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Books > Arts & Architecture > Music > Composers & musicians
Rome is where the heart is.
Midge Ure is one of the most successful musicians of his generation, selling more than 20 million albums over the last five decades. During the 1970s he played in various rock and pop bands around Scotland before moving to London to join ex-Sex Pistol Glen Matlock's Rich Kids, later playing guitar for Thin Lizzy, forming Visage and joining Ultravox. In the 1980s he had phenomenal worldwide success with Ultravox and as a solo artist. He also co-wrote one of the best-selling singles of all time, Band Aid's 'Do They Know It's Christmas'. He co-founded the Band Aid charity and is still involved with it today. This book is a stunning collection of photographs taken by Midge on his travels between 1980 and 1985. Travelling with a Canon A-1 camera, he documented his work in the recording studio, on tour with Ultravox, behind the scenes whilst directing promotional videos (for Ultravox and other artists such as Phil Lynott, Fun Boy Three, Bananarama) and holidays in far-flung places and road trips. This is a fascinating travelogue of a working musician. All photographs have been carefully scanned and retouched from the original negative to show the images in their glorious best, and every element of this book has been produced to the highest specification. Midge is still active today writing and recording music, touring around the world as well as presenting TV and Radio programs.
Contributions by Joshua Coleman, Christine Hand Jones, Kevin C. Neece, Charlotte Pence, George Plasketes, Jeffrey Scholes, Jeff Sellars, Toby Thompson, and Jude Warne After performing with Ronnie Hawkins as the Hawks (1957-1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band's fusion of rock, country, soul, and blues music-all tinged with a southern flavor and musical adventurousness-created a unique soundscape. The combined use of multiple instruments, complex song structures, and poetic lyrics required attentive listening and a sophisticated interpretive framework. It is no surprise, then, that they soon grew to be one of the biggest bands of their era. In Rags and Bones: An Exploration of The Band, scholars and musicians take a broad, multidisciplinary approach to The Band and their music, allowing for examination through sociological, historical, political, religious, technological, cultural, and philosophical means. Each contributor approaches The Band from their field of interest, offering a wide range of investigations into The Band's music and influence. Commercially successful and critically lauded, The Band created a paradoxically mythic and hauntingly realistic lyrical landscape for their songs-and their musicianship enlarged this detailed landscape. This collection offers a rounded examination, allowing the multifaceted music and work of The Band to be appreciated by audiences old and new.
Mike Love is a founding member, lyricist and vocalist of The Beach Boys, considered to be the most popular American band in history, with 13 Gold Albums, 55 top-100 singles, and four number 1 hits. Love has been the lead singer of the group one of its principal lyricists since its inception in 1961. In Good Vibrations, Mike Love tells the unique story of his legendary, chaotic, and ultimately triumphant five-decade tenure as the front man of The Beach Boys, from their Californian roots to international fame.
Tales of Boomtown Glory is a collection of the complete lyrics from Bob Geldof's Boomtown Rats and solo albums, accompanied by an introduction and 25 song stories written by Geldof, and exclusive scans from his notebooks over the years. The stories provide a witty and honest account of the background, inspiration and context of the songs. Lyrics to the 188 songs include previously unreleased material as well as the upcoming 2020 Boomtown Rats album. "This man is more in charge of the English language than anyone I've ever met." Bono, musician "What set the Rats apart was the strength and intelligence of Geldof's writing. It should be in every anthology of late 20th Century Irish literature." Joseph O'Connor, novelist "His songs historically will be looked back on as incredibly important things" Jools Holland, musician, broadcaster
The Beatles were - are - probably the most famous and successful band in the world, and despite breaking up over 40 years ago, their popularity remains rock solid, with fans ever-thirsty for new celebrations of their work. Organized by year, this brilliant book covers all the major events in their relatively short career.
Sin Documentos is a landmark album in Spanish popular culture and continues to maintain considerable popularity more than two decades after its release. The characteristic guitar riff of the title song, a kind of rumba-rock, still occupies a place at every party in Spain. Los Rodriguez's success came after a decade characterized by the rise and fall of local-language punk and new wave bands. By the time Sin Documentos appeared, however, rock journalism was fascinated by the thriving indie scene, where the bands were singing in English and had turned to grunge and noise rock. This book evaluates the influence of Latin American pop-rock in the modernization of Spanish popular music from the 1950s, despite the Anglophilia of Spanish rock scenes, especially in the 1990s. Through interviews with members of the band and members of the record label DRO, analysis of the media coverage of the album and a cultural analysis of its meanings, it delves into the cultural trends of Spain throughout the 1990s and beyond.
For many diehard music fans and critics, Oklahoma-born James Talley ranks among the finest of American singer-songwriters. Talley's unique style-a blend of folk, country, blues, and social commentary-draws comparisons with the likes of Woody Guthrie, Merle Haggard, and Johnny Cash. In this engaging, down-to-earth memoir, Talley recalls the highs and lows of his nearly fifty-year career in country music. Talley's story begins in the hardscrabble towns of eastern Oklahoma. As a young man, he witnessed poverty and despair and worked alongside ordinary Americans who struggled to make ends meet. He has never forgotten his Oklahoma roots. These experiences shaped Talley's artistic vision and inspired him to write his own songs. Eventually Talley landed in Nashville, where his first years included exciting brushes with fame but also bitter disappointments. As an early champion of social justice causes, his ideals did not fit neatly into Nashville's star-making machine. By his own admission, Talley at times made poor business decisions and trusted the wrong people. His relationship with the country music industry was-and still is-fraught, but he makes no apology for staying true to his core principles. Nashville City Blues offers hard-won wisdom for any aspiring artist motivated to work hard and handle whatever setbacks might follow. Readers will also gain valuable understanding about the country music industry and the inescapable links between commerce and artistry.
Rick Bucklers autobiography is the first from a member of The Jam, who some considered were the ultimate Mod band. Rick tells The Jam story from growing up in Woking and meeting fellow members Paul Weller and Bruce Foxton at school, through their formation in 1972 and tells of the band's early years before signing to Polydor records. He provides a year by year account of The Jam's progress whilst describing what it was like being a part of the music industry during the 70's and 80's and some of the characters who he met along the way including the Ramones, John Enwistle, Sid Vicious, Blondie, Boy George and Paul McCartney. Rick shares his own experiences and thoughts about what it was like to be in one of the UK's most successful bands who spent a great deal of time recording, performing and touring. Following The Jam's split in 1982, Rick gives a candid account of how he coped and his subsequent relationship with Paul and Bruce. All three members of The Jam stayed within the music industry and Rick takes the reader through his years in Time UK and various other bands up until forming From the Jam. A must read for any Jam fan.
Sprung from the roots of 70s hard rock, Metallica defined the look and sound of 1980s heavy metal, just as Led Zeppelin had for hard rock and the Sex Pistols for punk before them. Inventors of thrash metal--Slayer, Anthrax and Megadeth followed--it was always Metallica who led the way, who pushed to another level, who became the last of the superstar rockers. Though plagued by adversities, including the death of their bassist in a bus crash, infighting and substance abuse, they survived to became the biggest-selling band in the world. With 100 million records sold worldwide, their music has extended its reach beyond rock and metal, and into the pop mainstream, as they went from speed metal to MTV with their hit single "Enter Sandman." Until now there hasn't been a critical, authoritative, in-depth portrait of the band. Mick Wall's thoroughly researched, insightful work is enriched by his interviews with band members, record company execs, roadies, and fellow musicians. He tells the story of how a tennis-playing, music-loving Danish immigrant named Lars Ulrich created a band with singer James Hetfield and made his dreams a reality. "Enter Night" delves into the various incarnations of the band, and the personalities of all key members, past and present--especially Ulrich and Hetfield--to produce the definitive word on the biggest metal band on the planet
Dana Gillespie, the award-winning first lady of the Blues has enjoyed an incredible life and career. Now, she has chronicled her exploits, and as anyone who knows Dana would expect, it is intelligent, insightful, outrageous, and funny. Detailing high points, low points and everything in-between, the book covers, amongst many other things, liaisons with David Bowie, Bob Dylan, Keith Moon, and the cream of 1960's rock royalty; Recording with Jimmy Page and Elton John; Performing as Mary Magdalene in the original London production of Jesus Christ Superstar, and as the Acid Queen in Tommy; Acting in films directed by Nicholas Roeg, Ken Russell and Mai Zetterling; Performing Shakespeare with Sir John Gielgud and Arthur Lowe; Topping the pop charts across Europe; Performing to an audience of one million people in India; And... oh yes... Being British junior waterski champion for 4 years!
Regurgitator’s second full-length album, Unit (1997), was produced in a DIY warehouse studio at a time when this was unusual for a major label band. The album went three times Platinum in Australia and won five esteemed ARIA Awards in 1998, including Album of the Year. The album’s success is indicative of a particular point in time in popular music trends, when the world was recovering from the impact of grunge and post-grunge bands. Regurgitator’s subversive attitude toward pop music, punk aesthetic, unique lyrical narratives and an ironic view on their own creative product made their music potent in an alternative market defying the prevailing music trends. Unit and Regurgitator were the focus of divisive critical reviews, yet they continue to rank highly as a quintessentially Australian band. This volume situates the development of Unit amongst the DIY culture of a politically charged Brisbane scene, and breaks down the album through the lens of recording and songwriting processes. This book outlines the impact of Regurgitator’s music locally and globally, by discussing what made Unit a success at the peak of the alternative music genre.
Offering a unique glimpse into the Gram Parsons legend that has never been offered before this book is the inside story by his bandmate and travelling partner from the The International Submarine Band. Set between September 1965 and June 1968 it follows Gram Parsons as he begins to create country rock and he and the band embark upon an exasperating upstream journey, swimming against a tide of opposition, rejection and astonishment from the establishment. With a cast of characters including Gram Parsons, David Crosby, Peter Fonda, Denis Hopper, Arthur Lee, and Hugh Masekela this is more than a music book, it's a vivid swirling trip across a vanished America.
Richard and Fred Fairbrass, better known as Right Said Fred, scored a global Number 1 hit in 1991 with their debut single 'I'm Too Sexy', selling 30 million albums, being showered with industry awards, and earning plaudits from admirers such as Madonna and Prince. Before that breakthrough, though, the brothers spent over a decade in London and New York, trying to make it in the music industry. Fred played guitar with Bob Dylan and Richard played bass in several David Bowie videos, with the brothers appearing on stage with Joy Division and Suicide, and on film with Mick Jagger. Once fame hit, the good times rolled, the substances mounted up and the groupies formed an orderly queue, but it wasn't long before the brothers realised that fame and fortune is not for everyone. Still Too Sexy is their story, with a foreword by the legendary stunt motorcyclist Eddie Kidd, OBE. |
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