After introducing the dramaturgical perspectives by drawing on
insights from anthropology, sociology, and the theater, the
contributors give examples of enactments for which the persons
involved were quite conscious of the fact that they must first
establish a stage, or action area, before they could perform. As in
theater, the setting of the stage has implicit meanings and actions
will then become explicit as the drama unfolds. In Part I of the
book, the accounts of the early kibbutzniks who needed an action
area for their collective agricultural settlements, the new
settlers who wish to reclaim Judea and Samaria, and the
African-Americans who discovered that Israel was at the
intersection of Hebrew and African traditions, provide variations
on this theme.
Part II details varieties of enactments that have and possibly
will take place in Israel, including an account of Ethiopian youths
who experienced their crossing of the Sudan on their way to Israel
to participate in the events of the Millennium. Other accounts of
social dramas describe the sulha, the traditional Bedouin method of
the resolution of a blood feud between Bedouin tribes, and the
religious pilgrimmages by Jews, Arabs, and Christians to holy sites
where they sometimes reenact a past event.
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