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For the Love of Beauty - Art, History, and the Moral Foundations of Aesthetic Judgument (Paperback)
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For the Love of Beauty - Art, History, and the Moral Foundations of Aesthetic Judgument (Paperback)
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For most of the last century the methodology of art history has
followed a positivist approach, emphasizing form and style, fact
and history as the means of studying works of art. By contrast the
philosophical pursuit of truth, once central to the fine arts and
humanities has largely been abandoned. In For The Love of Beauty,
Arthur Pontynen offers a searching and ambitious critique of modern
aesthetic practice that aims to restore the pursuit of the
knowledge of reality--Being--to its rightful place. Pontynen begins
by addressing the question of why the pursuit of truth (be it
called Dao, Dharma, God, Logos, Ideal, etc.) is no longer
acceptable in academic circles even though it has been intrinsic to
the purpose of art at most times and in most cultures. Lacking the
pursuit of truth, of some degree of knowledge of what is true and
good, the humanities necessarily lack intellectual and cultural
grounding and purpose. Fields of study such as philosophy, music,
art, and history are therefore trivialized and brutalized.
Pontynen's focus on the study of the visual arts details the how
the denial of purpose and quality in modernist and postmodernist
aesthetics has denied art any possibility of transcending
entertainment, therapy, or propaganda. In place of the established
narratives, Pontynen offers a counter-narrative based on a
cross-cultural pursuit of the good, the true, and the beautiful. He
recognizes that substantively different cultural traditions exist
and that the truth claims of each may be valid in whole or in part.
He shows how the history of art parallels the intellectual history
of Western culture and how these parallels affect both aesthetics
and ethics. Pontynen engages with those elements of modernist and
postmodernist thought that might be true. His purpose is not simply
to deny their validity but to engage a viewpoint that does not
privilege the notion of a purposeless cosmos. For the Love of
Beauty will be of interest to art historians, students of
aesthetics, ethics, and intellectual historians.
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