In a landscape worthy of Cormac McCarthy, the river runs septic
with blood. Edgar Wilson makes the sign of the cross on the
forehead of a cow, then stuns it with a mallet. He does this over
and over again, as the stun operator at Senhor Milo's
slaughterhouse: reliable, responsible, quietly dispatching cows and
following orders, wherever that may take him. It's important to
calm the cows, especially now that they seem so unsettled: they
have begun to run in panic into walls and over cliffs. Bronco Gil,
the foreman, thinks it's a jaguar or a wild boar. Edgar Wilson has
other suspicions. But what is certain is that there is something in
this desolate corner of Brazil driving men, and animals, to murder
and madness.
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