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The Craft of Art - Originality and Industry in the Italian Renaissance and Baroque Workshop (Paperback)
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Discovery Miles 10 110
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The Craft of Art - Originality and Industry in the Italian Renaissance and Baroque Workshop (Paperback)
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In this collection of nine essays some of the preeminent art
historians in the United States consider the relationship between
art and craft, between the creative idea and its realization, in
Renaissance and Baroque Italy. The essays, all previously
unpublished, are devoted to the pictorial arts and are accompanied
by nearly 150 illustrations. Examining works by such artists as
Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale
Carracci (along with aspects of the artists' creative processes,
work habits, and aesthetic convictions), the essayists explore the
ways in which art was conceived and produced at a time when
collaboration with pupils, assistants, or independent masters was
an accepted part of the artistic process. The consensus of the
contributors amounts to a revision, or at least a qualification, of
Bernard Berenson's interpretation of the emergent Renaissance ideal
of individual ""genius"" as a measure of original artistic
achievement: we must accord greater influence to the collaborative,
appropriative conventions and practices of the craft workshop,
which persisted into and beyond the Renaissance from its origins in
the Middle Ages. Consequently, we must acknowledge the sometimes
rather ordinary beginnings of some of the world's great works of
art--an admission, say the contributors, that will open new avenues
of study and enhance our understanding of the complex connections
between invention and execution. With one exception, these essays
were delivered as lectures in conjunction with the exhibition The
Artists and Artisans of Florence: Works from the Horne Museum
hosted by the Georgia Museum of Art in the fall of 1992.
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