Mildred and Arthur Byne explored exceptional Spanish gardens in the 1920s, sketching and photographing them in order to share design ideas with fellow enthusiasts in the United States. They focused on glazed polychrome tiles and green foliage as the the primary characteristic of a Spanish garden, in contrast with a "cool white house." They also turned their attention to patios as the embodiment of "indoor garden and outdoor salon." This book is their legacy, and offers a multitude of ideas in the forms of architecture, hardscaping, and landscaping. It is also a wonderful tour of historic gardens, including the Alhambra, and gardens of notables including the Duke of Medinaceli, the Duke of Alva, Seville, and the Marques de Viana, Cordova. Regions covered include Granada, Ronda, Las Ermitas, Sierra de Cordova, and Majorca.

This book explores different design approaches to revealing change within a landscape, and examines how landscape designers bring together the cultural context of a specific place with material, spatial and ecological considerations. Revealing Change in Cultural Landscapes includes case studies such as Gilles Clement's Jardin du Tiers-Paysage in France, the Brick Pit in Sydney, Australia and Georges Descombes' Renaturation of the River Aire in Switzerland to uncover the insights of designers. In doing so, Catherine Heatherington considers the different ways designers approach the revealing of change and how this informs a discussion about people's perceptions and understanding of landscape. With over 100 images and contributions from Jacky Bowring, Dermot Foley and Krystallia Kamvasinou, this book will be beneficial for students of landscape and landscape architecture, particularly those with an interest in how landscapes change over time and how this is perceived by both designers and visitors.

This book explores different design approaches to revealing change within a landscape, and examines how landscape designers bring together the cultural context of a specific place with material, spatial and ecological considerations. Revealing Change in Cultural Landscapes includes case studies such as Gilles Clement's Jardin du Tiers-Paysage in France, the Brick Pit in Sydney, Australia and Georges Descombes' Renaturation of the River Aire in Switzerland to uncover the insights of designers. In doing so, Catherine Heatherington considers the different ways designers approach the revealing of change and how this informs a discussion about people's perceptions and understanding of landscape. With over 100 images and contributions from Jacky Bowring, Dermot Foley and Krystallia Kamvasinou, this book will be beneficial for students of landscape and landscape architecture, particularly those with an interest in how landscapes change over time and how this is perceived by both designers and visitors.

Fifty-two of Maryland's public gardens and natural parks are showcased in this book, with descriptions of their horticultural highlights and histories and nearly 240 color photos illustrating their magnificence. Included are 13 historic sites with extraordinary gardens, such as early settlements, plantations, and Gilded Age homes. Maryland is the state that has been given the name "America in Miniature," since almost all types of natural features can be found in its coastal, piedmont, and mountainous terrains. The diverse topography produces an abundance of beautiful gardens and many natural or untamed parks. This book is a must-have for anyone who loves gardens or historical homes, as well as those looking for a keepsake of the great state of Maryland.

Features current design and application of garden spaces for the promotion of human health and well-being. The top names in horticultural therapy, landscape architecture, and landscape design address universal design of outdoor spaces and their therapeutic applications in this contributed volume. Interaction by Design speaks to readers in many disciplines, including AHTA, PPC, and ASLA members; academics and students in horticulture, horticulture therapy, environmental psychology, landscape architecture, social science, and urban planning; and professionals in landscape design, landscape architecture, horticultural therapy, and recreational therapy.

For every element that we design in the landscape, there is a corresponding grading concept, and how these concepts are drawn together is what creates a site grading plan. This study guide explores these concepts in detail to help you learn how to grade with confidence in preparation for the Grading, Drainage and Construction Documentation section of the Landscape Architecture Registration Examination (LARE). This updated second edition is designed as a textbook for the landscape architecture student, a study guide for the professional studying for the LARE, and a refresher for licensed landscape architects. New to this edition: * Additional illustrations and explanations for grading plane surfaces and warped planes, swales, berms, retention ponds, and drain inlets; * Additional illustrations and explanations for grading paths, ramp landings, ramp/stair combinations and retaining walls; * A section on landscape and built element combinations, highlighting grading techniques for parking lots, culverts and sloping berms; * A section on landscape grading standards, recognizing soil cut and fill, determining pipe cover, finding FFE, and horizontal and vertical curves; * Updated information about the computer-based LARE test; * All sections updated to comply with current ADA guidelines; * An appendix highlighting metric standards and guidelines for accessibility design in Canada and the UK. With 223 original illustrations to aid the reader in understanding the grading concepts, including 32 end-of-chapter exercises and solutions to practice the concepts introduced in each chapter, and 10 grading vignettes that combine different concepts into more robust exercises, mimicking the difficulty level of questions on the LARE, this book is your comprehensive guide to landscape grading.

Landscape Architecture Criticism offers techniques, perspectives and theories which relate to landscape architecture, a field very different from the more well-known domains of art and architectural criticism. Throughout the book, Bowring delves into questions such as, how do we know if built or unbuilt works of landscape architecture are successful? What strategies are used to measure the success or failure, and by whom? Does design criticism only come in written form? It brings together diverse perspectives on criticism in landscape architecture, establishing a substantial point of reference for approaching design critique, exploring how criticism developed within the discipline. Beginning with an introductory overview to set the framework, the book then moves on to historical perspectives, the purpose of critique, theoretical positions ranging from aesthetics, to politics and experience, unbuilt projects, techniques, and communication. Written for professionals and academics, as well as for students and instructors in landscape architecture, it includes strategies, diagrams, matrices, and full colour illustrations to prompt discussion and provide a basis for exploring design critique.

"The Roman Book of Gardening "brings together an extraordinarily vivid selection of texts on Roman Horticulture, celebrating herb and vegetable gardening in verse and prose spanning five centuries. In an anthology of vivid new translations by John Henderson, Virgil's Georgics stand alongside neglected works by Columella, Pliny and Palladius, bringing to life the techniques and obstacles, delights and exasperations of the Roman gardener. For all the cultural differences, modern gardening enthusiasts will recognize much of the familiar heaving and chopping that the writers describe but may be surprised at other aspects of horticulture that have changed significantly over the centuries.
This is a timely and valuable contribution to our understanding of gardening history, Roman culture and Latin literature. "The Roman Book of" "Gardening" is the first book on the practice of Roman gardening and includes a full Index of Plants listing names in both English and Latin, the language of botany.

Photographs play a hugely influential but largely unexamined role in the practice of landscape architecture and design. Through a diverse set of essays and case studies, this seminal text unpacks the complex relationship between landscape architecture and photography. It explores the influence of photographic seeing on the design process by presenting theoretical concepts from photography and cultural theory through the lens of landscape architecture practice to create a rigorous, open discussion. Beautifully illustrated in full color throughout, with over 200 images, subjects covered include the diversity of everyday photographic practices for design decision making, the perception of landscape architecture through photography, transcending the objective and subjective with photography, and deploying multiplicity in photographic representation as a means to better represent the complexity of the discipline. Rather than solving problems and providing tidy solutions to the ubiquitous relationship between photography and landscape architecture, this book aims to invigorate a wider dialogue about photography's influence on how landscapes are understood, valued and designed. Active photographic practices are presented throughout for professionals, academics, students and researchers.

As much as the nineteenth and early twentieth century gardens and their designs were a product and representation of industrialisation and urbanisation, they were also motors of change. Gardens became an industry in and of themselves. They were both the last resting places of the dead and cultivated plots for surv ival. Gardens were therapeutic environments regarded as civilising, socialising and assimialting institutions, and they were designed and perceived as social landscapes and community playgrounds. Rich with symbolism, gardens were treated as the subject and the setting for literature and painting and were often considerd works of art in themselves. In a time of empire, when plants were drawn from across the globe, gardens also reflected territorial conquest and expansion and they fostered national, regional and local identities. A Cultural History of Gardens in the Age of Empire presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

Thirty years after Beth Chatto first created her now famous gardens, The Green Tapestry was published, in which Beth took her readers on a conducted tour of her gardens while explaining her planting choices and experiences in making a garden with perennial plants. Now, a further thirty years on, although Beth is no longer with us, the gardens continue to demonstrate her ethos of sustainable planting, which, with climate change an ever more pressing issue, could not be more relevant today. In Beth Chatto's Green Tapestry Revisited, David Ward and Asa Gregers-Warg, who worked alongside Beth for many years and still work at the gardens today, have updated her guide to her gardens, adding new text where areas of the garden have been substantially remodelled and replanted since the first edition, in particular the Gravel Garden, the Woodland Garden and the Reservoir Garden, with an updated directory of Beth's favourite perennial plants. Beth's gardens at Elmstead Market were, in many ways, ahead of their time. Beth's knowledge as a plantswoman, derived in part from her husband Andrew's research into plants in their natural habitats, also came from her own extensive practical experience. She set out to garden using only those plants that thrived in the available conditions - damp or dry, sun or shade. It was her talent for observation, her enthusiasm for learning, and her never-ending interest in the foliage, form and texture of her preferred perennials, as much as in their flower colour, that made her a unique voice in British gardening. Illustrated with specially commissioned photography by Steven Wooster, who was Beth's preferred photographer of her gardens, this new edition is a timely tribute to Beth's work. Julia Boulton, Beth's granddaughter and the CEO of Beth Chatto's Plants and Gardens, hopes that it will inspire a new generation of gardeners to plant in tune with nature and create their own exquisite 'green tapestry' of perennial plants suited to their own conditions. -- que

The first book to look at this particular subject, The Roman Book of Gardening brings together an extraordinarily varied selection of texts on Roman horticulture, celebrating herb and vegetable gardening in verse and prose spanning five centuries.

In vivid new translations by John Henderson, Virgil's Georgics stand alongside neglected works by Columella, Pliny and Palladius, bringing to life the techniques and obstacles, delights and exasperations of the Roman gardener. We also hear of the digging, hoeing, planting and weeding which then, as now, went into creating the perfect garden.

This is a timely and valuable contribution to our understanding of gardening history, Roman culture and Latin literature.

The history of the garden in the Renaissance, traced from the late fourteenth century in Italy to the death of Andre Le Notre in 1700 in France, is a story both of dynamism and codification. The period saw the emergence of what would become archetypal elements of the formal garden and the fixing of theory and language of the garden arts. At the same time, newly important sciences, developments in engineering, as well as globalization, historicity, and theories of aesthetics were embraced in the construction of such gardens. The result was the notion of the landscape as something to be labored on, created, and delighted in, that ultimately would become a stage upon which Renaissance cultural politics played out.

Within the spatial design disciplines, research through design as a tool and practice has often been neglected. This book provides a much-needed companion to the theories, methods and processes involved in using design-based research in landscape, architecture and urban design. Aimed specifically at researchers completing PhD projects, supervisors and designers working in practice, it covers applied approaches to help you to use design research in your work. With fully illustrated examples of original international design research PhDs from a variety of programme types, such as individual, structured and practice-based, Design Research for Urban Landscapes offers PhD candidates and supervisors a clear foundational pathway.

Ian McHarg's ecological planning approach has been influential since the 20th century. However, few empirical studies have been conducted to evaluate the performance of his projects. Using the framework of landscape performance assessment, this book demonstrates the long-term benefits of a renowned McHargarian project (The Woodlands town development) through quantitative and qualitative methods. Including 44 black and white illustrations, Landscape Performance systematically documents the performance benefits of the environmental, social, and economic aspects of The Woodlands project. It delves into McHarg's planning success in The Woodlands in comparison with adjacent Houston developments, which demonstrated urban resilience after Hurricane Harvey in 2017. Lastly, it identifies the ingredients of McHarg's ability to do real and permanent good. Yang also includes a number of appendices which provide valuable information on the methods of assessing performance in landscape development. This book would be beneficial to academics and students of landscape architecture and planning with a particular interest in Ian McHarg.

Elizabeth Jane Howard, acclaimed author of the Cazalet Chronicles, once said that she would certainly have been a gardener had she not become a writer first. In Green Shades: An Anthology of Plants, Gardens and Gardeners, she brings together a diverse and fascinating selection of garden writing that spans the centuries, the seasons and the species.

Part of the Macmillan Collector’s Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.

The contents are delightfully eclectic and wide-ranging, practical as well as lyrical – she pays homage to the great English landscape artists of the eighteenth century and to the great women gardeners such as Vita Sackville-West. There’s advice from Pliny on how walnuts can be used to dye hair and Joseph Addison encourages blackbirds to gorge on his cherry trees. Linking the numerous extracts is Elizabeth Jane Howard’s perceptive and highly personal commentary, which skilfully leads the reader from one subject to the next.

What was a "garden" in medieval and early modern British culture and how was it imagined? How did it change as Europe opened up to the wider world from the 16th century onwards? In a series of fresh approaches to these questions, the contributors offer chapters that identify and discuss newly-discovered pre-modern garden spaces in archaeology and archival sources, recognize a gendered language of the garden in fictional descriptions ("fictional" here being taken to mean any written text, regardless of its purpose), and offer new analysis of the uses to which gardens - real and imagined - might be put. Chapters investigate the definitions, forms and functions of physical gardens; explore how the material space of the garden was gendered as a secluded space for women, and as a place of recreation; examine the centrality of garden imagery in medieval Christian culture; and trace the development of garden motifs in the literary and artistic imagination to convey the sense of enclosure, transformation and release. The book uniquely underlines the current environmental "turn" in the humanities, and increasingly recognizes the value of exploring human interaction with the landscapes of the past as a route to health and well-being in the present.

A reference guide to historical sources for over 200 Devon gardens. It also provides an introduction for would-be garden historians on how to conduct garden research. The book is the result of an exploration of the archival resources of Devon's garden history; the objective being to provide signposts to research material for those interested in the development of Devon's gardens. Each entry begins with a brief section describing the garden's history, amplified by quotations from contemporary travellers and diarists; following the descriptive sections are listings of documents, printed sources and illustrations relating to the garden. The greater part of this material is unknown to garden historians.

Shakespeare's Gardens is a highly illustrated, informative book about the gardens that William Shakespeare knew as a boy and tended as a man, published to coincide with the 400th anniversary of his death in April 2016. This anniversary will be the focus of literary celebration of the life and work throughout the English speaking world and beyond. The book will focus on the gardens that Shakespeare knew, including the five gardens in Stratford upon Avon in which he gardened and explored. From his birthplace in Henley Street, to his childhood playground at Mary Arden's Farm, to his courting days at Anne Hathaway's Cottage and his final home at New Place - where he created a garden to reflect his fame and wealth. Cared for by the Shakespeare Birthplace Trust, these gardens are continually evolving to reflect our ongoing knowledge of his life. The book will also explore the plants that Shakespeare knew and wrote about: their use in his work and the meanings that his audiences would have picked up on - including mulberries, roses, daffodils, pansies, herbs and a host of other flowers. More than four centuries after the playwright lived, whenever we think of thyme, violets or roses, we are reminded of a line from his work. Shakespeare's Gardens brings together specially commissioned photography of the gardens with beautiful archive images of flowers, old herbals, and 16th century illustrations. It tells the story of Shakespeare's journey - from glove maker's son to national bard - and how he came to know so much about plants, flowers and gardens of the Elizabethan era.

Drawing conceptually and directly on music notation, this book investigates landscape architecture's inherent temporality. It argues that the rich history of notating time in music provides a critical model for this under-researched and under-theorised aspect of landscape architecture, while also ennobling sound in the sensory appreciation of landscape. A Musicology for Landscape makes available to a wider landscape architecture and urban design audience the works of three influential composers - Morton Feldman, Gyoergy Ligeti and Michael Finnissy - presenting a critical evaluation of their work within music, as well as a means in which it might be used in design research. Each of the musical scores is juxtaposed with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, before the author examines four landscape spaces through the development of new landscape architectural notations. In doing so, this work offers valuable insights into the methods used by landscape architects for the benefit of musicians, and by bringing together musical composition and landscape architecture through notation, it affords a focused and sensitive exploration of temporality and sound in both fields.

Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.

The modern period in landscape architecture is enjoying the fascinated appreciation of scholars and historians in Europe and the Americas, and new themes, new subjects and new appraisals are appearing. This book contributes to the conversation by focusing on the work of a singular designer who spent his entire career in a province of the North Island of New Zealand. Ted Smyth practiced an assured landscape modernism without ever seeing the designs of his forebears or his contemporaries working in the UK, Europe and the United States. Designing in isolation from the mainstream of modernism, and a little after its high tide, Smyth produced a series of gardens that provoke a revaluation of the diffusionist model of influence. The book explains and describes the evolution of Smyth's design vocabulary and relates it to the development of tropical landscape modernism in other Asia-Pacific sites. It shows how a culture of garden modernism can be generated from within a particular locale, and highlights Smyth's engagement with Maori design traditions in search of a specific expression of the high modern essentialism of place.

The Royal Botanic Garden Edinburgh is one of Scotland's most visited tourist attractions and has been cultivating and studying plants for over three centuries. Across its four garden sites, the Royal Botanic Garden's living plant collection contains over 13,500 species from 156 countries, including some that are extinct in the wild and others new to science. The ever-growing Herbarium currently contains over three million dried specimens and the Library houses Scotland's national collection of botanical and horticultural literature, including manuscripts dating back to the fifteenth century. The highlights illustrated in this book provide a personal insight into one of the world's greatest botanic gardens and reveals the invaluable contribution that it makes to the ongoing documentation and conservation of the world's diverse plant life.

Expanding Disciplinarity in Architectural Practice presents an argument for the role of an architect as a generalist with a particular ability to bring spatial intelligence to bear on the significant issues of planning, settlement, and identity. The book draws on strategy and planning, landscape, infrastructure, urbanism, historical conservation, and interpretation, architecture, and the creative reuse of existing structures to encourage you to incorporate a holistic approach to your designs. Tracing a series of projects developed by his practice 5th Studio, author Tom Holbrook argues the critical importance of involving spatial practitioners in large scale strategies and designs to combine interdisciplinary thinking and concrete experience of buildings. The book incorporates interviews with prominent figures in the field of architecture, eleven UK case studies, and over 200 beautiful illustrations including the author's own award-winning designs. With twenty years of evolving practical experience, together with associated research, teaching, and writing, Holbrook shows you how a participatory infrastructure creates a crucial bridge between strategic thinking and the reality of the built environment. This book is a must-read for professionals seeking to incorporate broader design strategy into their practice.

Conversations With Landscape moves beyond the conventional dualisms associated with landscape, exploring notions of landscape and its relation with humans through the metaphor of conversation. Such an approach conceives of landscape as an actor in the ongoing communication that is inherent in any perception, recognising the often-ignored mutuality of encounters between human and non-human actors. With contributions drawn from a variety of disciplines, including anthropology, geography, archaeology, philosophy, literature and the visual arts, this book explores the affects and emotions engendered in the conversations between landscape and humans. Offering scope for an original and coherent approach to the study of landscape, this book will appeal to scholars and researchers across a range of social sciences and humanities.