There have been far-reaching changes in the way music theorists and
analysts view the nature of their disciplines. Encounters with
structuralist and post-structuralist critical theory, and with
linguistics and cognitive sciences, have brought the theory and
analysis of music into the orbit of important developments in
intellectual history. This book presents the work of a group of
scholars who, without seeking to impose an explicit redefinition of
either theory or analysis, explore the limits of both in this
context. Essays on the languages of analysis and theory, and on
practical issues such as decidability, ambiguity and metaphor,
combine with studies of works by Debussy, Schoenberg, Birtwistle
and Boulez, together making a major contribution to an important
debate in the growth of musicology.
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