In recent decades, experimental music has flourished outside of
European and American concert halls. The principles of
indeterminacy, improvisation, nonmusical sound, and noise,
pioneered in concert and on paper by the likes of Henry Cowell,
John Cage, and Ornette Coleman, can now be found in all kinds of
new places: activist films, rock recordings, and public radio
broadcasts, not to mention in avant-garde movements around the
world.
The contributors to "Tomorrow Is the Question" explore these
previously unexamined corners of experimental music history,
considering topics such as Sonic Youth, Julius Eastman, the
Downtown New York pop avant-garde of the 1970s, Fluxus composer
Benjamin Patterson, Tokyo's Music group (aka Group Ongaku), the
Balinese avant-garde, the Leicester school of British
experimentalists, Cuba's Grupo de Experimentacion Sonora del ICAIC,
Pauline Oliveros's score for the feminist documentary
"Maquilapolis," NPR's 1980s "RadioVisions," and the philosophy of
experimental musical aesthetics.
Taken together, this menagerie of people, places, and things makes
up an actually existing experimentalism that is always partial,
compromised, and invented in its local and particular
formations--in other words, these individual cases suggest that
experimentalism has been a far more variegated set of practices and
discourses than previously recognized. Asking new questions leads
to researching new materials, new individuals, and new contexts
and, eventually, to the new critical paradigms that are necessary
to interpret these materials. Gathering contributions from
historical musicology, enthnomusicology, history, philosophy, and
cultural studies, "Tomorrow Is the Question" generates future
research directions in experimental music studies by way of a
productive inquiry that sustains and elaborates critical
conversations.
General
Imprint: |
The University of Michigan Press
|
Country of origin: |
United States |
Release date: |
February 2014 |
First published: |
February 2014 |
Editors: |
Benjamin Piekut
|
Dimensions: |
229 x 152 x 31mm (L x W x T) |
Format: |
Hardcover - Cloth over boards
|
Pages: |
304 |
ISBN-13: |
978-0-472-11926-4 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
Promotions
|
LSN: |
0-472-11926-5 |
Barcode: |
9780472119264 |
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