Frank Baum's book "The Wizard of Oz," is an aphorism affectionately attached to Cope in the late 1990s. The reference reflects the many attitudes about his work with his computer music program, "Experiments in Musical Intelligence"; critics felt the results of this program lack heart.
Though "Tinman" covers many other aspects of Cope's life-from his love of the cello, to his days as a graduate student at the University of Southern California, and to his work as a composer, author, and teacher-the main theme centers on his search for self-identity.

Living with his grandparents is an adjustment with rules and routines, but when Richard joins band for something to do, he unexpectedly discovers a talent and a sense of purpose. Taking up the tuba feels like something he can do that belongs to him, and playing music is like a light going on in the dark. Soon Richard gains acceptance to the prestigious Baltimore School for the Arts, and he continues thriving in his musical studies at the Peabody Conservatory and beyond, even as he navigates racial and socioeconomic disparities as one of few Black students in his programs. With fierce determination, Richard pushes forward on his remarkable path, eventually securing a coveted spot in a symphony orchestra and becoming the first African American to earn a doctorate in music for tuba performance. A professor, mentor, and motivational speaker, Richard now shares his extraordinary story - of dreaming big, impossible dreams and making them come true.

Bill Anderson is one of the most successful songwriters, performers, and personalities in country music history. Known as "Whisperin' Bill" to generations of fans, Anderson's soft vocalisations and spoken lyrics are the hallmarks of his style. A long-standing member of the weekly Grand Ole Opry radio program and stage performance in Nashville, he also discovered future Country Music Hall of Famer Connie Smith and wrote her first hits, toured with Johnny Cash, hosted his own television show, sang eighty charting singles and thirty-seven Top Ten country music hits, and wrote songs recorded by James Brown, Jerry Lee Lewis, the Louvin Brothers, Dean Martin, Aretha Franklin, and many more. Anderson's current and reinvigorated career is covered in this revision and expansion of his 1989 autobiography. Over the past twenty years, he has won two Country Music Association Song of the Year prizes, been nominated for GRAMMY awards, won the Academy of Country Music's Song of the Year distinction, and had works recorded by superstars Brad Paisley, Kenny Chesney, Alison Krauss, George Strait, Vince Gill, Elvis Costello, and many more. In 2001, he entered the Country Music Hall of Fame. Whisperin' Bill: An Unprecedented Life in Country Music presents a portrait of a long-gone Nashville and introduces readers to the famous and fascinating characters who helped build what is now known as country music. Richly illustrated with black-and-white photos of Anderson interacting with the superstars of American roots music, including such legends as Patsy Cline, Vince Gill, and Steve Wariner, this autobiography highlights Anderson's trajectory in the business and his influence on the past, present, and future of this dynamic genre.

"A frank, intriguing memoir."
--People "Painfully shrewd, and written with real delicacy and pathos."
--The New York Times Book Review "Home reflects the very qualities that first made the working-class English singer a star 45 years ago: intelligence, gentle humor, and a clear, sweet, surprisingly powerful voice . . . In warmly nostalgic later chapters, the book begins to glow."
--Entertainment Weekly "A delightful remembrance of her own childhood, and an engrossing prelude to her cinematic career . . . Andrews is an accomplished writer who holds back nothing while adding a patina of poetry to the antics and anecdotes throughout this memoir of bittersweet backstage encounters and theatrical triumphs."
--Publishers Weekly (starred review) "Frank and fascinating . . . Andrews comes across as plainspoken, guilelessly charming and resoundingly tough."
--Time In Home: A Memoir of My Early Years, Julie Andrews takes her readers on a warm, moving, and often humorous journey from a difficult upbringing in war-torn Britain to the brink of international stardom in America.

In this book, the work of legendary singer-songwriter Joni Mitchell is explored, emphasizing the way text and music work together to create an artistic statement in her recorded songs. Few singer-songwriters have been as influential as Joni Mitchell. Her song "Both Sides, Now" has been recorded over 640 times, while Bill and Hillary Clinton credit her "Chelsea Morning" as the inspiration for their daughter's name. The Words and Music of Joni Mitchell surveys the entire output of this legendary artist, from her 1968 debut album Song to a SeagulI to her 2007 album Shine. After a brief overview of Mitchell's career and a chapter that explains some of the important technical features of the guitar styles upon which she draws, the book offers an in-depth discussion of every song Mitchell wrote and recorded. Proceeding chronologically through Mitchell's albums, author James Bennighof clarifies the musical content of the songs and the personality behind the music. Each brief essay describes how important musical features—such as instrumentation, idiosyncratic guitar tunings, harmonic structure, form, and elements of melody and rhythm—interact with the text of the song to create the unforgettable artistic statements for which Mitchell is celebrated.