Available in paperback for the first time, this is a full-length
study of the films of Francois Ozon, director of such diverse films
as 8 femmes, Swimming Pool, 5x2 and Les amants criminels. Andrew
Asibong's passionate and critical analysis focuses on the extent to
which Ozon's seemingly light touch never ceases to engage with the
fundamentally weighty issue of existential transformation, a
transformation that affects both his protagonists and his
audiences. A central question emerges: what is at stake,
cinematically, ethically and politically, in Ozon's alternatively
utopian and cynical flirtation with the construction and
deconstruction of contemporary social relations. Revealing Ozon as
a highly adept 'fan' of a whole range of thought, literature and
cinema, Asibong places the precocious French auteur in an
intellectual yet highly accessible critical framework, allowing
Ozon's importance for a thoroughly postmodern filmgoing generation
to be given the attention it deserves. -- .
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