0
Your cart

Your cart is empty

Books > Arts & Architecture > Music > Non-Western music, traditional & classical

Not currently available

World Music and the Black Atlantic - Producing and Consuming African-Cuban Musics on World Music Stages (Paperback) Loot Price: R773
Discovery Miles 7 730
World Music and the Black Atlantic - Producing and Consuming African-Cuban Musics on World Music Stages (Paperback): Aleysia K....

World Music and the Black Atlantic - Producing and Consuming African-Cuban Musics on World Music Stages (Paperback)

Aleysia K. Whitmore

 (sign in to rate)
Loot Price R773 Discovery Miles 7 730 | Repayment Terms: R72 pm x 12*

Bookmark and Share

Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.

In the mid-20th century, African musicians took up Cuban music as their own and claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. World Music and the Black Atlantic follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. World Music and the Black Atlantic examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. World Music and the Black Atlantic offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange.

General

Imprint: Oxford UniversityPress
Country of origin: United States
Release date: June 2020
Authors: Aleysia K. Whitmore (Assistant Professor of Ethnomusicology)
Dimensions: 234 x 155 x 17mm (L x W x T)
Format: Paperback
Pages: 250
ISBN-13: 978-0-19-008395-3
Categories: Books > Arts & Architecture > Music > Non-Western music, traditional & classical
Books > Arts & Architecture > Music > Contemporary popular music > Easy listening, MOR
Books > Business & Economics > Industry & industrial studies > Media, information & communication industries > Music industry
Books > Music > Contemporary popular music > Easy listening, MOR
Books > Music > Non-Western music, traditional & classical
LSN: 0-19-008395-6
Barcode: 9780190083953

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners