Books > Arts & Architecture > Performing arts > Other public performances & spectacles > Puppetry, miniature & toy theatre
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Wayang Potehi of Java (Hardcover)
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Wayang Potehi of Java (Hardcover)
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Indonesia is blessed with vast and unique arts and culture-a result
of being a melting pot of different cultures that ever visited the
archipelago for centuries. One form of performance art that came
from China and was warmly received in Java is Wayang Potehi. This
hand-puppet performance art went through its own up and downs over
the centuries from political circumstances and, yet, today still
maintains it original format despite the fact that majority of the
artists are now Javanese."WAYANG POTEHI OF JAVA" is a premium
coffee-table book that aims to introduce the artistry of the past
and current artists to the contemporary Indonesian and
international audience. It is also a form of an invitation for
Indonesians to appreciate and be proud of Wayang Potehi as a part
of the nation's art and culture.Wayang Potehi is an iconic art form
of Chinese puppet theatre in Indonesia. In the beginning, its
existence was constrained mostly within Chinese temples in Java.
But in 1967, the repression of Chinese under the New Order
government in Indonesia for 33 years restricted and prohibited its
activities and almost killed its existence. Wayang Potehi came back
alive during the presidency of Abdurrahman Wahid and now it can be
performed without any restrictions.Today, people-Chinese or
non-Chinese, elderly or young-are keen on watching Wayang Potehi
shows. Many of them idolize and discuss over its main characters
such as Sie Djin Koei, Tek Djing, Kwan Kong etc. It slowly gains
its popularity back. In rural areas such as Mojoagung, Gudo and
Blitar, Wayang Potehi shows are watched mostly by natives. Even the
artists (from the puppeteer, musician and puppetmaker) are majority
Javanese and Moslem. Although the number of puppetmakers is pretty
small, they all have their own unique perception and taste in their
creations.Wayang Potehi went through a tremendous adaptation with
the local culture during its proliferation and evolution in Java
influenced by societal trends and power in politics. Nonetheless,
the format and the elements of its original, root traditions
embedded in the structure and the flow of the performance, as well
as the look and shape of the puppets are still well maintained. It
all formed what is called today: WAYANG POTEHI OF JAVA.
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