The theatre of Ana Diosdado and Paloma Pedrero in Spain, and Aida
Bortnik and Griselda Gambaro in Argentina, written between 1960 and
1990, reveals an increasing preoccupation with women's issues
together with a continuing awareness of problematic political
realities. Whether they challenge the strict separation between the
private and the public, or whether they choose to uphold that
distinction, these authors make the personal political by
appropriating the public space - the stage - for the stories of
women.
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