The Best American Magazine Writing 2022 presents a range of outstanding writing on timely topics, from in-depth reporting to incisive criticism: Kristin Canning calls for a change in how we talk about abortion (Women's Health), and Ed Yong warns us about the next pandemic (The Atlantic). Matthieu Aikins provides a gripping eyewitness account of the Taliban's seizure of Kabul (New York Times Magazine). Heidi Blake and Katie J. M. Baker's "Beyond Britney" examines how people placed under legal guardianship are deprived of their autonomy (BuzzFeed News). Rachel Aviv profiles a psychologist who studies the fallibility of memory-and has testified for defendants including Harvey Weinstein and Bill Cosby (The New Yorker). The anthology includes dispatches from the frontiers of science, exploring why Venus turned out so hellishly unlike Earth (Popular Science) and detailing the potential of NASA's James Webb Space Telescope (Quanta). It features celebrated writers, including Harper's magazine pieces by Ann Patchett, whose "These Precious Days" is a powerful story of friendship during the pandemic, and Vivian Gornick, who offers "notes on humiliation." Carina del Valle Schorske depicts the power of public dance after pandemic isolation (New York Times Magazine). And the NBA icon Kareem Abdul-Jabbar lauds the Black athletes who fought for social justice (AARP the Magazine). Amid the continuing reckoning with racism, authors reconsider tarnished figures. The Black ornithologist and birder J. Drew Lanham assesses the legacy of John James Audubon in the magazine that bears his name, and Jeremy Atherton Lin questions his youthful enthusiasm for Morrissey (Yale Review). Jennifer Senior writes about memory and the lingering grief felt for a friend killed on 9/11 (The Atlantic). The collection concludes with Nishanth Injam's story of queer first love across religious boundaries, "Come with Me" (Georgia Review).

In recent years marketing has played an ever more important role for daily newspapers and popular magazines. The reader's continuing buying restraint, falling sales, reductions in advertising income and the loss of classified advertising to the Internet, are all symptoms of a crisis. This forces publishing houses to optimize operational processes. Not least the growing competition, both with electronic media and between publishers leads to an ever-increasing importance of the marketing department for the success of the business. Peter Brummund, who has spent years in leading positions in the branch himself, takes a look at this business aspect of the press. In keeping with the practical needs of the specialist reader, the author summarizes the sales and marketing structures of the press: the "classical" and the new marketing channels, engendered by new technology such as the Internet, digital printing and satellite transmissions. The different marketing channels using subscriptions, individual sales, readers clubs and direct marketing are explained in detail, as are elementary mechanisms such as disposition, remittance, fixed prices and discounts. The way press wholesalers function is presented with the general technical and legal conditions and enlarged upon using concrete case studies.

A collection of finalists of the Taco Kuiper Award for Investigative Reporting, this title illustrates the revival of hard-hitting investigative reporting in South Africa and highlights the important role it is playing. These exposes range from government corruption, through white collar crime, to environmental and social issues, written by the country's leading reporters. It includes an essay by Prof Anton Harber on the state of South African journalism and the context for these awards. Stories collected in the title include: South Africa's biggest-ever fraudster; The prosecuting chief who used plagiarism to get the president off the hook; The shifty local politician who used foreign aid money to help a community (but forgot to tell the community about it); Our shoot-to-kill policemen; The anti-apartheid hero and ruling party spin doctor who turned out to be a compete fraud; The horror of Zimbabwe prisons.

The diary of radio correspondent James Cassidy presents a unique view of World War II as this reporter followed the Allied armies into Nazi Germany. James Joseph Cassidy was one of 362 American journalists accredited to cover the European Theater of Operations between June 7, 1944, and the war's end. Radio was relatively new, and World War II was its first war. Among the difficulties facing historians examining radio reporters during that period is that many potential primary documents-their live broadcasts-were not recorded. In NBC Goes to War, Cassidy's censored scripts alongside his personal diary capture a front-line view during some of the nastiest fighting in World War II as told by a seasoned NBC reporter. James Cassidy was ambitious and young, and his coverage of World War II for the NBC radio network notched some notable firsts, including being the first to broadcast live from German soil and arranging the broadcast of a live Jewish religious service from inside Nazi Germany while incoming mortar and artillery shells fell 200 yards away. His diary describes how he gathered news, how it was censored, and how it was sent from the battle zone to the United States. As radio had no pictures, reporters quickly developed a descriptive visual style to augment dry facts. All of Cassidy's stories, from the panic he felt while being targeted by German planes to his shock at the deaths of colleagues, he told with grace and a reporter's lean and engaging prose. Providing valuable eyewitness material not previously available to historians, NBC Goes to War tells a "bottom-up" narrative that provides insight into war as fought and chronicled by ordinary men and women. Cassidy skillfully placed listeners alongside him in the ruins of Aachen, on icy back roads crawling with spies, and in a Belgian bar where a little girl wailed "Les Americains partent!" when Allied troops retreated to safety, leaving the town open to German re-occupation. With a journalistic eye for detail, NBC Goes to War unforgettably portrays life in the press corps. This newly uncovered perspective also helps balance the CBS-heavy radio scholarship about the war, which has always focused heavily on Edward R. Murrow and his "Murrow's Boys."

"[An] incredibly moving collection of oral histories . . . important enough to be added to the history curriculum" Telegraph "Essential reading" History Today "A moving evocation . . . An illuminating if harrowing insight into life in a totalitarian state." Clarissa de Waal, author of ALBANIA: PORTRAIT OF A COUNTRY IN TRANSITION "Albania, enigmatic, mysterious Albania, was always the untold story of the Cold War, the 1989 revolutions and the fall of the Berlin Wall. Mud Sweeter Than Honey goes a very long way indeed towards putting that right" New European After breaking ties with Yugoslavia, the USSR and then China, Enver Hoxha believed that Albania could become a self-sufficient bastion of communism. Every day, many of its citizens were thrown into prisons and forced labour camps for daring to think independently, for rebelling against the regime or trying to escape - the consequences of their actions were often tragic and irreversible. Mud Sweeter than Honey gives voice to those who lived in Albania at that time - from poets and teachers to shoe-makers and peasant farmers, and many others whose aspirations were brutally crushed in acts of unimaginable repression - creating a vivid, dynamic and often painful picture of this totalitarian state during the forty years of Hoxha's ruthless dictatorship. Very little emerged from Albania during communist times. With these personal accounts, Rejmer opens a window onto a terrifying period in the country's history. Mud Sweeter than Honey is not only a gripping work of reportage, but also a necessary and unique portrait of a nation. With an Introduction by Tony Barber *Winner of the Polityka Passport Prize**Winner of the Koscielski Award* Translated from the Polish by Zosia Krasodomska-Jones and Antonia Lloyd-Jones

The Superwoman and Other Writings by Miriam Michelson is the first collection of newspaper articles and fiction written by Miriam Michelson (1870-1942), best-selling novelist, revolutionary journalist, and early feminist activist. Editor Lori Harrison-Kahan introduces readers to a writer who broke gender barriers in journalism, covering crime and politics for San Francisco's top dailies throughout the 1890s, an era that consigned most female reporters to writing about fashion and society events. In the book's foreword, Joan Michelson-Miriam Michelson's great-great niece, herself a reporter and advocate for women's equality and advancement-explains that in these trying political times, we need the reminder of how a ""girl reporter"" leveraged her fame and notoriety to keep the suffrage movement on the front page of the news. In her introduction, Harrison-Kahan draws on a variety of archival sources to tell the remarkable story of a brazen, single woman who grew up as the daughter of Jewish immigrants in a Nevada mining town during the Gold Rush. The Superwoman and Other Writings by Miriam Michelson offers a cross-section of Michelson's eclectic career as a reporter by showcasing a variety of topics she covered, including the treatment of Native Americans, profiles of suffrage leaders such as Susan B. Anthony and Charlotte Perkins Gilman, and police corruption. The book also traces Michelson's evolution from reporter to fiction writer, reprinting stories such as ""In the Bishop's Carriage"" (1904), a scandalous picaresque about a female pickpocket; excerpts from the Saturday Evening Post series, ""A Yellow Journalist"" (1905), based on Michelson's own experiences as a reporter in the era of Hearst and Pulitzer; and the title novella, The Superwoman, a trailblazing work of feminist utopian fiction that has been unavailable since its publication in The Smart Set in 1912. Readers will see how Michelson's newspaper work fueled her imagination as a fiction writer and how she adapted narrative techniques from fiction to create a body of journalism that informs, provokes, and entertains, even a century after it was written.

Not a Novel is the best of Jenny Erpenbeck's non-fiction. Moving and insightful, the pieces range from personal essays and literary criticism to reflections on Germany's history, interrogating life and politics, language and freedom, hope and despair. By turns both luminous and explosive, this collection shows one of the most acclaimed European writers reckoning with her country's divided past, and responding to the world today with intelligence and humanity.

In Dreams of Leaving and Remaining, award winning journalist Meek explores a nation uneasy with itself. In the decades since the twilight of empire, Britain has struggled to find its place, and identity, in the world. This has come to the point of crisis since the 2008 financial crash. Meek meets the farmers and fishermen who wish Britain to turn its back on the world and restore its former glory, and are willing to lose the very support that their industry depends on. He reports on a Cadbury's factory that is to be shut down and moved to Poland in the name of free market economics, exploring the impact on the local community left behind. He charts how the NHS is coping with the twin burdens of austerity and an ageing population. Through his journey he asks what we can recover from the debris of an old nation as we head towards new horizons, and what we must leave behind. There are no easy answers, and what he creates instead is a masterly portrait of an anxious, troubled nation. Instead, he demands that we reconsider the power of the stories that we tell ourselves about who we are, a nation's alienated from itself.

This year's Best American Magazine Writing features articles on politics, culture, sports, sex, race, celebrity, and more. Selections include Ta-Nehisi Coates's intensely debated "The Case For Reparations" (The Atlantic) and Monica Lewinsky's reflections on the public-humiliation complex and how the rules of the game have (and have not) changed (Vanity Fair). Amanda Hess recounts her chilling encounter with Internet sexual harassment (Pacific Standard) and John Jeremiah Sullivan shares his investigation into one of American music's greatest mysteries (New York Times Magazine). The anthology also presents Rebecca Traister's acerbic musings on gender politics (The New Republic) and Jerry Saltz's fearless art criticism (New York). James Verini reconstructs an eccentric love affair against the slow deterioration of Afghanistan in the twentieth century (The Atavist); Roger Angell offers affecting yet humorous reflections on life at ninety-three (The New Yorker); Tiffany Stanley recounts her poignant experience caring for a loved one with Alzheimer's (National Journal); and Jonathan Van Meter takes an entertaining look at fashion's obsession with being a social-media somebody (Vogue). Brian Phillips describes his surreal adventures in the world of Japanese ritual and culture (Grantland), and Emily Yoffe reveals the unforeseen casualties in the effort to address the college rape crisis (Slate). The collection concludes with a work of fiction by Donald Antrim, exploring the geography of loss. (The New Yorker).

Award-winning journalist Wolfgang Bauer and photographer Stanislav Krupar were the first undercover reporters to document the journey of Syrian refugees from Egypt to Europe. Posing as English teachers in 2014, they were direct witnesses to the brutality of smuggler gangs, the processes of detainment and deportation, the dangers of sea-crossing on rickety boats, and the final furtive journey through Europe. Combining their own travels with other eyewitness accounts in the first book of reportage of its kind, Crossing the Sea brings to life both the systemic problems and the individual faces behind the crisis, and is a passionate appeal for more humanitarian refugee policies.

11 Was macht fur Pottker den Beruf Journalismus aus? Konstitutiv ist zunachst einmal, im Sinne der Berufsdefinition Max Webers, eine typische Spezifizierung, Spezialisierung und Kombination von Leistungen einer Person [ ], welche fur sie die Grundlage einer kontinuierlichen Versorgungs- und Erwerbschance ist (Weber 1972: 80). Mit anderen Worten: Journalisten sollen fur ihre spezielle Tatigkeit und die dafur erworbenen Kom- tenzen ein regelmassiges und zum Leben ausreichendes Einkommen erwarten (konnen). Daruber hinaus ist der Journalistenberuf mit einer ihm eigenen Aufgabe bewusst verm- det Pottker den systemtheoretisch konnotierten Funktionsbegriff verbunden: dem Herst- len von Offentlichkeit (vgl. u. a. Pottker 1999). Als Kernelement des journalistischen - rufsethos lasst sich damit ein Drang zum An-den-Tag-bringen beschreiben, der bereits in der Berufsbezeichnung Journalist erkennbar wird, in der das franzosische Nomen le jour (der Tag) enthalten ist: Journalisten bringen an den Tag, was nicht verschwiegen werden darf, damit ihre Rezipienten sich in der Gesellschaft, in der sie leben, zurechtfinden konnen. Aus der Offentlichkeitsaufgabe ergibt sich eine journalistische Grundpflicht zum P- lizieren, von der im Prinzip kein Gegenstand und kein Thema ausgenommen ist (ebd.: 221). Pottker vergleicht diese Grundnorm oft anschaulich mit ahnlichen bei Arzten, die menschliches Leben erhalten, oder Rechtsanwalten, die fur ihre Mandanten das rechtlich Mogliche herausholen sollen. Sollte es Grunde geben, die gegen eine Befolgung dieser Gebote sprechen, so mussen diese besonders stark ausgepragt sein. Nach dieser Argumen- tion ist das Nicht-Veroffentlichen von bestimmten Themen ein schwerer wiegender Verstoss gegen die journalistische Professionalitat als eine Verfalschung publizierter Informationen."

'A true genius of comedy' Grayson Perry As a Metropolitan Elitist Snowflake, Stewart Lee was disappointed by the EU referendum result of 2016. But he knew how to weaponise his inconvenience - and the result is March of the Lemmings. Drawing on three years of newspaper columns, a complete transcript of the Content Provider stand-up show, and Lee's caustic footnote commentary, this is the scathing record the Brexit era deserves. With a riotous cast of characters (including a Lemming-obsessed Michael Gove), a dramatic chorus of online commenters and Kremlin bots, and Lee himself as our unreliable narrator-hero, this is the ultimate companion to the Brexit horror show.

'Determination, grit and humour shine through' Lindsey Hilsum, Observer Nineteen Arab women journalists speak out about what it's like to report on their changing homelands in this first-of-its-kind essay collection. A growing number of intrepid Arab and Middle Eastern sahafiyat - female journalists - are working tirelessly to shape nuanced narratives about their changing homelands, often risking their lives on the front lines of war. Here, nineteen of these women tell us, in their own words, about what it's like to report on conflicts that (quite literally) hit close to home. Their daring and heartfelt stories, told here for the first time, shatter stereotypes about the region's women and provide an urgently needed perspective on a part of the world that is frequently misunderstood. With a foreword by CNN chief international anchor Christiane Amanpour. INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck

'They were not just reporters; they were also pioneers, and Judith Mackrell has done them proud.' -Spectator Going with the Boys follows six intrepid women as their lives and careers intertwined on the front lines of the Second World War. Martha Gellhorn got the scoop on D-Day by traveling to Normandy as a stowaway on a Red Cross ship; Lee Miller went from being a Vogue cover model to the magazine's official war correspondent; Sigrid Schultz hid her Jewish identity and risked her life by reporting on the Nazi regime; Virginia Cowles, transformed herself from 'society girl columnist' to combat reporter; Clare Hollingworth was the first English journalist to break the news of the war, while Helen Kirkpatrick was the first woman to report from an Allied war zone to be granted equal privileges to her male colleagues. Barred from official briefings and from combat zones, their lives made deliberately difficult by entrenched prejudice, all six set up their own informal contacts and found their own pockets of war action. In this gripping, intimate and nuanced account, Judith Mackrell celebrates these extraordinary women and reveals how they wrote history as it was being made, changing the face of war reporting forever. 'This is a book that manages to be thoughtful and edge-of-your-seat thrilling.' - Mail on Sunday 'Like the copy filed by her subjects, it is an essential read.' - BBC History Magazine

This book concentrates on Russia-related Pulitzer Prize-winning reports and editorial cartoons from leading American newspapers. The reports cover the span from the early stages of the Soviet Union under Lenin through to the Russian Federation under Putin. American top journalists and cartoonists show the suppression system of the Stalin era to Gorbachev's Glasnost and Perestroika movement and the events thereafter. Each story is told on the basis of the original newspaper sources, the biography of the award-winners, and the confidential jury reports of the Pulitzer Prize juries, disclosing the decision-making processes. (Series: Pulitzer Prize Panorama - Vol. 5)

Explores the link between revolutionary change in the Victorian world of print and women's entry into the field of mass-market publishing This book highlights the integral relationship between the rise of the popular woman writer and the expansion and diversification of newspaper, book and periodical print media during a period of revolutionary change, 1832-1860. It includes discussion of canonical women writers such as Felicia Hemans, Charlotte Bronte and George Eliot, as well as lesser-known figures such as Eliza Cook and Frances Brown. It also examines the ways women readers actively responded to a robust popular print culture by creating scrapbooks and engaging in forms of celebrity worship. Easley analyses the ways Victorian women's participation in popular print culture anticipates our own engagement with new media in the twenty-first century.

The Illustrated Police News cost just a penny, providing an affordable illustrated roundup of `all the startling events of the week' from its first issue published on 20th February 1864. Promising to educate the people with fantastic features such as `BURGLARIES OF THE WEEK' and its bountiful, often outlandish, illustrations, the paper was also a-perhaps unexpected- champion of social change. With crime historian Linda Stratmann as guide, the articles and special reports of the newspaper provide a fascinating view into the reading tastes and daily lives of its readership throughout the decades. Led by the newspaper's bombastic imagery sourced from the Library's extensive archive, this new book revels in the infamy and social significance behind the exuberant headlines of this extraordinary periodical.

The Best American Magazine Writing 2021 presents outstanding journalism and commentary that reckon with urgent topics, including COVID-19 and entrenched racial inequality. In "The Plague Year," Lawrence Wright details how responses to the pandemic went astray (New Yorker). Lizzie Presser reports on "The Black American Amputation Epidemic" (ProPublica). In powerful essays, the novelist Jesmyn Ward processes her grief over her husband's death against the backdrop of the pandemic and antiracist uprisings (Vanity Fair), and the poet Elizabeth Alexander considers "The Trayvon Generation" (New Yorker). Aymann Ismail delves into how "The Store That Called the Cops on George Floyd" dealt with the repercussions of the fatal call (Slate). Mitchell S. Jackson scrutinizes the murder of Ahmaud Arbery and how running fails Black America (Runner's World). The anthology features remarkable reporting, such as explorations of the cases of children who disappeared into the depths of the U.S. immigration system for years (Reveal) and Oakland's efforts to rethink its approach to gun violence (Mother Jones). It includes selections from a Public Books special issue that investigate what 2020's overlapping crises reveal about the future of cities. Excerpts from Marie Claire's guide to online privacy examine topics from algorithmic bias to cyberstalking to employees' rights. Aisha Sabatini Sloan's perceptive Paris Review columns explore her family history in Detroit and the toll of a brutal past and present. Sam Anderson reflects on a unique pop figure in "The Weirdly Enduring Appeal of Weird Al Yankovic" (New York Times Magazine). The collection concludes with Susan Choi's striking short story "The Whale Mother" (Harper's Magazine).

Sachin Tendulkar has made poets of prose writers even if his strokeplay has demontrated the futility of conveying in words the brilliance of his batsmanship. As R C Robertson-Glasgow said in another context, he was "easy to watch, difficult to bowl to and impossible to write about." In this collection of essays by some of the finest writers on cricket, the attempt is not so much to pin Sachin down as to let him roam free: beyond statistics, above nationality, and above the need to explain. From the sublime to the ridiculous it is all here. As Peter Roebuck once said "Whenever I feel low I only need to remind myself how privileged I am to be writing on the game in the Tendulkar era"

Between 1925 and 1951, Kent Cooper transformed the Associated Press, making it the world's dominant news agency while changing the kind of journalism that millions of readers in the United States and other countries relied on. Gene Allen's biography is a globe-spanning account of how Cooper led and reshaped the most important institution in American--and eventually international--journalism in the mid-twentieth century. Allen critically assesses the many new approaches and causes that Cooper championed: introducing celebrity news and colorful features to a service previously known for stodgy reliability, pushing through disruptive technological innovations like the instantaneous transmission of news photos, and leading a crusade to bring American-style press freedom--inseparable from private ownership, in Cooper's view--to every country. His insistence on truthfulness and impartiality presents a sharp contrast to much of today's fractured journalistic landscape. Deeply researched and engagingly written, Mr. Associated Press traces Cooper's career as he built a new foundation for the modern AP and shaped the twentieth-century world of news.

Do You Believe in the Power of Rock & Roll? is a history of alternative rock from John Robb, with the music still ringing in his ears. This collection follows John's journey from the late 1970s, when he was first caught up in punk's high-octane thrill, to the present day, via the early days of the rave scene, the birth of electronic and techno, and myriad bands that spun off on their own idiosyncratic paths. John was the first person to write about Nirvana, he coined the term Britpop, and he documented the Stone Roses' rise out of Manchester before anyone else was interested. He was at every pivotal gig, and has interviewed every key player in the business, including Jordan, the queen of punk, founding father of new American rock Steve Albini, goth-rock guitarist Daniel Ash, infamous Oasis co-founder Noel Gallagher, and music greats like Lemmy and Poly Styrene. Few others have witnessed first-hand so many important moments of the last forty years of rock history. Here, they come together to form the essential history of a personal quest to document the ever-changing soundtrack of the modern world.