The growing movement towards evidence-based healthcare design has largely emphasised a change of culture and attitudes. It has advocated for new ways of working, but until now, it has not focused on equipping healthcare clients and their designers with the practical means to exploit the potential benefits from evidence-based architectural design. Development of indicators and tools that aid designers and users of the built environments in thinking about quality enhances the design process to achieve better outcomes. Importantly, design tools can support managers and designers through end-user involvement and an increased understanding of what patients and staff expect from their healthcare facilities. They can facilitate the creation of patient-centred environments which improve user satisfaction. Design Tools for Evidence-Based Healthcare Design: Discusses the tools that are being used to achieve, design quality and excellence within the context of NHS procurement systems such as PFI, Procure21 and others. Collates information that increases our understanding of these tools, in order to be able to make the best use of them Clarifies where, during the various stages of a building's life (from inception, design, construction, occupation and re-use), these tools should be used in order to derive the benefits possible from evidence-based design Provides in one place an authoritative reference publication that will act as a memory, a user guide and manual for these design tools Illustrated with case studies from throughout the UK and written by a well-known expert in the field, this book will provide essential reading for anyone involved in healthcare design.

In the late nineteenth century, the urban department store arose as a built artifact and as a social institution in the United States. While the physical building type is the foundation of this comprehensive architectural study, Louisa Iarocci reaches beyond the analysis of the bricks and mortar to reconsider how the 'spaces of selling' were culturally-produced spaces, as well as the product of interrelated economic, social, technological and aesthetic forces. The agenda of the book is three-fold; to address the lack of a comprehensive architectural study of the nineteenth century department store in the United States; to expand the analysis of the commercial city as a built and represented entity; and to continue recent scholarly efforts that seek to understand commercial space as a historically specific and a conceptually perceived construct. The Urban Department Store in America, 1850-1930 acts as a corrective to a current imbalance in the historiography of this retailing institution that tends to privilege its role as an autonomous 'modern' building type. Instead, Iarocci documents the development of the department store as an urban institution that grew out of the built space of the city and the lived spaces of its occupants.

There are 56 capitol structures in the United States and its territories - and this book has 56 entries about all aspects of their genesis, construction and use including the political origins and history of each governmental unit and the story of how each site was selected (with all the political maneuvering and attempts at personal aggrandizement). Facts about the edifices themselves are in abundance - chronologies of construction, personnel (architects, contractors, others), costs, square footage, principal contents and features (e.g., art work, furnishings, interior and exterior finish), annual maintenance and tour information.

Between 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series of twenty piano pieces. While playing them for a gatheringof friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of China. For a country that has of late been focused on the future, I have been fascinated by the search for a true contemporary regional language in traditional Chinese architecture and painting. The intricate and careful composition in relation to landscape and light has been a continual revelation, as evidenced by the Summer Palace on the outskirts of Beijing and vanishing water towns such as Zhujiajiao, known as the "Venice of Shanghai."

Shopping Towns Europe is the first book to explore the introduction and dissemination of the shopping centre in Europe. European shopping centres are often assumed to be no more than carbon copies of their American precursors - however the wide-ranging case studies featured in this book reveal a very different story. Drawing connections between architectural history, political economy and commerce, together these studies tell us much about the status and role of modernist design, the history of consumption, and the rapidly-changing social, urban, and national contexts of post-war Europe. The book's eighteen chapters explore case studies spanning the continent on both sides of the Iron Curtain, from Britain and The Netherlands to Sweden and the USSR. The focus is on the three decades following the first introduction of the new typology in 1945, tracing the variety of typological manifestations that occurred in widely different contexts, from Keynesianism to communism to military dictatorship. The book also explores the role of the shopping centre in urban reconstruction, and examines how new shopping centres were designed to elicit specifically modern behaviour and introduce new conceptions of collectivity into citizens' everyday lives. Please note that due to permissions restrictions, several images which do appear in the print edition of this book do not feature in the ebook versions.

During much of the twelfth century the Crusaders dominated the military scene in the Levant. The unification of Egypt and Syria by Saladin gradually changed the balance of power, which slowly begun to tilt in favour of the Muslims. This book examines the development and role of Muslim fortresses in the Levant at the time of the Crusaders and the Mongol invasion, situating the study within a broad historical, political and military context. Exploring the unification of Egypt with a large part of Syria and its effect on the balance of power in the region, Raphael gives a historical overview of the resulting military strategies and construction of fortresses. A detailed architectural analysis is based on a survey of four Ayyubid and eight Mamluk fortresses situated in what are today the modern states of Jordan, Israel, Southern Turkey and Egypt (the Sinai Peninsula). The author then explores the connection between strongholds or military architecture, and the development of siege warfare and technology, and examines the influence of architecture and methods of rule on the concept of defence and the development of fortifications. Drawing upon excavation reports, field surveys and contemporary Arabic sources, the book provides the Arabic architectural terminology and touches on the difficulties of reading the sources. Detailed maps of the fortresses in the region, the Mongol invasion routs, plans of sites and photographs assist the reader throughout the book, providing an important addition to existing literature in the areas of Medieval Archaeology, Medieval military history and Middle Eastern studies.

This book is about a lost world, albeit one less than 50 years old. It is the story of a grand plan to demolish most of Whitehall, London's historic government district, and replace it with a ziggurat-section megastructure built in concrete. In 1965 the architect Leslie Martin submitted a proposal to Charles Pannell, Minister of Public Building and Works in Harold Wilson's Labour government, for the wholesale reconstruction of London's 'Government Centre'. Still reeling from war damage, its eighteenth- and nineteenth-century palaces stood as the patched-up headquarters of an imperial bureaucracy which had once dominated the globe. Martin's plan - by no means modest in conception, scope or scale - proposed their replacement with a complex that would span the roads into Parliament Square, reframing the Houses of Parliament and Westminster Abbey. The project was not executed in the manner envisaged by Martin and his associates, although a surprising number of its proposals were implemented. But the un-built architecture is examined here for its insights into a distinctive moment in British history, when a purposeful technological future seemed not just possible but imminent, apparently sweeping away an anachronistic Edwardian establishment to be replaced with a new meritocracy forged in the 'white heat of technology'. The Whitehall plan had implications well beyond its specific site. It was imagined by its architects as a scientific investigation into ideal building forms for the future, an important development in their project to unify science and art. For the political actors, it represented a tussle between government departments, between those who believed that Britain needed to discard much of its Victorian and Edwardian decoration in the name of 'professionalization' and those who sought to preserve its ornate finery. Demolishing Whitehall investigates these tensions between ideas of technology and history, science and art, socialism and el

America holds more than two million inmates in its prisons and jails, and hosts more than two million daily visits to museums, figures which represent a ten-fold increase in the last twenty-five years. Corrections and Collections explores and connects these two massive expansions in our built environment. Author Joe Day shows how institutions of discipline and exhibition have replaced malls and office towers as the anchor tenants of U.S. cities. Prisons and museums, though diametrically opposed in terms of public engagement, class representation, and civic pride, are complementary structures, employing related spatial and visual tactics to secure and array problematic citizens or priceless treasures. Our recent demand for museums and prisons has encouraged architects to be innovative with their design, and experimental with their scale and distribution through our cities. Contemporary museums are the petri dishes of advanced architectural speculation; prisons remain the staging grounds for every new technology of constraint and oversight. Now that criminal and creative transgression are America's defining civic priorities, Corrections and Collections will recalibrate your assumptions about art, architecture, and urban design.

In the triumvirate of dominant structural building materials-wood, metal, and masonry-each has its advantages, but none are as intertwined with the human spirit as wood. Thirty-five public buildings illustrate how heavy timber framing can address familiar programmatic issues such as structure, economics, aesthetics, and sustainability. Timber framing can also have a positive effect on human emotions and physiology. In addition to being warm to the touch, wood building interiors have been widely proven to reduce blood pressure and heart rate and to speed convalescence in health care facilities. More than 450 photos, plans, and diagrams show how wood framing components from solid timbers to glulams and peeled logs are designed for durability and expressiveness. The finished projects aptly demonstrate what it means not only to shape buildings, but how they shape us.

Between 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series oftwenty piano pieces. While playing them for a gathering of friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of Italy. I have always been eager to capture the faded beauty of cities and buildings. This obsession would inevitably draw me to Venice and Sicily. Wandering amidst the shadows of the Venetian light I have tried to portray the beauty of this luminous city. No part of Italy has as many layers of history or been inhabited by so many different peoples as Sicily. From the Greeks who colonized Siracusa and Selinunte, to the Romans in Agrigento, to the Normans in Palermo.

Even before the upheaval of the Revolution, France sought a new formal language for a regenerated nation. Nowhere is this clearer than in its tombs, some among its most famous modern sculpture-rarely discussed as funerary projects. Unlike other art-historical studies of tombs, this one frames sculptural examples within the full spectrum of the material funerary arts of the period, along with architecture and landscape. This book further widens the standard scope to shed new and needed light on the interplay of the funerary arts, tomb cult, and the mentalities that shaped them in France, over a period famous for profound and often violent change. Suzanne Glover Lindsay also brings the abundant recent work on the body to the funerary arts and tomb cult for the first time, confronting cultural and aesthetic issues through her examination of a celebrated sculptural type, the recumbent effigy of the deceased in death. Using many unfamiliar period sources, this study reinterprets several famous tombs and funerals and introduces significant enterprises that are little known today to suggest the prominent place held by tomb cult in nineteenth-century France. Images of the tombs complement the text to underline sculpture's unique formal power in funerary mode.

In the era of e-books and online shops, when the classic book trade has come under increasing pressure, the success of a bookshop is by no means a foregone conclusion. Booksellers confront these new challenges with very different economic strategies and conceptual measures. Spatial concepts, furnishings and design are indispensable ingredients of a successful sales strategy for newer as well as more tradition-steeped bookstores. People like to linger - and buy - where they feel comfortable. This volume is dedicated to the most beautiful bookstores in the world. The old and the new, classical and innovative, giant stores and paradises in miniature for bibliophiles: What they all have in common is that they create a desire for books and prove that the bookshop as institution will always fulfil a need and without a doubt enjoys a future.

Two hundred years of industry have transformed the British landscape. This book enables the reader to reconstruct the landscape of past industry. The authors are industrial archaeologists of national standing whose concern is to use surviving material evidence and contemporary sources to study the former working conditions of men and women. Comprehensive in coverage, the book examines fuels, metals, clothing, food, building and transport. It makes clear the tangible elements which form the basis for recreation of past landscapes and demonstrates both their function and the context in which they should be considered.

Buildings provide tremendous insights into the character of imperialism, not least in the manner in which Western forms were spread across the globe. They reveal the projection of power and authority in colonised landscapes, as well the economic ambitions and social and cultural needs of colonial peoples in all types of colonies. They also represent a colonial order of social classes and racial divisions, together with the ways in which these were inflected through domestic living space, places of work and various aspects of cultural relations. They illuminate the desires of Europeans to indulge in cultural and religious proselytisation, encouraging indigenous peoples to adopt western norms. But the resistance of the supposedly subordinate people led to the invasion, adoption and adaptation of such buildings for a post-colonial world. The book will be vital reading for all students and scholars interested in the widest aspects of material culture. -- .

During the Cold War military and civil defence bunkers were an evocative materialisation of deadly military stand-off. They were also a symbol of a deeply affective, pervasive anxiety about the prospect of world-destroying nuclear war. But following the sudden fall of the Berlin Wall in 1989 these sites were swiftly abandoned, and exposed to both material and semantic ruination. This volume investigates the uses and meanings now projected onto these seeming blank, derelict spaces. It explores how engagements with bunker ruins provide fertile ground for the study of improvised meaning making, place-attachment, hobby practices, social materiality and trauma studies. With its commentators ranging across the arts and humanities and the social sciences, this multi-disciplinary collection sets a concern with the phenomenological qualities of these places as contemporary ruins - and of their strange affective affordances - alongside scholarship examining how these places embody, and/or otherwise connect with their Cold War originations and purpose both materially and through memory and trauma. Each contribution reflexively considers the process of engaging with these places - and whether via the archive or direct sensory immersion. In doing so the book broadens the bunker's contemporary signification and contributes to theoretically informed analysis of ruination, place attachment, meaning making, and material culture.

A Graveyard Preservation Primer has proven itself to be a time-tested resource for those who are seeking information regarding the protection and preservation of historic graveyards. It was first written to help stewards of early burial grounds responsibly and effectively preserve their graveyards. Much information found in the first edition of the book remains valid today. Still, much has changed in the twenty-five years since its first publication, and the new edition reflects these changes. Attitudes and the understanding of historic graveyards as an important cultural resource have grown and developed over the years. Likewise, changes in treatments have also taken place. Perhaps the most dramatic change in burial ground preservation is in the world of technology. Changes in computers and the way we use them have also changed preservation practices in historic graveyards. Discussion of technological changes in the new edition includes those in mapping, surveying, photography, archaeology, and other areas of evaluation and planning. Consideration is given, too, to maintenance and conservation treatments, including both traditional and newer treatments for stone, concrete, and metals. Metals were not discussed in the earlier editions, and protection and preservation of the landscape as it relates to graveyards is an expanded focus of this book. The historic preservation of cemeteries and burial grounds is an aspect within the discipline of historic preservation that is unknown to many. Those whose responsibility is the care of these historic sites may be unfamiliar with appropriate approaches to such areas as documentation, planning, maintenance, and conservation. Unwitting personnel can do irreparable harm to these important cultural resources. The Primer is an effort to protect historic cultural resources by breaching the gap between maintenance staff, cemetery boards, friends' groups, and graveyard preservation professionals by offering readily available, responsible information regarding graveyard protection and preservation. It is also designed to assist those who would undertake a preservation project in the reclaiming of a neglected or abandoned historic cemetery. The book is generously illustrated with diagrams and photos illustrating procedures and gravemarker and graveyard forms, styles, and materials. The appendix section is completely updated and expanded, offering a worthwhile resource in itself.

New Museum Design provides a critical and compelling selective survey of contemporary international museum design since 2010. It provides an accessible and analytic review of the architectural landscape of museum and gallery design in the 2010s. The book comprises twelve case study museum and gallery projects from across Europe, Asia, North America, Africa, the Middle East and Australia. Each built example is interrogated through an essay and a series of beautiful supporting illustrations and drawings. Where appropriate architectural analysis is cross-scale, extending from consideration of the artefact's encounter with museum space at the most intimate scale, through detailed architectural readings, to the wider perspective of urban/landscape response. Similarly, the book is not confined in its thematic or architectural 'typological' scope, including museums and art galleries, as well as remodellings, extensions and new build examples. New Museum Design provides a critical snapshot of contemporary international museum architecture, in order to: better understand reasons for the state of current practice; reveal and explore on-going themes and approaches in the field; and to point towards seminal future design directions. This book is essential reading for any student or professional interested in museum design.

The 1960s and the 1970s marked a generational shift in architectural discourse at a time when the revolts inside universities condemned the academic institution as a major force behind the perpetuation of a controlling society. Focusing on the crisis and reform of higher education in Italy, The University as a Settlement Principle investigates how university design became a lens for architects to interpret a complex historical moment that was marked by the construction of an unprecedented number of new campuses worldwide. Implicitly drawing parallels with the contemporary condition of the university under a regime of knowledge commodification, it reviews the vision proposed by architects such as Vittorio Gregotti, Giuseppe Samona, Archizoom, Giancarlo De Carlo, and Guido Canella, among others, to challenge the university as a bureaucratic and self-contained entity, and defend, instead, the role of higher education as an agent for restructuring vast territories. Through their projects, the book discusses a most fertile and heroic moment of Italian architectural discourse and argues for a reconsideration of architecture's obligation to question the status quo. This work will be of interest to postgraduate researchers and academics in architectural theory and history, campus design, planning theory, and history.

A history of beloved cricket grounds from around the world. Using a Then and Now format, historic pictures of cricket grounds are paired with their modern-day equivalent to show the dramatic changes that have taken place. Cricket Grounds Then and Now is a history of some of the most famous cricketing venues from around the world, told through the format of Then and Now photos. Author of the bestselling Remarkable Cricket Grounds and Remarkable Village Cricket Grounds, Brian Levison, has assembled a stunning array of vintage photos of the major Test venues such as Lord's, The Oval, Old Trafford, Trent Bridge, Adelaide and the Sydney Cricket Ground, with which are paired a modern photo from the same viewpoint. There are smaller venues too – Saltaire in Yorkshire with its World Heritage mill as a backdrop; New Road, Worcester, viewed across the River Severn from the Cathedral and Ickwell Village Green with its large oak tree firmly inside the boundary rope. The photos show how some features survived for decades – such as the famous scoreboard on the SCG 'Hill' – or the standing terraces at St.Helens. Some grounds, such as the Central Ground in Hastings, have disappeared altogether. At the larger test venues in Australia, drop-in pitches are now the norm, allowing multiple use of the huge stadia, while in the UK, the county 'outgrounds' have gradually been whittled away. Yorkshire have lost Brammall Lane in Sheffield, Kent have abandoned their occupancy of Dover and Maidstone, while Essex have left Leyton in East London. Cricket Grounds Then and Now is a nostalgic trip around the world's cricketing venues showing both massive changes across a century and occasionally (Cheltenham College) no change at all. Grounds include: Barbados, Berlin, Scarborough, Canterbury, Wellington, Ahmedabad, Ageas Bowl, Old Trafford, Trent Bridge, The Gabba, Melbourne Cricket Ground, Hollywood, Tilford, Dublin, Chelmsford, Sydney Cricket Ground, Aigburth, Buxton, Edgbaston, Philadelphia, Worcester, Headingley, Hove, Taunton, Lord's, The Oval, Pietermaritzburg, Cape Town, Sidmouth and Singapore.

A comprehensive guide to the individual churches, catacombs, embellishments and artefacts of Early Christian Rome. The author describes precisely where the extant features are situated and provides details on what can be seen. The ground plans of each site studies allows the reader to compare the proportions of each church with another.;From the 1st-century visits of the Apostles Peter and Paul to the end of the 9th-century Carolingian Renaissance, the book also includes dates of emperors and popes, and important historical events relating to this period in Rome. A historical introduction places the monuments in the context of the Early Christian period and its development in Rome.

This book offers new ways of investigating relationships between learning and the spaces in which it takes place. It suggests that we need to understand more about the distinctiveness of teaching and learning in post-compulsory education, and what it is that matters about the design of its spaces. Starting from contemporary educational and architectural theories, it suggests alternative conceptual frameworks and methods that can help map the social and spatial practices of education in universities and colleges; so as to enhance the architecture of post-compulsory education.

With a new age of great architecture in full flight, the editors of TIME explore the most astonishing structures of the 21st century, the most influential buildings of the past and the master architects who have helped shape contemporary life. Here are visions of great beauty, from the Taj Mahal to the Sydney Opera House. Here are icons that resonate with history: the Pyramids at Giza, the Chateau de Versailles, Britain's Westminster Palace. Here are memorable homes, from Thomas Jefferson's stately Monticello to Frank Lloyd Wright's serene Fallingwater. Here are buildings touched by genius and sanctified by worship, marvels of engineering and lofty skyscrapers. Here are great eras of design, from the classical age to Art Nouveau to the International Style. Here are the most striking buildings of our time, from the Guggenheim Museum in Bilbao, Spain, to the Burj Khalifa skyscraper in Dubai, which thrusts more than a half-mile into the heavens and became the world's tallest building when it opened in 2010. And here are profiles and portfolios of five groundbreaking architects:20th century masters Ludwig Mies van der Rohe and Frank Lloyd Wright, as well as contemporary visionaries Norman Foster, Frank Gehry and Santiago Calatrava.
Completely updated from a popular 2004 TIME Books classic, the volume is lavishly illustrated with a host of spectacular photographs. In exploring civilization's most enduring creations, Great Buildings also offers an eye-opening encounter with the history, aesthetics and religions of the world's major cultures."

Dan Cruickshank's personal, passionate and learned journey into the very awe-inspiring architectural icons which have transformed culture, society, industry and landscapes throughout the world - bridges. Bridges define places. Imagine San Francisco without the Golden Gate Bridge, Manhattan without the Brooklyn Bridge, or Sydney without Sydney Harbour Bridge. Not only this, but they are spectacles of engineering, and have influenced the development of cultures, economies, environments and lives in more ways than we can count. Now, Dan Cruickshank looks at what bridges mean to us, and draws on some of his personal favourites from all over the world to tell the story of their architectural, cultural and aesthetic influence. Chapters include: EMPIRE - Bridges from the Roman and ancient world NATURE AGAINST NATURE -Timber bridges REVOLUTION - Pioneering structural designs from North America and Europe UNITING PEOPLE - Bringing nations, cities, and communities together VISIONS - Contemporary structures

Robert L. Thompson, FAIA, is the founder and lead design principal of the Portland-based firm TVA Architects, a firm that has built a foundation of collaboration, innovation, and conservation through beautiful design. He is responsible for the design of many of the most prominent buildings throughout Oregon and the Pacific Northwest. TVA Architects creatively transforms their clients' needs and aspirations into elegantly understated works of meaningful architecture, meticulously detailed and impeccably crafted. The projects documented in this book coincide with the fortieth anniversary of this celebrated architect and his body of work as a designer and innovator. He founded TVA Architects in 1984 and built an internationally recognised practice, starting in the Pacific Northwest. In 1993, at the age of thirty-nine, Thompson was the youngest architect in America to be inducted into the American Institute of Architects' College of Fellows for his contribution to the profession. Thompson and TVA Architects have been honored with scores of local, national, and international awards for excellence in design. His projects have ranged from major corporate campuses, high-rise office towers and condominium towers, sports and recreational facilities, retail and cultural projects as well as multi- and single-family residences. This lavishly illustrated monograph, filled with full-colour photography and detailed plans, forms a compilation of select work that celebrates Thompson's influence across architecture over several decades.