Vigorous, humorous, and moving autobiography of a spectacular
photograher, whose writing - like his pictures - is "vibrant with
light of a cool translucence and a great mystery of presence."
Adams completed the five-year task of writing his manuscript but
had chosen pictures only for the first chapter when he died last
year at 82. His autobiography proceeds as intuitively and
fragmentarily as he suggests it will, with loved friends popping to
mind. "It is sometimes a desolate moment when one sees old
photographs and realizes that all the humanity represented is dead
and forgotten. . .there is a reality in the camera remembrances
that compels respectful consideration." At four, his nose was
broken in the San Francisco earthquake. The family doctor advised
his father it be left alone until Adams matured: "Apparently I
never matured, as I have yet to see a surgeon about it." And a
handsomely deformed earthquake of a beak it became! A hyperactive
but sickly child, Adams was lucky to have a nurturing father, who
first taught him as a child about the camera obscura, encouraged
him as a classical pianist and his interest in the fine arts, took
the family on trips to Yosemite, gave him Ms first Kodak Box
Brownie, and bought the lad a burro when Ansel got his first job at
18 as custodian of Sierra Club's headquarters at the park. These
years first brought him the magic he would know for a lifetime: ".
. .to lie in a small recess of the granite matrix of the Sierra and
watch the progress of dusk to night, the incredible brilliance of
the stars, the waning of the glittering sky into dawn, and the
following sunrise on the peaks and domes about me. And always the
cool dawn wind that I believe to be the prime benediction of the
Sierra. . .I knew my destiny when I first experienced Yosemite." At
15, he became a "dark room monkey" for a San Francisco neighbor who
operated a photo-finishing business. As his mastery of the craft of
photography develops, he has much to say about printing as well as
intuitive subject-ideas, and then about creative photography: as
Alfred Stieglitz tells him, "When I make a photograph, I make
love!" The autobiography includes 270 black-and-white
illustrations, including intimate snapshots and many monumental
images never before published. His peaceful death scene, written by
friend and editor Mary Street Alinder, is especially beautiful.
(Kirkus Reviews)
With Mary Street Alinder
This popularly-priced paperback edition of Adams''acclaimed 1985 autobiography preserves the complete text, but reproduces a sampling of photographs rather than the extensive number of illustrations found in the original hardcover edition. With vigor and wit, America's most beloved photographer-environmentalist recalls his extraordinary six-decade career. "A warm, discursive, and salty document." The New Yorker
General
Imprint: |
Little, Brown
|
Country of origin: |
United States |
Release date: |
July 1996 |
First published: |
February 1996 |
Authors: |
Ansel Adams
• Mary Street Alinder
|
Dimensions: |
234 x 152 x 25mm (L x W x T) |
Format: |
Paperback
|
Pages: |
339 |
Edition: |
New ed |
ISBN-13: |
978-0-8212-2241-6 |
Categories: |
Books
|
LSN: |
0-8212-2241-4 |
Barcode: |
9780821222416 |
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