This collection of essays aims to reflect the views of music
scholars who bring critical theory to bear on the theory and
analysis of music. The essayists intend to avoid fixation on
aesthetics and focus instead on the social and psychological
concerns that are sometimes considered marginal to the subject. In
general, this text is a response to the question, "Must the
practise of music analysis and music theory always re-inscribe the
ideology of aesthetic autonomy?" It is hoped that these responses
should appeal not only to cultural theorists but also to a larger
audience engaged in critical theory.
General
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