With the infrastructure to manage stormwater threats in cities becoming increasingly expensive to build or repair, planners and landscapers need to look at alternative approaches. Ground-level mitigation measures such as raingardens, bioswales and rain water harvesting are becoming increasingly relevant, but very little work has been done to assess the potential benefits of green roofs as part of a holistic urban water management system for larger urban areas. This book demonstrates the tools to measure and evaluate the effectiveness of green roofs for cities in different climates to manage urban runoff. Planned and implemented properly, a green roof strategy can reduce pressure on ageing infrastructure, protect streams and lakes, and ultimately save the huge costs associated with stormwater control.

This stimulating book explores the intersection of landscape, democracy and spatial justice on an international scale to offer an overarching definition and examination of the emerging field of landscape democracy. The concept of landscape in academia, policy and practice is being met with growing interest and a wider understanding that it is a complex living environment, moulded by tangible and intangible mediums, processes and systems. This book examines how physical, mental, emotional, economic, social and cultural wellbeing depend in large part on inclusive planning and management of landscapes. Through a broad set of theoretical and conceptual frameworks and international case studies, the authors of Defining Landscape Democracy address critical questions, such as: Why is democracy relevant to landscape? How do we democratise landscape? How might we achieve landscape and spatial justice? This work will provide new knowledge and insights for researchers in the fields of landscape architecture, human geography, planning, public policy, sociology, landscape management, and designers and planners actively engaged in shaping democratic public spaces and communities. Contributors include: A. Aagaard Christensen, R. Alomar, P. Angelstam, F. Arler, M. Bose, A. Butler, B. Castiglioni, M. Clemetsen, S. Egoz, M. Elbakidze, V. Ferrario, C. Geisler, P. Horrigan, K. Jogensen, M. Jones, N.T. King, U. Krippner, L.C. Knudtzon, J. Langhorst, L. Licka, E. Lopez-Bahut, J. Makhzoumi, D. Mitchell, K.R. Olwig, E. Oureilidou, L. Paz Agras, J. Primdahl, D. Ruggeri, E. Schwab, B. Sirowy, L. Soderkvist Kristensen, K.B. Stokke, T. Waterman, B. Yigit Turan

This book is set in Karachi, Pakistan and investigates the possibility of achieving localness through identifying urban process and their impact on built form, addressing how locals associate with the urban spaces and how they value it. Thus, the investigation, using the local terminology maqamiat, goes beyond the physicality of space and develops a framework that helps to understand the social, ethnic, economic, ecological and other the non-physical aspects of space, which are of value to the locals. The aim is to investigate the possibility of achieving localness through identifying urban design elements that can be incorporated into the process of designing new built forms that acknowledges what is valued by the locals instead of superimposing imported designs, negating the contextual realties, both physical and social. For this purpose, the book includes three case studies from Karachi. The book questions the aspiration of many cities in the South Asian context to imitate the built forms of Western cities (increasingly, Singapore and Shanghai) which are viewed as modern and represents future. The book will make a theoretical contribution to the existing literature on postcolonial urbanism and explore space from a local vantage point for understanding how to look inwards for aspiration.

As the Regional Plan Association embarks on a Fourth Regional Plan, there can be no better time for a paperback edition of David Johnson's critically acclaimed assessment of the 1929 Regional Plan of New York and Its Environs. As he says in his preface to this edition, the questions faced by the regional planners of today are little changed from those their predecessors faced in the 1920s. Derided by some, accused by others of being the root cause of New York City's relative economic and physical decline, the 1929 Plan was in reality an important source of ideas for many projects built during the New Deal era of the 1930s. In his detailed examination of the Plan, Johnson traces its origins to Progressive era and Daniel Burnham's 1909 Plan of Chicago. He describes the making of the Plan under the direction of Scotsman Thomas Adams, its reception in the New York Region, and its partial realization. The story he tells has important lessons for planners, decision-makers and citizens facing an increasingly urban future where the physical plan approach may again have a critical role to play.

This book links two fields of interest which are too seldom considered together: the production and critique of art in public space and social behaviour in the public realm. Whilst most writing about public art has focused on the aesthetic, cultural and political intentions and processes that shape its production, this edited collection examines a variety of public artworks from the perspective of their actual everyday use. Contributors are interested in the rich diversity of peoples' engagements with public artworks across various spatial and temporal scales, encounters which do not limit themselves to the representational aspects of the art, and which are not necessarily as the artist, curator or sponsor intended. Case studies consider a broad range of public art, including commissioned and unofficial artworks, memorials, street art, street furniture, performance art, sound art and media installations.

This edited collection, first published in 1987, provides a comparative analysis of different approaches to urban modelling, and lays the foundations for the possibility of integration and a more unified field. The first part contextualises the development of the field of urban systems modelling, focusing on the variety of approaches and possible implications of this on the future of research and methodology. Next, the editors consider economic and 'non-economic' approaches, followed by an analysis of spatial-interaction-based approaches. Providing an overview to the field and research literature, the overarching argument is that there should be an integrated methodological approach to urban system modelling.

When this title was first published in 1981, growing concern for the future of cities and those who inhabited them, stimulated by trends in global urbanisation, had resulted in much emphasis being placed on a problem-solving approach to the study of the city. The chapters in this edited collection, a companion to Urban Problems and Planning in the Developed World (Routledge Revivals, 2013), consider the problems and planning activities in a number of cities across the world. Varied case-studies, including Mexico City, Bogota and Shanghai, reflect the differing economic, cultural and political regimes of the modern world and ensure the continued value of this comprehensive work.

Using a number of city-based case studies, including New York, Tokyo and Glasgow, this book presents a thorough analysis of urban problems and planning in relation to varying economic, cultural and political conditions throughout the developed world.

First published in 1987, this title was one of the first to explore the emerging popular movement of Community Architecture, championed by Prince Charles, which gained momentum throughout Britain in the 1970s and 1980s. The conceptual framework rests fundamentally on the principle that the built environment is most effective when those who live in a particular area are actively engaged with its creation and daily administration. A work that has influenced policy makers and planning legislation, Community Architecture remains one of the key reference works for student architects and planners.

Gardens harness, enhance and revere the power of the earth; to enjoy one is to experience the most harmonious collaboration between man and nature. Each space is unique and a product of their individual climate and environment. A garden also reflects the history, culture, and architecture of the society that cultivated it. Gardens is a comprehensive visual exploration of these dynamic and engaging spaces. Along with the most celebrated gardens in the world, Gardens explores large-scale urban interjections and elaborate conservation projects giving fresh definition to Francis Bacon's idea that 'gardening is the purest of human pleasures'. The Reflections series by Roads is a visual exploration of the spaces and building that mirror the cultures in which they play such a crucial part. Text in English, Spanish, French and German.

Over the last forty years, graffiti and street-art have become a global phenomenon within the visual arts. Whilst they have increasingly been taken seriously by the art establishment (or perhaps the art market), their academic and popular examination still remains within old debates which argue over whether these acts are vandalism or art, and which examine the role of graffiti in gang culture and in terms of visual pollution. Based on an in-depth ethnographic study working with some of the world's most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are seen to reface rather than deface the city, operating within a modality of contemporary civic ritual. The book is divided into two main sections, Ornament and Order. Ornament focuses upon the physical artifacts themselves, the various meanings these public artists ascribe to their images as well as the tensions and communicative schemata emerging out of their material form. Using two very different understandings of political action, it places these illicit icons within the wider theoretical debate over the public sphere that they materially re-present. Order is focused more closely on the ephemeral trace of these spatial acts, the explicitly performative, practice-based elements of their aesthetic production. Exploring thematics such as carnival and play, risk and creativity, it tracks how the very residue of this cultural production structures and shapes the socio-ethico guidelines of these artists' lifeworlds.

In this superbly illustrated book Xiaofei Chen presents the first analysis in English of a ubiquitous East Asian urban phenomenon: the supergrid and superblock urban structure. The book opens with an introductory essay by Barrie Shelton in which he sets the scene for what is to follow, emphasizing how alien this structure was to Western urban design culture where radial patterns of development were the norm. Then, in her first chapter, Chen explains the make-up of the supergrid and superblock urban structure and its contrasting Chinese and Japanese forms. In the following three chapters she digs deep into the history, cultural origins, and underlying design philosophy of the supergrid and superblock to show how, under different cultural influences, the model has developed into two distinct forms. Two further chapters (5 and 6) provide detailed analysis of two sample superblocks in China (in Xi'an and Nanjing) and two in Japan (in Kyoto and Osaka) to reveal the relative advantages and disadvantages of how the structure is manifest in the two countries. In her conclusion she discusses her findings to show how and why the supergrid and superblock structure is a valuable urban design model which, with regional adjustments, can be used effectively in cities other than those of East Asia.

A unique examination of the role architecture plays in the media-politico spectacle which plays out in today's mass media. Written by 14 influential academics, it draws on case studies from across timeframes and across nations including the US, UK, China, Eastern Europe, South Korea, Belgium and Austria. Illustrated with over 30 black and white illustrations

A unique examination of the role architecture plays in the media-politico spectacle which plays out in today's mass media. Written by 14 influential academics, it draws on case studies from across timeframes and across nations including the US, UK, China, Eastern Europe, South Korea, Belgium and Austria. Illustrated with over 30 black and white illustrations

Britain's planning system began as 'town and country planning' to repair the ravages of unplanned industrialism and promote ideal environments for the future. Steering a course between left and right, public control and for-profit development, it survived successive booms and busts, broadening to include new concerns like ecology, conservation and community participation. By the 1986, when this book was first published, the system's survival beyond the year 2000 was in doubt. It did endure, but it is now under serious threat from the right, which sees it as obstructing enterprise and the restoration of 'growth'. It has been stripped of some of its core aims and mechanisms, while as yet there is no agenda distinguishing growth that will be sustainable from growth which self-evidently is not. The Government of Space was written as a concise guide for the non-specialist to the origins and evolution of British planning, its intellectual pedigree, achievements and cruxes. It is an invaluable background to the state of planning and the cases for and against it today.

1. Clarity. The book makes fairly complex ideas accessible to a first-year university architectural design student or first year graduate urban design student. These ideas just happen to be the ones that are at the core of all design processes and are often never explained or introduced to students. 2. Currency. The book's content is part of a cultural shift in education that moves design pedagogy to understanding cognitive processes connected to shape-making rather than formal design centred on object creation (addresses causes rather than symptoms). 3. Persistence. At the same time, the information in the book does not have an expiration date - this is persistence and foundational knowledge that sits at the base of all educational instruction in formal design. 4. Integration. The book makes no distinction between meaning and interpretation. The same skills that humans use to understand our environment are those that are used to design the environment. This book introduces persistent ways that humans interpret the environment

This book offers an ethnographic exploration of the role that atmosphere plays in work processes undertaken within an urban design studio. It provides understandings of how architectural practices are fuelled with atmosphere in various configurations throughout different design phases of selected projects for construction. From the outside architectural practices commonly appear well-ordered and carefully considered, established by proof and rationally justified. This book though poaches on architects' preserves in order to draw attention to features of unpredictability and uncertainty within the design phases. By opening up into the 'machinery room' of urban designers, the goal is not to spoil the plaster saint cover of a 'starchitect' business, but to remind about the crucial value that pockets of doubt issuing questions rather than answers, open-mindedness instead of single-mindedness, play to the processes of design production and creativity. The book identifies these pockets as atmospheres enveloping the architectural practice.

This book is a unique synthesis of many of the recent ideas that are being discussed in the interdisciplinary forum of climate adaptation. The book is (a) timely, (b) interdisciplinary, (c) practical, (d) presents out-of-box thinking.

Features thirteen essays by the influential late architect, philosopher and teacher Dalibor Vesely (1934-2015). For the first time his full range of writing is presented in one volume, including new and hard-to-access material. Edited and introduced by Vesely's teaching partner at Cambridge Peter Carl and former student Alexandra Stara and includes over 80 illustrations.

Low Carbon Cities is a book for practitioners, students and scholars in architecture, urban planning and design. It features essays on ecologically sustainable cities by leading exponents of urban sustainability, case studies of the new directions low carbon cities might take and investigations of how we can mitigate urban heat stress in our cities' microclimates. The book explores the underlying dimensions of how existing cities can be transformed into low carbon urban systems and describes the design of low carbon cities in theory and practice. It considers the connections between low carbon cities and sustainable design, social and individual values, public space, housing affordability, public transport and urban microclimates. Given the rapid urbanisation underway globally, and the need for all our cities to operate more sustainably, we need to think about how spatial planning and design can help transform urban systems to create low carbon cities, and this book provides key insights.

Why is it that modern architects and planners - these benevolent and socially visionary experts - have created environments that can make one feel so uneasy? Using a philosophical and psycho-analytical approach, this book critically examines expert knowledge within architecture and urban planning. Its point of departure is the gap between visions and realities, intentions and outcomes in planning, with particular focus on projects in Sweden that try to create an urban atmosphere. Finding insights from the work of Sigmund Freud and his followers, the book argues that urban planning during the 20th century is a neurotic activity prone to produce a type of alienation. Besides trying to understand the gap between intentions and outcomes in planning, the book also discusses how to define the concept of the urban, juxtaposing different knowledge traditions; contrasting the positivistic theory of space syntax with poetic-dialectical approaches, the planner view of the city with that of the flAcneur, examining texts by Virginia Woolf and August Strindberg.

Written by a leading instructor, it focuses on accessible methods and concepts to introduce active, rather than passive, photography to students, instructors and practitioners in the fields of landscape, planning, architecture and environmental design Provides clear guidance on a diverse set of approaches and explores deeper discussions about making and using photography in environmental design, along with further reading It covers techniques to build on such as casual composition, constraints, slowing down, investigating, non-visual cues, POV, narrative and detachment that encourage enhanced visual focus Includes 190 full colour images, with examples by the author and invited contributors from practice.

After decades "in the shadows," urban lighting is re-emerging as a matter of public debate. Long-standing truths are increasingly questioned as a confluence of developments affects lighting itself and the way it is viewed. Light has become an integral element of place-making and energy-saving initiatives alike. Rapidly evolving lighting technologies are opening up new possibilities, but also posing new challenges to planners. And awareness is growing that artificial illumination is not purely benign but can actually constitute a form of pollution. As a result, public policy frameworks, incentives and initiatives are undergoing a phase of innovation and change that will affect how cities are lit for years to come.

The first comprehensive compilation of current scientific discussions on urban lighting and light pollution from a social science and humanities perspective, "Urban Lighting, Light Pollution and Society" contributes to an evolving international debate on an increasingly controversial topic. The contributions draw a rich panorama of the manifold discourses connected with artificial illumination in the past and present from early attempts to promote new lighting technologies in the late 19th and early 20th centuries to current debates on restricting its excessive usage in public space and the protection of darkness. By bringing together a cross-section of current findings and debates on urban lighting and light pollution from a wide variety of disciplines, it reflects that artificial lighting is multifaceted in its qualities, utilisation and interpretation.

Including case studies from the United States, Europe, and the UK, "Urban Lighting, Light Pollution and Society" is one of the first to take a serious assessment of light, pollution, and places and is a valuable resource for planners, policy makers and students in related subjects. "

American cities experienced an extraordinary surge in downtown development during the 1970s and 1980s. Pro-growth advocates in urban government and the business community believed that the construction of office buildings, hotels, convention centers, and sports complexes would generate jobs and tax revenue while revitalizing stagnant local economies. But neighborhood groups soon became disgruntled with the unanticipated costs and unfulfilled promises of rapid expansion, and grassroots opposition erupted in cities throughout the United States. Through an insightful comparison of effective protest in San Francisco and ineffective protest in Washington, D.C., Stephen McGovern examines how citizens -- even those lacking financial resources -- have sought to control their own urban environments. McGovern interviews nearly one hundred business activists, government officials, and business leaders, exploring the influence of political culture and individual citizens' perceptions of a particular development issue. McGovern offers a compelling explanation of why some battles against city hall succeed while so many others fail.

Architectural Topographies is a critical dictionary for architects and landscape architects in which the graphic lexicon can be read from a beginning, the ground, to a conclusion, the specific case studies. Meant as a tool to help you recognise, analyse, choose, and invent solutions, the book's key words refer to the physical and material relationship between construction and ground; to where and how the link is built; to the criteria, methods, and tools used to know and transform the ground; and to the possible approaches to the place and their implications on the way the earth is touched. Fifty case studies by forty-six of the greatest architects of the previous hundred years are represented throughout in sectional drawings which place the buildings along the same ground plane to illustrate how the key words might be combined and to show each architect's position on their built work in relation to all the others. Includes projects by Alvar Aalto; Tadao Ando; Gunnar Asplund; Atelier Bow-Wow; Joao Batista Vilanova Artigas; Patrick Berger; Mario Botta; Marcel Breuer; Erik Bryggman; Goncalo Byrne; David Chipperfield; Le Corbusier; Sverre Fehn; Aurelio Galfetti, Flora Ruchat, and Ivo Trumpy; Dick Van Gameren; Herzog and De Meuron; Steven Holl; Arne Jacobsen; Kengo Kuma; Anne Lacaton and Jean Philippe Vassal; Adalberto Libera; Frank Lloyd Wright; Paulo Mendes da Rocha; Ludwig Mies van der Rohe; Enric Miralles and Carme Pinos; Glenn Murcutt; Juan Navarro Baldeweg; Sheila O'Donnell and John Tuomey; Jan Olav Jensen and Borre Skodvin; John Pawson; Giuseppe Perugini, Mario Fiorentino, and Nello Aprile; Renzo Piano; Georges-Henry Pingusson; Rudolph Schindler; Roland Simounet; Alvaro Siza; Luigi Snozzi; Alejandro de la Sota; Eduardo Souto de Moura; Alison Smithson and Peter Smithson; Fernando Tavora; Jorn Utzon; Livio Vacchini; Francesco Venezia, Roberto Collova, and Marcella Aprile; Amancho Williams; and Peter Zumthor.