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Geographies of Power: Understanding the Nature of Terminal Classic Pottery in the Maya Lowlands (Paperback)
Loot Price: R1,868
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Geographies of Power: Understanding the Nature of Terminal Classic Pottery in the Maya Lowlands (Paperback)
Series: British Archaeological Reports International Series
Expected to ship within 10 - 15 working days
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Twelve contributors present the contents of the Terminal Classic
(the Mayan Lowlands, Central America) ceramic complexes in their
area of study, and discuss them against the complexity and
diversity of social processes illuminated by recent investigations.
Contents: An Introduction to Geographies of Power (Sandra L. Lopez
Varela and Antonia E. Foias); A Survey of Terminal Classic Ceramic
Complexes and Their Socioeconomic Implications (Donald W. Forsyth);
Fine Paste Wares and the Terminal Classic in the Petexbatun and
Pasion Regions, Peten, Guatemala (Antonia E. Foias and Ronald L.
Bishop); Dynamics of Engagement in the Usumacinta River Valley and
the Coastal Plains of Tabasco: traversing Terminal Classic
Hypotheses (Sandra L. Lopez Varela); The communities of the Holmul
river drainage at the periphery of Tikal during the terminal
classic and the identification of a distinctive micaceous paste
component (Vilma Fialko); Contextualizing the Collapse Hegemony and
Terminal Classic Ceramics from Caracol, Belize (Arlen F. Chase and
Diane Z. Chase); Continuity and Change in the Ceramic Complex of
Xunantunich during the Late and Terminal Classic Periods (Lisa J.
LeCount); Terminal Classic Pottery Production in the Ulua Valley,
Honduras (Jeanne L. Lopiparo, Rosemary A. Joyce, and Julia A.
Hendon); Pushing the Limits: Late to Terminal Classic Settlement
and Economies on the Northern Belize Coast (Shirley Boteler Mock);
Western Puuc Sociopolitical and Community Organization as Viewed
through Terminal Classic Ceramics (Lorraine A. Williams-Beck); Late
and Terminal Classic Puuc Ceramics as seen from Xkipche (Michael
Vallo); Future Directions in the Study of Terminal Classic
Ceramics: some brief Comments (Jeremy A. Sabloff).
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