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Le Corbusier, Unite d'habitation, Marseille - Opus 65 (German, Hardcover)
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Le Corbusier, Unite d'habitation, Marseille - Opus 65 (German, Hardcover)
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Text in English and German. Third Revised Edition 2018. If there is
one building by Le Corbusier that represents a synthesis of his
basic concepts it is certainly the Unite dhabitation built in
Marseille in 194652. This built manifesto does not simply put
forward a social model as a utopia, but also the unity of
architecture and town planning. It is one of the most significant
buildings there has ever been, but it also triggered a great deal
of controversy. The story of the response to it has been recorded
in order to investigate why this extremely ambitious project in
particular should have caused such a conflict between intention and
effect. The Unite dhabitation in Marseille is now very popular with
the people who live in it as a building. Despite all the criticism,
it obviously still offers functional advantages that make it easier
for individuals and the community to live together. The enormous
sculptural force and the characteristic interplay of light and
colour shown in the photographs make the building into a
"personality" that can be identified with. As well as this, the
building also offers something special in terms of concrete spatial
experience. In the age of a superficial 'adventure society' it
claims the intensity of an everyday experience that is both casual
and at the same time complex, embracing all the senses. This
extends from the reception in the imposing foyer to the 'theatre'
of figures on the roof terrace in the light of the landscape, from
the inverted urban scenery of the promenade publique to twilight
seclusion in the silent residential streets. And it includes the
flats themselves, which open up expansively to draw in the sea and
mountain mood. Le Corbusier used his architectural resources
atmospherically and scenically to give the Unite dhabitation a
succinct coherence that also forms the basis for individual lives
within its rooms and spaces. Precise observation and description
reveal the mechanisms of these effects. All three authors are
qualified architects. Alban Janson is professor of the fundamentals
of architecture at Karlsruhe University, Carsten Krohn lives and
works as an author in Berlin, and Anja Grunwald teaches
architectural photography at Karlsruhe University.
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