The distilled, haunting, and subtly complex poems in Adam Clay's A
Hotel Lobby at the Edge of the World often arrive at that moment
when solitude slips into separation, when a person suddenly
realizes he can barely see the place he set out from however long
ago. He now sees he must find his connection back to the present,
socially entangled world in which he lives. For Clay, reverie can
be a siren's song, luring him to that space in which prisoners will
begin "to interrogate themselves." Clay pays attention to the
poet's return to the world of his daily life, tracking the subtly
shifting tenors of thought that occur as the landscape around him
changes. Clay is fully aware of the difficulties of Thoreau's
"border life," and his poems live somewhere between those of James
Wright and John Ashbery: they seek wholeness, all the while
acknowledging that "a fragment is as complete as thought can be."
In the end, what we encounter most in these poems is a generous
gentleness--an attention to the world so careful it's as if the
mind is "washing each grain of sand."
General
Imprint: |
Milkweed Editions
|
Country of origin: |
United States |
Release date: |
May 2012 |
First published: |
April 2012 |
Authors: |
Adam Clay
|
Dimensions: |
215 x 139 x 8mm (L x W x T) |
Format: |
Paperback
|
Pages: |
96 |
Edition: |
New |
ISBN-13: |
978-1-57131-441-3 |
Categories: |
Books
Promotions
|
LSN: |
1-57131-441-5 |
Barcode: |
9781571314413 |
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